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Abbey 1803 by John Sell Cotman 1782-1842Rievaulx Abbey 1803 John Sell Cotman 1782-1842 Presented by the Art Fund (Herbert Powell Bequest) 1967 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MeadowsL0047_00.003.tifhttps://sublimesites.co/wp-content/uploads/2023/03/dh-salisbury-2-detail.jpgdh-salisbury-2-detailhttps://sublimesites.co/wp-content/uploads/2023/03/tate-salisbury-det.jpgSalisbury Cathedral from the MeadowsL0047_00.003.tifhttps://sublimesites.co/wp-content/uploads/2023/03/lucas-stratford-mill.jpglucas-stratford-millhttps://sublimesites.co/wp-content/uploads/2023/03/lucas-lock-wp.jpglucas-lock-wphttps://sublimesites.co/wp-content/uploads/2023/03/lucas-cornfield-wp.jpgThe Cornfield published 1834 by John Constable and David Lucas 1776-1837, 1802-1881The Cornfield published 1834 John Constable and David Lucas 1776-1837, 1802-1881 Purchased 1991 http://www.tate.org.uk/art/work/T06476https://sublimesites.co/wp-content/uploads/2023/03/dh-summerland-detail.jpgdh-summerland-detailhttps://sublimesites.co/wp-content/uploads/2023/03/tate-salisbury-header-2.jpgSalisbury Cathedral from the MeadowsL0047_00.003.tifhttps://sublimesites.co/wp-content/uploads/2023/03/english-landscape-tp.jpgenglish-landscape-tp2023-04-23T13:38:42+00:00monthlyhttps://sublimesites.co/2023/04/16/perfecting-a-rainbow-john-constable-and-david-lucas-salisbury-cathedral-from-the-meadows-1834-7-part-5-catalogue-of-states-01f/https://sublimesites.co/wp-content/uploads/2023/04/010a-dh-colchester-cleaned-det-bird.jpg010a-dh-colchester-cleaned-det-birdhttps://sublimesites.co/wp-content/uploads/2023/04/00e2-det-birds-not.jpg00e2-det-birds-nothttps://sublimesites.co/wp-content/uploads/2023/04/010-ra-det-birds.jpgConstable, John; Hodgson and Graves (London); Lucas, David; Salisbury Cathedral (Large plate); Salisbury Cathedral from the Meadows; The Church under a Cloud; The Rainbow, Salisbury CathedralConstable, John; Hodgson and Graves (London); Lucas, David; Salisbury Cathedral (Large plate); Salisbury Cathedral from the Meadows; The Church under a Cloud; The Rainbow, Salisbury Cathedral; https://www.royalacademy.org.uk/art-artists/work-of-art/O9155 Credit line: (c) Royal Academy of Arts / Photographer credit: Prudence Cuming Associates Limitedhttps://sublimesites.co/wp-content/uploads/2023/04/010-ra-det-right-sky-horizon.jpgConstable, John; Hodgson and Graves (London); Lucas, David; Salisbury Cathedral (Large plate); Salisbury Cathedral from the Meadows; The Church under a Cloud; The Rainbow, Salisbury CathedralConstable, John; Hodgson and Graves (London); Lucas, David; Salisbury Cathedral (Large plate); Salisbury Cathedral from the Meadows; The Church under a Cloud; The Rainbow, Salisbury Cathedral; https://www.royalacademy.org.uk/art-artists/work-of-art/O9155 Credit line: (c) Royal Academy of Arts / Photographer credit: Prudence Cuming Associates Limitedhttps://sublimesites.co/wp-content/uploads/2023/04/010-ra-det-lightning.jpgConstable, John; Hodgson and Graves (London); Lucas, David; Salisbury Cathedral (Large plate); Salisbury Cathedral from the Meadows; The Church under a Cloud; The Rainbow, Salisbury CathedralConstable, John; Hodgson and Graves (London); Lucas, David; Salisbury Cathedral (Large plate); Salisbury Cathedral from the Meadows; The Church under a Cloud; The Rainbow, Salisbury Cathedral; https://www.royalacademy.org.uk/art-artists/work-of-art/O9155 Credit line: (c) Royal Academy of Arts / Photographer credit: Prudence Cuming Associates Limitedhttps://sublimesites.co/wp-content/uploads/2023/04/010-ra-det-dog.jpgConstable, John; Hodgson and Graves (London); Lucas, David; Salisbury Cathedral (Large plate); Salisbury Cathedral from the Meadows; The Church under a Cloud; The Rainbow, Salisbury CathedralConstable, John; Hodgson and Graves (London); Lucas, David; Salisbury Cathedral (Large plate); Salisbury Cathedral from the Meadows; The Church under a Cloud; The Rainbow, Salisbury Cathedral; https://www.royalacademy.org.uk/art-artists/work-of-art/O9155 Credit line: (c) Royal Academy of Arts / Photographer credit: Prudence Cuming Associates Limitedhttps://sublimesites.co/wp-content/uploads/2023/04/010-ra-det-lower-right.jpgConstable, John; Hodgson and Graves (London); Lucas, David; Salisbury Cathedral (Large plate); Salisbury Cathedral from the Meadows; The Church under a Cloud; The Rainbow, Salisbury CathedralConstable, John; Hodgson and Graves (London); Lucas, David; Salisbury Cathedral (Large plate); Salisbury Cathedral from the Meadows; The Church under a Cloud; The Rainbow, Salisbury Cathedral; https://www.royalacademy.org.uk/art-artists/work-of-art/O9155 Credit line: (c) Royal Academy of Arts / Photographer credit: Prudence Cuming Associates Limitedhttps://sublimesites.co/wp-content/uploads/2023/04/00e2-lower-right-1.jpg00e2-lower-right-1https://sublimesites.co/wp-content/uploads/2023/04/010-ra-salisbury.jpeg010-ra-salisbury2023-04-16T15:50:26+00:00monthlyhttps://sublimesites.co/2023/04/05/perfecting-a-rainbow-john-constable-and-david-lucas-salisbury-cathedral-from-the-meadows-1834-7-part-4-catalogue-of-states-01e/https://sublimesites.co/wp-content/uploads/2023/04/00d2-horses-and-wheels.jpg00d2-horses-and-wheelshttps://sublimesites.co/wp-content/uploads/2023/04/00d2-meadow-highlights.jpg00d2-meadow-highlightshttps://sublimesites.co/wp-content/uploads/2023/04/00d2-det-handrail.jpg00d2-det-handrailhttps://sublimesites.co/wp-content/uploads/2023/04/00e-det-handrail.jpg00e-det-handrailhttps://sublimesites.co/wp-content/uploads/2023/04/010a-dh-colchester-cleaned-det-shitten-1.jpg010a-dh-colchester-cleaned-det-shitten-1https://sublimesites.co/wp-content/uploads/2023/04/00d2-tree.jpg00d2-treehttps://sublimesites.co/wp-content/uploads/2023/04/00e-tree.jpg00e-treehttps://sublimesites.co/wp-content/uploads/2023/04/00e2-tree.jpg00e2-treehttps://sublimesites.co/wp-content/uploads/2023/04/tate-salisbury-det-shitten-and-cathedral.jpgSalisbury 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DH Colchester cleaned 2023 headerhttps://sublimesites.co/wp-content/uploads/2023/03/010a-dh-colchester-cleaned-2023-1.jpg010a-dh-colchester-cleaned-2023-1https://sublimesites.co/wp-content/uploads/2023/03/010a-dh-colchester-cleaned-2023.jpg010a-dh-colchester-cleaned-2023https://sublimesites.co/wp-content/uploads/2023/03/tate-salisbury.jpgSalisbury Cathedral from the MeadowsL0047_00.003.tif2023-03-26T11:31:11+00:00monthlyhttps://sublimesites.co/2023/03/11/chepstow-bridge-and-castle-called-chepstow-c-1793/https://sublimesites.co/wp-content/uploads/2023/03/chepstow-1794-wp-header.jpgChepstow 1794 wp headerhttps://sublimesites.co/wp-content/uploads/2023/03/chepstow-1794-wp.jpgChepstow 1794 wphttps://sublimesites.co/wp-content/uploads/2023/03/chepstow-1854.jpgchepstow-1854https://sublimesites.co/wp-content/uploads/2023/03/tdb2081.jpgtdb20812023-03-14T18:39:05+00:00monthlyhttps://sublimesites.co/2023/03/01/clarkson-stanfields-verres/https://sublimesites.co/wp-content/uploads/2023/03/sign1-wp-576283288-e1677670805802.jpgsign1-wphttps://sublimesites.co/wp-content/uploads/2023/02/verres-dn-and-sign.jpgverres-dn-and-signhttps://sublimesites.co/wp-content/uploads/2023/02/keepsake-cover-large-wp.jpgkeepsake-cover-large-wphttps://sublimesites.co/wp-content/uploads/2023/02/keepsake-cover-wp.jpgkeepsake-cover-wphttps://sublimesites.co/wp-content/uploads/2023/02/harding-verres.jpgharding-verreshttps://sublimesites.co/wp-content/uploads/2023/02/verres-viewpoint.jpgverres-viewpointhttps://sublimesites.co/wp-content/uploads/2023/02/verres-map.jpgverres-maphttps://sublimesites.co/wp-content/uploads/2023/02/verres-detail-long.jpgverres-detail-longhttps://sublimesites.co/wp-content/uploads/2023/02/aosta-2000-exhbition.jpgaosta-2000-exhbitionhttps://sublimesites.co/wp-content/uploads/2023/02/verres-bridge-inn.jpgverres-bridge-inn2023-03-06T10:18:46+00:00monthlyhttps://sublimesites.co/2023/02/18/in-turners-footsteps-between-lucerne-and-thun-28-aareschlucht-and-the-ascent-of-the-kirchet/https://sublimesites.co/wp-content/uploads/2023/02/ivs-grimsel-road-map-fs-marked.jpgivs-grimsel-road-map-fs-markedhttps://sublimesites.co/wp-content/uploads/2023/02/golden-age-2001_0001.jpggolden-age-2001_0001https://sublimesites.co/wp-content/uploads/2023/02/36r-d33202_10.jpgMountains: The Aare Valley circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: The Aare Valley circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33202https://sublimesites.co/wp-content/uploads/2023/02/35v-d33201_10.jpgMountains: The Aare Valley circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: The Aare Valley circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33201https://sublimesites.co/wp-content/uploads/2023/02/haslimuseum-watercolour-detail-footer.jpghaslimuseum-watercolour-detail-footerhttps://sublimesites.co/wp-content/uploads/2023/02/haslimuseum-watercolour-detail-header.jpgHaslimuseum watercolour detail headerhttps://sublimesites.co/wp-content/uploads/2023/02/schmid-alte-weg.jpgschmid-alte-weghttps://sublimesites.co/wp-content/uploads/2023/02/untitled-schmid-alte-weg-1537.jpguntitled-schmid-alte-weg-1537https://sublimesites.co/wp-content/uploads/2023/02/ivs-grimsel-road-map-37r-marked.jpgivs-grimsel-road-map-37r-markedhttps://sublimesites.co/wp-content/uploads/2023/02/261234001.jpg2612340012023-02-20T16:32:48+00:00monthlyhttps://sublimesites.co/2023/02/10/in-turners-footsteps-between-lucerne-and-thun-27-around-meiringen/https://sublimesites.co/wp-content/uploads/2023/02/ge-meiringen-wellhorn-2-detail-footer.jpgge-meiringen-wellhorn-2-detail-footerhttps://sublimesites.co/wp-content/uploads/2023/02/tdb0531.jpgtdb0531https://sublimesites.co/wp-content/uploads/2023/02/higgins-reichenbach.jpghiggins-reichenbachhttps://sublimesites.co/wp-content/uploads/2023/02/tdb2509.jpgtdb2509https://sublimesites.co/wp-content/uploads/2023/02/436-d34172_10.jpgMountains circa 1830-41 by Joseph Mallord William Turner 1775-1851Mountains circa 1830-41 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D34172https://sublimesites.co/wp-content/uploads/2023/02/34v-d33199_10.jpgMountains: Falls of the Reichenbach circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: Falls of the Reichenbach circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33199https://sublimesites.co/wp-content/uploads/2023/02/ge-meiringen-wellhorn-2.jpgge-meiringen-wellhorn-2https://sublimesites.co/wp-content/uploads/2023/02/ge-meiringen-wellhorn-header.jpgGE Meiringen Wellhorn headerhttps://sublimesites.co/wp-content/uploads/2023/02/ge-meiringen-upper-valley.jpgge-meiringen-upper-valleyhttps://sublimesites.co/wp-content/uploads/2023/02/ge-meiringen.jpgge-meiringen2023-02-10T17:45:42+00:00monthlyhttps://sublimesites.co/2023/02/03/in-turners-footsteps-between-lucerne-and-thun-26-haslital-to-meiringen/https://sublimesites.co/wp-content/uploads/2023/02/08-d35040_10-crop.jpgTown, with Mountains Beyond 1844 by Joseph Mallord William Turner 1775-1851Town, with Mountains Beyond 1844 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D35040https://sublimesites.co/wp-content/uploads/2023/02/440-d34178_10-crop.jpgValley, with Mountains. (Meiringen Valley) circa 1830-41 by Joseph Mallord William Turner 1775-1851Valley, with Mountains. (Meiringen Valley) circa 1830-41 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D34178https://sublimesites.co/wp-content/uploads/2023/02/46-d04703_10-detail.jpgMeiringen 1802 by Joseph Mallord William Turner 1775-1851Meiringen 1802 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D04703https://sublimesites.co/wp-content/uploads/2023/02/32v-d33195_10.jpgMountains: The Falkern [Turner] (Falchern), from Meiringen circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: The Falkern [Turner] (Falchern), from Meiringen circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33195https://sublimesites.co/wp-content/uploads/2023/02/ge-flacherenbach-right.jpgge-flacherenbach-righthttps://sublimesites.co/wp-content/uploads/2023/02/ge-falcherenbach-near-bridge.jpgge-falcherenbach-near-bridgehttps://sublimesites.co/wp-content/uploads/2023/02/32r-d33194_10-1.jpgMountains: Valley of the Aare circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: Valley of the Aare circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33194https://sublimesites.co/wp-content/uploads/2023/02/32r-d33194_10.jpgMountains: Valley of the Aare circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: Valley of the Aare circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33194https://sublimesites.co/wp-content/uploads/2023/02/ge-falcherenbach-close-view.jpgge-falcherenbach-close-viewhttps://sublimesites.co/wp-content/uploads/2023/01/ge-falcherenbach-close-view.jpgge-falcherenbach-close-view2023-02-03T14:53:55+00:00monthlyhttps://sublimesites.co/2023/01/18/in-turners-footsteps-between-lucerne-and-thun-25-at-brienz/https://sublimesites.co/wp-content/uploads/2023/01/ge-lake-brienz-aerial-2.jpgge-lake-brienz-aerial-2https://sublimesites.co/wp-content/uploads/2023/01/ge-sunset-2.jpgge-sunset-2https://sublimesites.co/wp-content/uploads/2023/01/ge-lake-brienz-aerial-1.jpgge-lake-brienz-aerial-1https://sublimesites.co/wp-content/uploads/2023/01/ge-sunset-1.jpgge-sunset-1https://sublimesites.co/wp-content/uploads/2023/01/ge-brienzersee-sunrise..jpgge-brienzersee-sunrise.https://sublimesites.co/wp-content/uploads/2023/01/img_1159-2.jpgimg_1159-2https://sublimesites.co/wp-content/uploads/2023/01/ge-brienzersee-sunrise-shore..jpgge-brienzersee-sunrise-shore.https://sublimesites.co/wp-content/uploads/2023/01/tdb1575-manchester-fotter.jpgtdb1575-manchester-fotterhttps://sublimesites.co/wp-content/uploads/2023/01/tdb1575-manchester-reflection.jpgtdb1575-manchester-reflectionhttps://sublimesites.co/wp-content/uploads/2023/01/tdb2809-reflection.jpgtdb2809-reflection2023-01-18T23:09:02+00:00monthlyhttps://sublimesites.co/2023/01/08/in-turners-footsteps-between-lucerne-and-thun-24-descent-of-the-brunig/https://sublimesites.co/wp-content/uploads/2023/01/brunig-map-wacht.jpgbrunig-map-wachthttps://sublimesites.co/wp-content/uploads/2023/01/ge-descending-to-haslithal-footer.jpgge-descending-to-haslithal-footerhttps://sublimesites.co/wp-content/uploads/2023/01/ge-brunig-foot.jpgge-brunig-foothttps://sublimesites.co/wp-content/uploads/2023/01/29r-d33188_10-det-2.jpgMountains. Bruneka [Turner] (?Brünigen) circa 1841 by Joseph Mallord William Turner 1775-1851Mountains. Bruneka [Turner] (?Brünigen) circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33188https://sublimesites.co/wp-content/uploads/2023/01/29v-30r-det.jpg29v-30r-dethttps://sublimesites.co/wp-content/uploads/2023/01/ge-haslithal-old-road.jpgge-haslithal-old-roadhttps://sublimesites.co/wp-content/uploads/2023/01/ge-brunig-old-and-new.jpgge-brunig-old-and-newhttps://sublimesites.co/wp-content/uploads/2023/01/29r-d33188_10-det-1.jpgMountains. Bruneka [Turner] (?Brünigen) circa 1841 by Joseph Mallord William Turner 1775-1851Mountains. Bruneka [Turner] (?Brünigen) circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33188https://sublimesites.co/wp-content/uploads/2023/01/28v-d33187_10-det-2.jpgMountains. Els... [Turner] circa 1841 by Joseph Mallord William Turner 1775-1851Mountains. Els... [Turner] circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33187https://sublimesites.co/wp-content/uploads/2023/01/wandelhorn-etc-1.jpgwandelhorn-etc-12023-01-09T10:31:20+00:00monthlyhttps://sublimesites.co/2022/12/30/in-turners-footsteps-between-lucerne-and-thun-23-ascent-of-the-brunig/https://sublimesites.co/wp-content/uploads/2023/01/27v-d33185_10-det-ii.jpgMountains circa 1841 by Joseph Mallord William Turner 1775-1851Mountains circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33185https://sublimesites.co/wp-content/uploads/2023/01/27v-d33185_10-det-i.jpgMountains circa 1841 by Joseph Mallord William Turner 1775-1851Mountains circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33185https://sublimesites.co/wp-content/uploads/2023/01/steintreppe.jpgsteintreppehttps://sublimesites.co/wp-content/uploads/2022/12/lungernsee-from-chalrutirank-header.jpgLungernsee from Chalrutirank headerhttps://sublimesites.co/wp-content/uploads/2022/12/lungernsee-from-chalrutirank-footer.jpglungernsee-from-chalrutirank-footerhttps://sublimesites.co/wp-content/uploads/2022/12/26v-d33183_10-det-brunig.jpgMountains. River Aare and Brünig [Turner] circa 1841 by Joseph Mallord William Turner 1775-1851Mountains. River Aare and Brünig [Turner] circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33183https://sublimesites.co/wp-content/uploads/2022/12/wandelhorn-and-garzen.jpgwandelhorn-and-garzenhttps://sublimesites.co/wp-content/uploads/2022/12/26v-d33183_10-det-wandelhorn.jpgMountains. River Aare and Brünig [Turner] circa 1841 by Joseph Mallord William Turner 1775-1851Mountains. River Aare and Brünig [Turner] circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33183https://sublimesites.co/wp-content/uploads/2022/12/bartlett-pilatus.jpgbartlett-pilatushttps://sublimesites.co/wp-content/uploads/2022/12/26v-d33183_10.jpgMountains. River Aare and Brünig [Turner] circa 1841 by Joseph Mallord William Turner 1775-1851Mountains. River Aare and Brünig [Turner] circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D331832023-01-09T10:15:56+00:00monthlyhttps://sublimesites.co/2022/12/18/in-turners-footsteps-between-lucerne-and-thun-22-lungernsee/https://sublimesites.co/wp-content/uploads/2022/12/2011en0818.jpg2011en0818https://sublimesites.co/wp-content/uploads/2022/12/lungern-hotel.jpglungern-hotelhttps://sublimesites.co/wp-content/uploads/2022/12/beattie-switzerland.jpgbeattie-switzerlandhttps://sublimesites.co/wp-content/uploads/2022/12/tdb1647-detail-2.jpgtdb1647-detail-2https://sublimesites.co/wp-content/uploads/2022/12/tdb1647-detail-1.jpgtdb1647-detail-1https://sublimesites.co/wp-content/uploads/2022/12/tdb1647-detail.jpgtdb1647-detailhttps://sublimesites.co/wp-content/uploads/2022/12/lungern-and-brunig-dh-wp.jpglungern-and-brunig-dh-wphttps://sublimesites.co/wp-content/uploads/2022/12/tdb1647-christies-edit-figures.jpgtdb1647-christies-edit-figureshttps://sublimesites.co/wp-content/uploads/2022/12/tdb1647-christies-edit-crutches.jpgtdb1647-christies-edit-crutcheshttps://sublimesites.co/wp-content/uploads/2022/12/tdb1647-christies-edit.jpgtdb1647-christies-edit2022-12-28T15:21:13+00:00monthlyhttps://sublimesites.co/2022/12/01/in-turners-footsteps-between-lucerne-and-thun-15a-16-tuning-into-sarnen/https://sublimesites.co/wp-content/uploads/2022/11/martinfooter.jpgmartinfooterhttps://sublimesites.co/wp-content/uploads/2022/11/martin-portait-1844.jpgmartin-portait-1844https://sublimesites.co/wp-content/uploads/2022/11/15v-d33161_10-footer.jpgMountains, Etc. circa 1841 by Joseph Mallord William Turner 1775-1851Mountains, Etc. circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33161https://sublimesites.co/wp-content/uploads/2022/11/17r-d33164_10-detail.jpgMountains circa 1841 by Joseph Mallord William Turner 1775-1851Mountains circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33164https://sublimesites.co/wp-content/uploads/2022/11/17r-d33164_10-crop.jpgMountains circa 1841 by Joseph Mallord William Turner 1775-1851Mountains circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33164https://sublimesites.co/wp-content/uploads/2022/11/17r-d33164_10-crop-invert.jpgMountains circa 1841 by Joseph Mallord William Turner 1775-1851Mountains circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33164https://sublimesites.co/wp-content/uploads/2022/11/16v-d33163_10-crop.jpgMountains circa 1841 by Joseph Mallord William Turner 1775-1851Mountains circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33163https://sublimesites.co/wp-content/uploads/2022/11/cccxxix-16a-17.jpgcccxxix-16a-17https://sublimesites.co/wp-content/uploads/2022/11/15v-d33161_10-det-2.jpgMountains, Etc. circa 1841 by Joseph Mallord William Turner 1775-1851Mountains, Etc. circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33161https://sublimesites.co/wp-content/uploads/2022/11/ge-sarnen-pan-right.jpgge-sarnen-pan-right2022-12-26T12:45:04+00:00monthlyhttps://sublimesites.co/2022/12/11/in-turners-footsteps-between-lucerne-and-thun-21-giswil-and-the-kaiserstuhl/https://sublimesites.co/wp-content/uploads/2022/12/ge-giswil-viewpoints.jpgge-giswil-viewpointshttps://sublimesites.co/wp-content/uploads/2022/12/rudenz-dh-wp.jpgrudenz-dh-wphttps://sublimesites.co/wp-content/uploads/2022/12/22r-d33174_10-det-1-1.jpgMountains circa 1841 by Joseph Mallord William Turner 1775-1851Mountains circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33174https://sublimesites.co/wp-content/uploads/2022/12/23v-d33177_10-det-1.jpgMountains. Korchstoff [Turner]. (?Kirchhoft) circa 1841 by Joseph Mallord William Turner 1775-1851Mountains. Korchstoff [Turner]. (?Kirchhoft) circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33177https://sublimesites.co/wp-content/uploads/2022/12/23v-d33177_10.jpgMountains. Korchstoff [Turner]. (?Kirchhoft) circa 1841 by Joseph Mallord William Turner 1775-1851Mountains. Korchstoff [Turner]. (?Kirchhoft) circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33177https://sublimesites.co/wp-content/uploads/2022/12/ge-kaiserstuhl.jpgge-kaiserstuhlhttps://sublimesites.co/wp-content/uploads/2022/12/giswil-footer.jpggiswil-footerhttps://sublimesites.co/wp-content/uploads/2022/12/giswil-header.jpgGiswil headerhttps://sublimesites.co/wp-content/uploads/2022/12/21v-d33173_10-det.jpgMountains circa 1841 by Joseph Mallord William Turner 1775-1851Mountains circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33173https://sublimesites.co/wp-content/uploads/2022/12/ge-giswilerstock-and-aa.jpgge-giswilerstock-and-aa2022-12-11T12:51:55+00:00monthlyhttps://sublimesites.co/2022/12/06/in-turners-footsteps-between-lucerne-and-thun-18a-20-jolting-by-sachseln/https://sublimesites.co/wp-content/uploads/2022/12/sachseln-postcard.jpgsachseln-postcardhttps://sublimesites.co/wp-content/uploads/2022/12/ge-sarnersee-approaching-sechseln-2.jpgge-sarnersee-approaching-sechseln-2https://sublimesites.co/wp-content/uploads/2022/12/ge-sarnersee-approaching-sechseln-1.jpgge-sarnersee-approaching-sechseln-1https://sublimesites.co/wp-content/uploads/2022/12/pilatus-from-sachseln-panoramio-100423123.jpgSarnersee, links Pilatus-rechts StanserhornSarnersee, links Pilatus-rechts Stanserhornhttps://sublimesites.co/wp-content/uploads/2022/12/sachseln-station-dh-wp.jpgsachseln-station-dh-wphttps://sublimesites.co/wp-content/uploads/2022/12/20r-d33170_10-det-peak.jpgMountains: Lake of Sarnen circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: Lake of Sarnen circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33170https://sublimesites.co/wp-content/uploads/2022/12/20r-d33170_10.jpgMountains: Lake of Sarnen circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: Lake of Sarnen circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33170https://sublimesites.co/wp-content/uploads/2022/12/19v-d33169_10.jpgMountains: Lake of Sarnen circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: Lake of Sarnen circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33169https://sublimesites.co/wp-content/uploads/2022/12/19v-20r-d33169-70.jpg19v-20r-d33169-70https://sublimesites.co/wp-content/uploads/2022/12/19r-d33168_10-dets.jpgMountains. Saxtin [Turner] (?Saxeten or Sachseln) circa 1841 by Joseph Mallord William Turner 1775-1851Mountains. Saxtin [Turner] (?Saxeten or Sachseln) circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D331682022-12-09T17:05:42+00:00monthlyhttps://sublimesites.co/2022/12/03/in-turners-footsteps-between-lucerne-and-thun-17a-18-evening-over-the-sarnersee/https://sublimesites.co/wp-content/uploads/2022/12/sarnersee-east-side-crop-1.jpgsarnersee-east-side-crop-1https://sublimesites.co/wp-content/uploads/2022/12/17v-d33165_10.jpgMountains: The Lake of Sarnen circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: The Lake of Sarnen circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33165https://sublimesites.co/wp-content/uploads/2022/12/ge-sarnersee-evening-footer.jpgge-sarnersee-evening-footerhttps://sublimesites.co/wp-content/uploads/2022/12/ge-sarnersee-evening-header.jpgge-sarnersee-evening-headerhttps://sublimesites.co/wp-content/uploads/2022/12/sarnersee-east-side-crop.jpgsarnersee-east-side-crophttps://sublimesites.co/wp-content/uploads/2022/12/sarnersee-east-side.jpgsarnersee-east-sidehttps://sublimesites.co/wp-content/uploads/2022/12/ge-sarnersee-evening.jpgge-sarnersee-eveninghttps://sublimesites.co/wp-content/uploads/2022/12/18r-d33166_10-det-2.jpgMountains: The Lake of Sarnen circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: The Lake of Sarnen circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33166https://sublimesites.co/wp-content/uploads/2022/12/18r-d33166_10-det-1.jpgMountains: The Lake of Sarnen circa 1841 by Joseph Mallord William Turner 1775-1851Mountains: The Lake of Sarnen circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33166https://sublimesites.co/wp-content/uploads/2022/12/17v-18r-d33165-6.jpg17v-18r-d33165-62022-12-09T17:04:46+00:00monthlyhttps://sublimesites.co/2022/11/27/in-turners-footsteps-between-lucerne-and-thun-14a-15-by-char-to-sarnen/https://sublimesites.co/wp-content/uploads/2022/11/14v-d33159_10-footer.jpgMountains, Etc. circa 1841 by Joseph Mallord William Turner 1775-1851Mountains, Etc. circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33159https://sublimesites.co/wp-content/uploads/2022/11/char-to-sarnen-header.jpgChar to Sarnen headerhttps://sublimesites.co/wp-content/uploads/2022/11/15r-d33160_10-crop.jpgMountains, Etc. circa 1841 by Joseph Mallord William Turner 1775-1851Mountains, Etc. circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33160https://sublimesites.co/wp-content/uploads/2022/11/ge-approaching-sarnen.jpgge-approaching-sarnenhttps://sublimesites.co/wp-content/uploads/2022/11/marray-chars.jpgmarray-charshttps://sublimesites.co/wp-content/uploads/2022/11/swiss-car-coach-commonly-called-char-a-banc-19885844.jpg.webpswiss-car-coach-commonly-called-char-a-banc-19885844.jpghttps://sublimesites.co/wp-content/uploads/2022/11/14v-d33159_10-det-2.jpgMountains, Etc. circa 1841 by Joseph Mallord William Turner 1775-1851Mountains, Etc. circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33159https://sublimesites.co/wp-content/uploads/2022/11/14v-d33159_10-det-1.jpgMountains, Etc. circa 1841 by Joseph Mallord William Turner 1775-1851Mountains, Etc. circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33159https://sublimesites.co/wp-content/uploads/2022/11/ge-alpnach-looking-back.jpgge-alpnach-looking-backhttps://sublimesites.co/wp-content/uploads/2022/11/14v-15r-d33159-60.jpg14v-15r-d33159-602022-12-09T17:02:00+00:00monthlyhttps://sublimesites.co/2022/11/25/in-turners-footsteps-between-lucerne-and-thun-13a-14-landing-at-alpnach/https://sublimesites.co/wp-content/uploads/2022/11/alpnach-header.jpgAlpnach headerhttps://sublimesites.co/wp-content/uploads/2022/11/14r-d33158_10-det-hay-carriers.jpgChurch, Mountains, Etc. (?Alpnach) circa 1841 by Joseph Mallord William Turner 1775-1851Church, Mountains, Etc. (?Alpnach) circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33158https://sublimesites.co/wp-content/uploads/2022/11/ge-approaching-alpnach.jpgge-approaching-alpnachhttps://sublimesites.co/wp-content/uploads/2022/11/14r-d33158_10-det-2.jpgChurch, Mountains, Etc. (?Alpnach) circa 1841 by Joseph Mallord William Turner 1775-1851Church, Mountains, Etc. (?Alpnach) circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33158https://sublimesites.co/wp-content/uploads/2022/11/alpnach-landing-stage-wp.jpgalpnach-landing-stage-wphttps://sublimesites.co/wp-content/uploads/2022/11/14r-d33158_10-det-1.jpgChurch, Mountains, Etc. (?Alpnach) circa 1841 by Joseph Mallord William Turner 1775-1851Church, Mountains, Etc. (?Alpnach) circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33158https://sublimesites.co/wp-content/uploads/2022/11/13v-d33157_10-det-figure.jpgLake, with Mountains circa 1841 by Joseph Mallord William Turner 1775-1851Lake, with Mountains circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33157https://sublimesites.co/wp-content/uploads/2022/11/ge-alpnach-towards-brunig.jpgge-alpnach-towards-brunighttps://sublimesites.co/wp-content/uploads/2022/11/13v-14r-d33157-8.jpg13v-14r-d33157-82022-12-09T17:01:03+00:00monthlyhttps://sublimesites.co/2022/11/23/in-turners-footsteps-between-lucerne-and-thun-12a-13-from-stanstaad-across-the-alpnachersee/https://sublimesites.co/wp-content/uploads/2022/11/alpnachersee-footer.jpgViews on Lake circa 1841 by Joseph Mallord William Turner 1775-1851Views on Lake circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33156https://sublimesites.co/wp-content/uploads/2022/11/alpnachersee-header.jpgAlpnachersee headerhttps://sublimesites.co/wp-content/uploads/2022/11/alpnachersee-towards-alpnach-wp.jpgalpnachersee-towards-alpnach-wphttps://sublimesites.co/wp-content/uploads/2022/11/alpnachersee-rotzloch-wp.jpgalpnachersee-rotzloch-wphttps://sublimesites.co/wp-content/uploads/2022/11/13r-d33156_10-det-2.jpgViews on Lake circa 1841 by Joseph Mallord William Turner 1775-1851Views on Lake circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33156https://sublimesites.co/wp-content/uploads/2022/11/ge-alpnachersee-glarnish.jpgge-alpnachersee-glarnishhttps://sublimesites.co/wp-content/uploads/2022/11/13r-d33156_10-det-1.jpgViews on Lake circa 1841 by Joseph Mallord William Turner 1775-1851Views on Lake circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33156https://sublimesites.co/wp-content/uploads/2022/11/ge-stansstad-ruchstock.jpgge-stansstad-ruchstockhttps://sublimesites.co/wp-content/uploads/2022/11/12v-13r-d33155-6.jpg12v-13r-d33155-62022-12-09T16:59:53+00:00monthlyhttps://sublimesites.co/2022/11/21/in-turners-footsteps-between-lucerne-and-thun-11a-12-arrival-at-stansstad/https://sublimesites.co/wp-content/uploads/2022/11/ge-stansstad-brisen-ruchstock.jpgge-stansstad-brisen-ruchstockhttps://sublimesites.co/wp-content/uploads/2022/11/stansstad-arrival-tailpiece.jpgstansstad-arrival-tailpiecehttps://sublimesites.co/wp-content/uploads/2022/11/12r-d33154_10-det-2.jpgViews on Lake: Stanzstad circa 1841 by Joseph Mallord William Turner 1775-1851Views on Lake: Stanzstad circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33154https://sublimesites.co/wp-content/uploads/2022/11/12r-d33154_10-det-1-1.jpgViews on Lake: Stanzstad circa 1841 by Joseph Mallord William Turner 1775-1851Views on Lake: Stanzstad circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33154https://sublimesites.co/wp-content/uploads/2022/11/12r-d33154_10-det-1.jpgViews on Lake: Stanzstad circa 1841 by Joseph Mallord William Turner 1775-1851Views on Lake: Stanzstad circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D33154https://sublimesites.co/wp-content/uploads/2022/11/stansstad-arrival-wp.jpgstansstad-arrival-wphttps://sublimesites.co/wp-content/uploads/2022/11/stansstad-approach-wp.jpgstansstad-approach-wphttps://sublimesites.co/wp-content/uploads/2022/11/stansstad-arrival-header.jpgStansstad arrival headerhttps://sublimesites.co/wp-content/uploads/2022/11/ge-lake-stanserhorn-and-pilatus.jpgge-lake-stanserhorn-and-pilatushttps://sublimesites.co/wp-content/uploads/2022/11/11v-d33153_10-det-5.jpgView on Lake: The Rigi, Bürgenstock, and Stanzstad circa 1841 by Joseph Mallord William Turner 1775-1851View on Lake: The Rigi, Bürgenstock, and Stanzstad circa 1841 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D331532022-12-09T16:58:43+00:00monthlyhttps://sublimesites.co/2021/02/25/in-turners-footsteps-between-lucerne-and-thun-8a-10-lucerne-from-the-lake/https://sublimesites.co/wp-content/uploads/2021/02/steamer-leaving-lucerne.jpgSteamer Leaving Lucerne2022-12-09T16:56:19+00:00monthlyhttps://sublimesites.co/2021/02/24/in-turners-footsteps-between-lucerne-and-thun-7a-8-lucerne-mountains-and-ladies/https://sublimesites.co/wp-content/uploads/2021/02/lake-lucerne-steamer-dusk-header.jpgLake Lucerne steamer dusk header2022-12-09T16:51:53+00:00monthlyhttps://sublimesites.co/2021/02/21/in-turners-footsteps-between-lucerne-and-thun-7-lucerne-back-to-the-beginning/https://sublimesites.co/wp-content/uploads/2021/02/lucerne-wasserturm-header-wp.jpgLucerne Wasserturm header wp2022-12-09T16:32:50+00:00monthlyhttps://sublimesites.co/2021/02/20/in-turners-footsteps-between-lucerne-and-thun-6a-lucerne-the-extra-mile/https://sublimesites.co/wp-content/uploads/2021/02/ge-lucerne-west-ii-header.jpgGE Lucerne west ii header2022-12-09T16:30:07+00:00monthlyhttps://sublimesites.co/2021/02/19/in-turners-footsteps-between-lucerne-and-thun-5a-6-lucerne-museggmauer-panorama/https://sublimesites.co/wp-content/uploads/2021/02/lucerne-tower-header.jpgLucerne tower header2022-12-09T16:27:16+00:00monthlyhttps://sublimesites.co/2021/02/18/in-turners-footsteps-between-lucerne-and-thun-4a-5-lucerne-from-the-museggmauer/https://sublimesites.co/wp-content/uploads/2021/02/lucerne-from-museggmauer-header-wp.jpgLucerne from Museggmauer header wp2022-12-09T16:24:24+00:00monthlyhttps://sublimesites.co/2021/02/17/in-turners-footsteps-between-lucerne-and-thun-4-hofkirche-from-the-museggmauer/2022-12-09T16:22:08+00:00monthlyhttps://sublimesites.co/2021/02/16/in-turners-footsteps-between-lucerne-and-thun-3a-lucerne-from-near-the-hofkirche/https://sublimesites.co/wp-content/uploads/2021/02/pilatus-dusk-wp.jpgPilatus dusk wp2022-12-09T16:20:20+00:00monthlyhttps://sublimesites.co/2021/02/14/in-turners-footsteps-between-lucerne-and-thun-2a-3-lucerne-from-the-swan-hotel-to-the-hofkirche/https://sublimesites.co/wp-content/uploads/2021/02/steamer-stadt-luzern-header-wp-1.jpgSteamer Stadt Luzern header wphttps://sublimesites.co/wp-content/uploads/2021/02/steamer-stadt-luzern-header-wp.jpgSteamer Stadt Luzern header wp2022-12-09T16:07:06+00:00monthlyhttps://sublimesites.co/2021/02/12/in-turners-footsteps-between-lucerne-and-thun-1a-2-lucerne-schwanenplatz/https://sublimesites.co/wp-content/uploads/2021/02/swn-hotel-and-quay-1.jpgSwn hotel and quayhttps://sublimesites.co/wp-content/uploads/2021/02/swn-hotel-and-quay.jpgSwn hotel and quay2022-12-09T16:03:03+00:00monthlyhttps://sublimesites.co/2021/02/10/in-turners-footsteps-from-lucerne-to-thun-back-to-the-beginning/https://sublimesites.co/wp-content/uploads/2021/02/rigi-dusk-header-1.jpgRigi dusk headerhttps://sublimesites.co/wp-content/uploads/2021/02/rigi-dusk-header.jpgRigi dusk header2022-12-09T15:58:30+00:00monthlyhttps://sublimesites.co/2021/02/11/in-turners-footsteps-between-lucerne-and-thun-1-lucerne-wasserturm-and-kapellbrucke/https://sublimesites.co/wp-content/uploads/2021/02/kapellbrucke-header-wp.jpgKapellbrucke header wphttps://sublimesites.co/wp-content/uploads/2021/02/wasserturm-dusk-header-1.jpgWasserturm dusk headerhttps://sublimesites.co/wp-content/uploads/2021/02/wasserturm-dusk-header.jpgWasserturm dusk header2022-12-09T15:57:25+00:00monthlyhttps://sublimesites.co/2022/10/03/chateau-darques-la-bataille-near-dieppe-c-1834/https://sublimesites.co/wp-content/uploads/2022/10/tdb1265.jpgtdb1265https://sublimesites.co/wp-content/uploads/2022/10/vol-27-spread.jpgvol-27-spreadhttps://sublimesites.co/wp-content/uploads/2022/10/tdb1251-det-figures.jpgtdb1251-det-figureshttps://sublimesites.co/wp-content/uploads/2022/10/arques-engr-tailpiece.jpgarques-engr-tailpiecehttps://sublimesites.co/wp-content/uploads/2022/10/arques-engr-det-gloaming.jpgarques-engr-det-gloaminghttps://sublimesites.co/wp-content/uploads/2022/10/arques-engr-det-moonrise.jpgarques-engr-det-moonrisehttps://sublimesites.co/wp-content/uploads/2022/10/ccxvi-242a-d20027_10-detail.jpgRuined Castle on Hill. Château d'Arc, near Dieppe 1824 by Joseph Mallord William Turner 1775-1851Ruined Castle on Hill. Château d'Arc, near Dieppe 1824 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D20027https://sublimesites.co/wp-content/uploads/2022/10/ruins_of_the_castle_of_arques_near_dieppe_france_ca._1895.jpgruins_of_the_castle_of_arques_near_dieppe_france_ca._1895https://sublimesites.co/wp-content/uploads/2022/10/ge-arques.jpgge-arqueshttps://sublimesites.co/wp-content/uploads/2022/10/arques-engr-det-header.jpgArques engr det header2022-10-07T16:13:26+00:00monthlyhttps://sublimesites.co/2020/08/06/the-twopeny-portfolio-introduction/https://sublimesites.co/wp-content/uploads/2020/01/ag-portfolio-key-image.jpgA&G Portfolio key imagehttps://sublimesites.co/wp-content/uploads/2020/01/anderson-and-garland-archive-image-106260-0.jpgAnderson and Garland archive image 106260-0https://sublimesites.co/wp-content/uploads/2020/01/portfolio-open-2-ss.jpgPortfolio open #2 sshttps://sublimesites.co/wp-content/uploads/2020/01/portfolio-open-1-ss.jpgPortfolio open #1 sshttps://sublimesites.co/wp-content/uploads/2020/01/portfolio-2017-ss.jpgPortfolio 2017 ss2022-05-05T13:23:16+00:00monthlyhttps://sublimesites.co/2022/04/27/plate-18-kirkham-priory-yorkshire-2/https://sublimesites.co/wp-content/uploads/2022/04/kirkham-header-wp.jpgKirkham header wp2022-10-09T06:17:17+00:00monthlyhttps://sublimesites.co/2022/04/19/plate-17-kirkstall-abbey-yorkshire/https://sublimesites.co/wp-content/uploads/2022/04/ge-kirkstall-detail.jpgGE Kirkstall detailhttps://sublimesites.co/wp-content/uploads/2022/03/kirkstall-header-wp.jpgKirkstall header wp2022-04-19T17:25:40+00:00monthlyhttps://sublimesites.co/2016/02/19/in-turners-footsteps-at-heidelberg-part-6/https://sublimesites.co/wp-content/uploads/2016/02/update-key-image.jpg[title not known] null by Joseph Mallord William Turner 1775-1851https://sublimesites.co/wp-content/uploads/2016/02/inscr-detail-1.jpg[title not known] null by Joseph Mallord William Turner 1775-1851J M W Turner A draft composition of a passage of poetry, 1841? (detail #1) Pencil on paper, page size 227 x 325 mm A page from the ‘Mountain Fortress’ sketchbook’, Tate D40432.Turner Bequest CCCXXXIX 11 Tate Britain, London Photo courtesy of Tate. To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-title-not-known-d40432 https://sublimesites.co/wp-content/uploads/2016/02/d40432_10-inscr-edit.jpg[title not known] null by Joseph Mallord William Turner 1775-1851J M W Turner A draft composition of a passage of poetry, 1841? (detail #2) Pencil on paper, page size 227 x 325 mm A page from the ‘Mountain Fortress’ sketchbook’, Tate D40432.Turner Bequest CCCXXXIX 11 Tate Britain, London Photo courtesy of Tate. To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-title-not-known-d40432 https://sublimesites.co/wp-content/uploads/2016/02/d40432_10-ss.jpg[title not known] null by Joseph Mallord William Turner 1775-1851J M W Turner A draft composition of a passage of poetry, 1841? (whole page) Pencil on paper, page size 227 x 325 mm A page from the ‘Mountain Fortress’ sketchbook’, Tate D40432.Turner Bequest CCCXXXIX 11 Tate Britain, London Photo courtesy of Tate. To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-title-not-known-d40432 https://sublimesites.co/wp-content/uploads/2016/02/key-image.jpgKey imagehttps://sublimesites.co/wp-content/uploads/2016/02/tate-heidelberg-detail-sun.jpgTate Heidelberg detail sunhttps://sublimesites.co/wp-content/uploads/2016/02/zurch-watercolour.jpgZurch watercolourJ M W Turner Zurich: fete, early morning, c.1845 Watercolour, 292 x 475mm, 11 1/2 x 18 3/4 ins Switzerland, Zurich, Kunsthaus (1976/14) Photograph courtesy of Kunsthaus, Zurich The crowd in this watercolour is often compared to that in the painting of ‘Heidelberg’.https://sublimesites.co/wp-content/uploads/2016/02/tate-heidelberg-detail-water.jpgTate Heidelberg detail waterJ M W Turner A Castle in an Alpine Valley, called ‘Heidelberg’, c.1842, detail of tumbling water Oil on canvas, 52 × 79 ½ ins (132 × 201 cms) Tate, London, N00518 Photograph by David Hill, courtesy of Tatehttps://sublimesites.co/wp-content/uploads/2016/02/10-d33662_10.jpgRuined Castle on Rock, with Town in Valley Below circa 1841 by Joseph Mallord William Turner 1775-1851J M W Turner Ruined Castle on Rock, with Town in Valley Below, 1841? Pencil and watercolour on paper, 227 x 325 mm A page from the ‘Mountain Fortress’ sketchbook’, Tate D33662.Turner Bequest CCCXXXIX 10 Tate Britain, London Photo courtesy of Tate. To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-ruined-castle-on-rock-with-town-in-valley-below-d33662 https://sublimesites.co/wp-content/uploads/2016/02/02-d33654_10.jpgAn ?Alpine Castle circa 1841 by Joseph Mallord William Turner 1775-1851J M W Turner An ?Alpine Castle, 1841? Pencil and watercolour on paper, 227 x 325 mm A page from the ‘Mountain Fortress’ sketchbook’, Tate D33654.Turner Bequest CCCXXXIX 02 Tate Britain, London Photo courtesy of Tate. To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-an-alpine-castle-d33654 2022-04-11T16:55:14+00:00monthlyhttps://sublimesites.co/2018/05/12/turner-and-scotland-2-loch-lomond-from-colonel-lascelles-monument-1801/https://sublimesites.co/wp-content/uploads/2018/05/lomond-key-image.jpgLomond Key imagehttps://sublimesites.co/wp-content/uploads/2018/05/d04894_10.jpgBen Lomond from Luss 1801 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Ben Lomond from Luss, 1801 Chalk and graphite on paper, 353 x 481 mm From the series of ‘Scottosh Pencils’, Tate, London, D04894, Turner Bequest, TB LXXX A Image courtesy of Tate. To see this image in Tate’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-ben-lomond-from-luss-d04894 https://sublimesites.co/wp-content/uploads/2018/05/d41244_10.jpgBen Lomond, ?Twilight 1801 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Ben Lomond, ?Twilight, 1801 Watercolour on paper, 114 x 184 mm A page from the ‘Scotch Lakes Sketchbook’, Tate, London, D41244, Turner Bequest, TB LVI 38a Image courtesy of Tate. To see this image in Tate’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-ben-lomond-twilight-d41244 https://sublimesites.co/wp-content/uploads/2018/05/d41243_10.jpgBen Lomond, Twilight 1801 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Ben Lomond, Twilight, 1801 Watercolour on paper, 114 x 184 mm A page from the ‘Scotch Lakes Sketchbook’, Tate, London, D41243, Turner Bequest, TB LVI Image courtesy of Tate. To see this image in Tate’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-ben-lomond-twilight-d41243 https://sublimesites.co/wp-content/uploads/2018/05/lomdon-full.jpgLomdon fullhttps://sublimesites.co/wp-content/uploads/2018/05/lomon-pano-full.jpgLomon pano fullLoch Lomond from near Inverbeg Photograph by David Hill, taken 2 May 2018, 12.56 GMThttps://sublimesites.co/wp-content/uploads/2018/05/lomon-pano-crop-ss1.jpgLomon pano crop SSLoch Lomond from near Inverbeg Photograph by David Hill, taken 2 May 2018, 12.56 GMT https://sublimesites.co/wp-content/uploads/2018/05/lomond-detail1.jpgLomond detailLoch Lomond from near Inverbeg Photograph by David Hill, taken 2 May 2018, 12.05 GMT https://sublimesites.co/wp-content/uploads/2018/05/lascelles-monument-3.jpgLascelles monument #3https://sublimesites.co/wp-content/uploads/2018/05/lascelles-monument-2.jpgLascelles monument #22022-04-11T15:59:41+00:00monthlyhttps://sublimesites.co/2022/03/08/plate-16-the-old-college-house-conway-wales-conwy/https://sublimesites.co/wp-content/uploads/2022/03/conway-header-wp-1.jpgConway header wphttps://sublimesites.co/wp-content/uploads/2022/03/conway-header-wp.jpgConway header wp2022-03-08T17:13:50+00:00monthlyhttps://sublimesites.co/2022/02/18/plate-15-a-garden-house-on-the-banks-of-the-river-yare-norfolk/https://sublimesites.co/wp-content/uploads/2022/02/garden-house-leeds-detail-house.jpgGarden House Leeds detail house2022-02-25T17:58:15+00:00monthlyhttps://sublimesites.co/2022/02/12/plate-14-south-side-of-brayesworth-church-suffolk-braiseworth/https://sublimesites.co/wp-content/uploads/2022/02/braiseworth-south-portal-header-wp.jpgBraiseworth south portal header wp2022-05-17T11:30:42+00:00monthlyhttps://sublimesites.co/2022/01/31/plate-13-west-front-of-byland-abbey-yorkshire/https://sublimesites.co/wp-content/uploads/2022/01/byland-header.jpgByland 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detail2022-01-19T16:50:09+00:00monthlyhttps://sublimesites.co/2022/01/16/lights-will-guide-you-home-turner-at-calais-7/2022-01-16T17:15:46+00:00monthlyhttps://sublimesites.co/2022/01/12/lights-will-guide-you-home-turner-at-calais-6/2022-01-12T21:29:09+00:00monthlyhttps://sublimesites.co/2022/01/05/lights-will-guide-you-home-turner-at-calais-5/2022-01-07T18:49:55+00:00monthlyhttps://sublimesites.co/2021/12/21/lights-will-guide-you-home-turner-at-calais-4/https://sublimesites.co/wp-content/uploads/2021/12/tdb2914-header-4.jpgtdb2914 header 42021-12-21T16:38:39+00:00monthlyhttps://sublimesites.co/2021/12/12/lights-will-guide-you-home-turner-at-calais-2/2021-12-18T19:23:58+00:00monthlyhttps://sublimesites.co/2021/12/17/lights-will-guide-you-home-turner-at-calais-3/https://sublimesites.co/wp-content/uploads/2021/12/part-3-header.jpgPart 3 header2021-12-17T16:16:58+00:00monthlyhttps://sublimesites.co/2021/12/10/lights-will-guide-you-home-turner-at-calais-1/https://sublimesites.co/wp-content/uploads/2021/12/calais-engraving-crop-wp.jpgCalais engraving crop wp2021-12-14T12:29:03+00:00monthlyhttps://sublimesites.co/2020/07/18/the-pocket-magazine/2021-10-26T21:45:09+00:00monthlyhttps://sublimesites.co/2020/06/21/abbotsford-c-1832/2021-09-21T19:16:03+00:00monthlyhttps://sublimesites.co/2021/07/19/south-burlingham-church-norfolk/https://sublimesites.co/wp-content/uploads/2021/05/s-burlingham-header-wp.jpgS Burlingham header wp2022-01-22T18:33:11+00:00monthlyhttps://sublimesites.co/2021/07/13/plate-10-rievaulx-abbey-the-refectory-doorway-yorkshire/https://sublimesites.co/wp-content/uploads/2021/07/riievaulx-door-header-wp.jpgRiievaulx door header wp2021-07-13T16:50:48+00:00monthlyhttps://sublimesites.co/2021/07/01/plate-8-rievaulx-abbey-yorkshire/https://sublimesites.co/wp-content/uploads/2021/06/rievaulx-1-header-wp.jpgRievaulx #1 Header wp2021-07-02T16:37:10+00:00monthlyhttps://sublimesites.co/2021/06/25/plate-7-north-creake-abbey-norfolk/https://sublimesites.co/wp-content/uploads/2021/06/north-creake-header-wp.jpgNorth creake header wp2021-07-02T16:36:08+00:00monthlyhttps://sublimesites.co/2019/03/04/miscellaneous-etchings-2-title-page/https://sublimesites.co/wp-content/uploads/2021/01/07dd5-title-page-detail-window-tailpiece.jpgTitle page detail window tailpiecehttps://sublimesites.co/wp-content/uploads/2021/01/c89a7-bohn-tp-2.jpgBohn tp #2John Sell Cotman Specimens of Architectural Remains in various Counties in England, but especially in Norfolk: Title page to Volume 2, 1838 Private collection Photograph: Professor David Hillhttps://sublimesites.co/wp-content/uploads/2021/01/900b5-bohn-tp-1.jpgBohn tp #1John Sell Cotman Specimens of Architectural Remains in various Counties in England, but especially in Norfolk: Title page to Volume 1, 1838 Private collection Photograph: Professor David Hillhttps://sublimesites.co/wp-content/uploads/2021/01/0e7cc-title-page-detail-window.jpgTitle page detail window2021-06-09T17:54:52+00:00monthlyhttps://sublimesites.co/2019/03/04/miscellaneous-etchings-3-dedication-page/https://sublimesites.co/wp-content/uploads/2021/01/f451f-dedication-page-detail-tailpiece.jpgDedication page detail tailpiecehttps://sublimesites.co/wp-content/uploads/2021/01/98050-bohn-dedication-page-detail.jpgBohn dedication page detailDetail of shield from 1838 impressionhttps://sublimesites.co/wp-content/uploads/2021/01/81641-dedication-page-detail.jpgDedication page detailDetail of shield from 1811 impressionhttps://sublimesites.co/wp-content/uploads/2021/01/2d9c7-bohn-dedication-page.jpgBohn dedication pageJohn Sell Cotman Specimens of Architectural Remains in various Counties in England, but especially in Norfolk: Dedication page to Volume 1, 1838 Private collection Photograph: Professor David Hill2021-06-09T17:41:59+00:00monthlyhttps://sublimesites.co/2019/03/04/miscellaneous-etchings-4-beeston-priory-norfolk/https://sublimesites.co/wp-content/uploads/2021/01/16664-norwich-dixon-beeston.jpgNorwich Dixon Beestonhttps://sublimesites.co/wp-content/uploads/2021/01/d94f5-ncm-beeston-drawing.jpgNCM Beeston drawinghttps://sublimesites.co/wp-content/uploads/2021/01/1ce1e-mec-beeston-1827-keys-2013.jpgMEC Beeston 1827 Keys 2013https://sublimesites.co/wp-content/uploads/2021/01/4d705-norwich-excursions-beeston.jpgNorwich excursions Beestonhttps://sublimesites.co/wp-content/uploads/2021/01/1edcc-ge-beeston-priory.jpgGE Beeston Prioryhttps://sublimesites.co/wp-content/uploads/2021/01/1a57a-beeston-priory-detail-tailpiece.jpgBeeston priory detail tailpiecehttps://sublimesites.co/wp-content/uploads/2021/01/cc9b0-beeston-priory-cotmans-perch.jpgBeeston Priory - Cotmans perchChancel of Beeston Priory, south wall. Photograph by Prof David Hill taken October 2008. Cotman appears to have drawn this subject whilst seated at the foot of the stairs to the righthttps://sublimesites.co/wp-content/uploads/2021/01/811d8-beeston-priory-photo-2.jpgBeeston Priory photo #2Chancel of Beeston Priory, Norfolk Photograph by Prof David Hill, October 2008https://sublimesites.co/wp-content/uploads/2021/01/1f7bd-beeston-priory-1811-flipped.jpgBeeston Priory 1811 flippedhttps://sublimesites.co/wp-content/uploads/2021/01/f19d1-beeston-priory-photo.jpgBeeston priory photoNorth East corner of the chancel of Beeston Priory Photograph by Prof David Hill, October 20082021-06-09T16:36:22+00:00monthlyhttps://sublimesites.co/2019/03/04/duncombe-park-yorkshire/https://sublimesites.co/wp-content/uploads/2021/01/a2091-ge-cotman-viewpoint.jpgGE Cotman viewpointhttps://sublimesites.co/wp-content/uploads/2021/01/ec6b9-rye-banks.jpgRye banksBanks of the River Rye at Duncombe Photograph by Professor David Hill, 2005https://sublimesites.co/wp-content/uploads/2021/01/04669-duncombe-wall-2005.jpgDuncombe Wall 2005Wall at Duncombe Photograph by Professor David Hill, 2005https://sublimesites.co/wp-content/uploads/2021/01/68a7b-t11499_10.jpgDuncomb Park, Yorkshire null by John Sell Cotman 1782-1842Bohn impression 1838 Tate T11499 Image source: https://www.tate.org.uk/art/artworks/cotman-duncomb-park-yorkshire-t11499https://sublimesites.co/wp-content/uploads/2021/01/fafd6-t06448_10.jpgDuncombe Park, Yorkshire 1811 by John Sell Cotman 1782-1842As issued to subscribers, 1811 Tate T06448 Image source: https://www.tate.org.uk/art/artworks/cotman-duncombe-park-yorkshire-t06448https://sublimesites.co/wp-content/uploads/2021/01/b923c-duncombe-1000px-1.jpgDuncombe 1000pxFirst trial proof as sent to Francis Cholmeley Private collectionhttps://sublimesites.co/wp-content/uploads/2021/01/64afb-ncm-drawing.jpgNCM drawingJohn Sell Cotman Duncombe Park, Yorkshire, Graphite on paper, 222 x 146 mm Norwich Castle Museum NWHCM : 1951.235.463 Image courtesy of Norfolk Museums Collectionshttps://sublimesites.co/wp-content/uploads/2021/01/e559a-cholmeley-prints-duncombe-park.jpgCholmeley prints - Duncombe ParkEarly proof presented to Francis Cholmeley Private Collection Photograph by Professor David Hillhttps://sublimesites.co/wp-content/uploads/2021/01/ba3a2-ge-cotman-sites-near-duncombe.jpgGE Cotman sites near Duncombehttps://sublimesites.co/wp-content/uploads/2021/01/42fb2-etchings-prospectus-nycro-1000px.jpgEtchings prospectus NYCRO 1000pxCotman’s prospectus for his first ‘Collection of Etchings’, 1810 North Yorkshire County Record Office (NYCRO ZQG) Scanned from Adele M Holcomb and M Ashcroft, ‘John Sell Cotman in the Cholmeley Archive’, NYCRO, 19802021-06-09T16:01:58+00:00monthlyhttps://sublimesites.co/2019/03/04/the-manor-house-york/https://sublimesites.co/wp-content/uploads/2021/01/72ccf-bohn-1838-title-detail.jpgBohn 1838 title detail1838 titlehttps://sublimesites.co/wp-content/uploads/2021/01/7084a-browne-kings-manor-1817.jpgBrowne Kings Manor 1817John Browne Entrance to the King’s Manor, York, 1817 Pencil and bodycolour, 17 ½ x 13 ½ ins, 348 x 345 mm York Art Gallery, Evelyn Collection, R1571 Image scanned from ‘York Through the Eyes of the Artist’, 1990, no.49. Courtesy of York Museums Trust. https://sublimesites.co/wp-content/uploads/2021/01/0d65a-strange-hieroglyphs.jpgStrange hieroglyphsStrange hieroglyphshttps://sublimesites.co/wp-content/uploads/2021/01/3a9cb-york-manor-house-ist-pub-detail-title.jpgYork Manor House ist pub detail titlehttps://sublimesites.co/wp-content/uploads/2021/01/b5cba-york-manor-house-proof-1-date.jpgYork Manor House proof 1 datehttps://sublimesites.co/wp-content/uploads/2021/01/b3d7e-york-manor-house-flipped.jpgYork Manor House flippedhttps://sublimesites.co/wp-content/uploads/2021/01/0ebee-york-manor-house-ist-pub-cropped.jpgYork Manor House ist pub croppedFirst published state Private collection Photograph: Professor David Hill https://sublimesites.co/wp-content/uploads/2021/01/474ea-york-manor-house-proof-1-chomeley-1000px.jpgYork Manor House proof 1 Chomeley 1000pxCholmeley proof #1 Private Collection Photograph by David Hill https://sublimesites.co/wp-content/uploads/2021/01/272d3-york-manor-house-proof-2-cholmeley-cropped-1000px.jpgYork Manor House proof #2 cholmeley cropped 1000pxCholmeley proof #2 [cropped to exclude inscription] Private Collection Photograph by David Hill https://sublimesites.co/wp-content/uploads/2021/01/4eee1-york-manor-house-proof-2-cholmeley-1000px.jpgYork Manor House proof #2 cholmeley 1000pxCholmeley proof #2, with inscription by Cotman Private Collection Photograph by David Hill2021-06-09T15:58:49+00:00monthlyhttps://sublimesites.co/2019/03/04/valle-crucis-abbey-north-wales/https://sublimesites.co/wp-content/uploads/2021/01/87266-valle-crucis-ta.jpgValle Crucis TAImage courtesy of Trip Advisorhttps://sublimesites.co/wp-content/uploads/2021/01/76ec9-valle-crucis-detail-2.jpgValle Crucis detail #22021-06-09T13:11:15+00:00monthlyhttps://sublimesites.co/2021/05/03/a-twopeny-portfolio-25-sharrow-bay-house-ullswater/https://sublimesites.co/wp-content/uploads/2021/05/sharrow-bay-wp-header.jpgSharrow Bay wp header2021-05-09T20:40:55+00:00monthlyhttps://sublimesites.co/2021/04/10/john-sell-cotman-a-harbour-for-the-soul-5-van-dyck-study/https://sublimesites.co/wp-content/uploads/2021/04/van-dyck-header-wp.jpgVan Dyck header wp2021-05-07T13:48:52+00:00monthlyhttps://sublimesites.co/2021/04/27/john-sell-cotman-a-harbour-for-the-soul-7-more-musketeers/https://sublimesites.co/wp-content/uploads/2021/04/part-7-header-wp.jpgPart 7 header wp2021-04-27T22:11:44+00:00monthlyhttps://sublimesites.co/2021/04/25/john-sell-cotman-a-harbour-for-the-soul-6-musketeer-after-jacob-de-gheyn/https://sublimesites.co/wp-content/uploads/2021/04/cdb03069-2021-header.jpgcdb03069 2021 header2021-04-26T20:45:13+00:00monthlyhttps://sublimesites.co/2018/01/18/john-sell-cotman-a-harbour-for-the-soul-1/https://sublimesites.co/wp-content/uploads/2018/01/cotmania-vi-17-may-1931-ss.jpgCotmania VI 17 May 1931 SSSydney Decimus Kitson ‘Cotmania’ notebook VI, 1930-31 Page for 17 May 1931, recording his visit to see the collection of Mrs Barker of Felixstow, the daughter of R.H.Inglis Palgrave, where the present watercolour was known as ‘The Astrologer’. Leeds Art Gallery, Sydney Kitson Archive To see this page in the context of the online catalogue of the Leeds Art Gallery collection of John Sell Cotman,, click on the following link, and use your browser’s ‘back’ button to return to this page: https://cotmania.org/archives/sdk/1/2/1/6/150 https://sublimesites.co/wp-content/uploads/2018/01/1888-norwich-catalogue-cover_0001.jpg1888 Norwich catalogue cover_0001https://sublimesites.co/wp-content/uploads/2018/01/1888-norwich-catalogue-no-22.jpg1888 Norwich catalogue no 22https://sublimesites.co/wp-content/uploads/2018/01/scholar-inscription-on-original-backboard-as-bought-ss.jpgScholar inscription on original backboard as bought SSJohn Sell Cotman ‘The Student’, c.1833 Detail of inscription on verso of original mounting sheet, as bought, 2014 https://sublimesites.co/wp-content/uploads/2018/01/scholar-backboard-removed-as-bought-ss.jpgScholar backboard removed as bought SSJohn Sell Cotman ‘The Student’, c.1833 Backboard removed to show verso of original mounting sheet, as bought, 2014 https://sublimesites.co/wp-content/uploads/2018/01/scholar-label-as-bought.jpgScholar label as boughtJohn Sell Cotman ‘The Student’, c.1833 Old label on backboard, as bought, 2014 https://sublimesites.co/wp-content/uploads/2018/01/scholar-as-bought-back-ss.jpgScholar as bought back SSJohn Sell Cotman ‘The Student’, c.1833 Back, as bought, 2014 https://sublimesites.co/wp-content/uploads/2018/01/scholar-out-of-frame-detail-as-bought-2014-ss.jpgScholar out of frame detail as bought 2014 SShttps://sublimesites.co/wp-content/uploads/2018/01/scholar-on-backboard-ss.jpgScholar on backboard SShttps://sublimesites.co/wp-content/uploads/2018/01/scholar-key-image.jpgScholar key image2021-04-10T21:58:35+00:00monthlyhttps://sublimesites.co/2018/01/19/john-sell-cotman-a-harbour-for-the-soul-2/https://sublimesites.co/wp-content/uploads/2018/01/scholar-etching-cropped-ss.jpgScholar etching cropped SShttps://sublimesites.co/wp-content/uploads/2018/01/leeds-artist-receiving-visitors.jpgLeeds artist receiving visitorsJohn Sell Cotman Figure composition: An artist receiving visitors in his studio, c.1833 Graphite on white, textured, wove paper, watermarked 'B E & S 1828', 257 x 347 mm Leeds City Art Gallery, Sydney Kitson Bequest, LEEAG. 1949.0009.0681 Image courtesy of Leeds Art Gallery To see this image in the Leeds online catalogue, click on the following link, and use your browser’s ‘back’ button to return to this page: https://cotmania.org/works-of-art/44025 https://sublimesites.co/wp-content/uploads/2018/01/chorleys-cavalier.jpgChorley's CavalierJohn Sell Cotman A Seated Cavalier, Writing, c.1832 Graphite on paper, 190cm x 170 mm Sold Chorley's Fine Art & Antiques, Cheltenham, including Jewellery and silver, Day 1: 24 September 2014, Lot 476 as ‘A Seated Cavalier, Writing’, repr colour Image from Chorley’s website: http://www.chorleys.com/Catalogues/ourcatalogues.aspx?Catalogue=77&pg=search&pageOn=1&QryFld1=0&QryFld2=cotman https://sublimesites.co/wp-content/uploads/2018/01/vliet-scholar.jpgVliet ScholarJan van Vliet (c.1610 – 1668) A Scholar in his Study. Called ‘The Five Senses’, 1634 Etching on paper, 240 x 198 mm British Museum, London, S.200 Image courtesy of British Museum; http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1602535&partId=1&searchText=vliet+scholar&page=1 https://sublimesites.co/wp-content/uploads/2018/01/johannes_vermeer_-_the_astronomer_-_wga24685.jpgJohannes_Vermeer_-_The_Astronomer_-_WGA24685ohannes Vermeer (1632-1675) The Astronomer, 1668 Oil on canvas, 510 x 450 mm Louvre, Paris Image courtesy of the Louvre http://www.louvre.fr/oeuvre-notices/lastronome https://sublimesites.co/wp-content/uploads/2018/01/926px-thomas_wyck_-_a_scholar_in_his_study_-_google_art_project.jpg926px-Thomas_Wyck_-_A_scholar_in_his_Study_-_Google_Art_ProjectThomas Wyck (1616 – 1677) A Scholar in his Study, c.1650 Oil on canvas, 335 x 310 mm Hallwyl Museum, Stockholm Image courtesy of Google Art project; https://www.google.com/culturalinstitute/beta/asset/a-scholar-in-his-study/jwEEffvPLpskfA?hl=en https://sublimesites.co/wp-content/uploads/2018/01/scholar-leeds-sketch-ss.jpgScholar leeds sketch SS2021-04-10T21:57:45+00:00monthlyhttps://sublimesites.co/2018/01/25/john-sell-cotman-a-harbour-for-the-soul-3/https://sublimesites.co/wp-content/uploads/2018/01/bm-mec-detail.jpgBM MEC detailhttps://sublimesites.co/wp-content/uploads/2018/01/cdb01514.jpgcdb01514John Sell Cotman Portrait of Miles Edmund Cotman, c.1831 Black chalk, heightened with white, touched with red chalk, on grey paper, 190 x 140 mm London, British Museum, 1885,1010.4 This drawing has hitherto been called Portrait of John Sell Cotman, but the subject if John Sell is too young ever to have been drawn by Miles Edmhttps://sublimesites.co/wp-content/uploads/2018/01/cdb01306.jpgcdb01306John Sell Cotman ?The Investigation, exhibited , c.1832 Watercolour, 19 3/4 x 14 3/4 ins, 501 x 375 mm Untraced Reproduced from Victor Rienaecker’s 1953 book on Cotman, pl.93 as 'The Investigation’. Probably identifiable with the exhibit ‘The Investigation’ Norfolk and Suffolk Institution, Norwich, 1828 no. 155. https://sublimesites.co/wp-content/uploads/2018/01/cdb01308k.jpgcdb01308kJohn Sell Cotman An artist in his studio, c.1832 Watercolour, 17 x 24 ins, 432 x 610 mm London, Victoria and Albert Museum (P.27-1939) Reproduced from Sydney Kitson’s book, Life of John Sell Cotman, 1937, pl.123 where called ‘The Investigation’. Possibly, rather, identifiable with the exhibit ‘A Painter’s Study’ shown at the Society of Painters in Watercolours, 1833, no.249 https://sublimesites.co/wp-content/uploads/2018/01/cdb01270.jpgcdb01270John Sell Cotman Velazquez designing his celebrated picture of the Crucifixion, 1836 Watercolour, 16 7/8 x 13 3/8 ins Reproduced from a lithograph in the catalogue of the exhibition of the Norwich Art Circle, 1888, where exhibited as no. 174 ‘Columbus’. It is not known how or when it acquired the later title. https://sublimesites.co/wp-content/uploads/2018/01/1834-sale-cat-armour-and-curios.jpg1834 sale cat armour and curiosDetail of the sale of the contents of Cotman’s House in Norwich, 1834, day 3 amour and curiosities From a volume of typed transcripts of sale catalogues in the Sydney Kitson archive at Leeds Art Gallery Photograph by David Hill https://sublimesites.co/wp-content/uploads/2018/01/1834-sale-cat-rembrandt.jpg1834 sale cat RembrandtDetail of the sale of the contents of Cotman’s House in Norwich, 1834, day 2 From a volume of typed transcripts of sale catalogues in the Sydney Kitson archive at Leeds Art Gallery Photograph by David Hill https://sublimesites.co/wp-content/uploads/2018/01/1834-sale-cover.jpg1834 sale coverTitle page of the sale of the contents of Cotman’s House in Norwich, 1834 From a volume of typed transcripts of sale catalogues in the Sydney Kitson archive at Leeds Art Gallery Photograph by David Hill https://sublimesites.co/wp-content/uploads/2018/01/ge-cotman-house-in-norwich.jpgGE Cotman house in NorwichGoogle Earth Aerial View of central Norwich, marking Cotman's House.https://sublimesites.co/wp-content/uploads/2018/01/cotmans-house-norwich-pp.jpgCotman's House, Norwich ppCotman’s house in St Martin’s Palace Plain, Norwich Photograph by David Hill, taken 7 April 2005, 14.54 This is one of the best-situated dwellings in the centre of Norwich. Cotman lived here for ten years, 1824-1834, but never could properly afford it. 2021-04-10T21:57:11+00:00monthlyhttps://sublimesites.co/2018/01/27/john-sell-cotman-a-harbour-for-the-soul-postscript/https://sublimesites.co/wp-content/uploads/2018/01/cdb03378.jpgby Horatio Beevor Love, pencil and wash, 1830Portrait of John Sell Cotman by Horatio Beevor Love Graphite and watercolour wash, 10 3/4 x 8 1/4 in, 273 x 210 mm London, National Portrait Gallery, NPG1372 Image courtesy of National Portrait Gallery; https://www.npg.org.uk/collections/search/portrait/mw01492/John-Sell-Cotman?LinkID=mp01041&search=sas&sText=cotman&role=sit&rNo=0https://sublimesites.co/wp-content/uploads/2018/01/ecclesiastic-drawing-dh-ss2.jpgEcclesiastic drawing DH SSJohn Sell Cotman A priest seated at a table reading a bible on a stand. Called 'An Ecclesiastic', c.1832-33 Graphite (or conte crayon) on white wove ?etching paper, watermarked 'J Whatman/ 1831', image within ruled graphite line 205 x 154 mm, on sheet 234 x 185 mm Collection of the author https://sublimesites.co/wp-content/uploads/2018/01/ecclesiat-detail-monogram.jpgEcclesiat detail monogramhttps://sublimesites.co/wp-content/uploads/2018/01/love-portrait-detail.jpgLove portrait detailhttps://sublimesites.co/wp-content/uploads/2018/01/antonello_da_messina_-_st_jerome_in_his_study_-_national_gallery_london_detail.jpgAntonello_da_Messina_-_St_Jerome_in_his_study_-_National_Gallery_London_detailAntonello da Messina (140-1479) St Jerome in his Study, c.1475 [detail – reversed] Oil on panel, 45/7 x 36.2 cm National Gallery, London (NG1418) Image: https://commons.wikimedia.org/wiki/File:Antonello_da_Messina_-_St_Jerome_in_his_study_-_National_Gallery_London_detail.jpg https://sublimesites.co/wp-content/uploads/2018/01/girlandao-st-jerome.jpgGirlandao St JeromeDomenico Ghirlandaio, St Jerome in his Study. c. 1480. Ognissanti, Florence Image: https://www.google.co.uk/search?q=st+jerome+in+his+study+painting&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjs6vzjlfbYAhXLIMAKHbsIBmsQ_AUICigB&biw=1280&bih=906#imgrc=m4hkiF3jY-7ADM:&spf=1516988606754 https://sublimesites.co/wp-content/uploads/2018/01/van-eyck-jerome.jpgVan eyck jeromeJan van Eyck (c.1390-1441) St Jerome in his Study, 1442 Detroit Institute of Arts Image: https://commons.wikimedia.org/wiki/File:Jan_van_eyck,_san_girolamo_nello_studio,_detroit.JPG https://sublimesites.co/wp-content/uploads/2018/01/ecclesiatic-etching-detail-face.jpgEcclesiatic etching detail facehttps://sublimesites.co/wp-content/uploads/2018/01/eccesiastic-etching-ss.jpgEccesiastic etching SS John Sell Cotman A priest seated at a table reading a bible on a stand. Called 'An Ecclesiastic', 1833 Etching on india paper pressed on stiff, heavyweight etching paper, image 197 x 145 mm on plate 204 x 151 mm: Full sheet as published, 492 x 336 mm Inscribed on plate in bottom right corner of image 'JSC' in monogram. Leeds Art Gallery, bequest of Sydney Decimus Kitson, LEEAG.1949.0009.0774 This etching is listed on the online catalogue of the Leeds Art Gallery collection of John Sell Cotman, but funding for the project extended only to fully cataloguing the drawings. I am hoping to be able to work on the prints at some future opportunity. See: https://cotmania.org/works-of-art/211008 2021-04-10T21:56:25+00:00monthlyhttps://sublimesites.co/2017/03/17/cotmans-norfolk-3-st-benets-abbey/https://sublimesites.co/wp-content/uploads/2017/03/benet-ncm-etching-detail-of-vanes.jpgBenet NCM etching detail of vaneshttps://sublimesites.co/wp-content/uploads/2017/03/faden-1797-st-benets-area.jpgFaden 1797 St Benet's areaWilliam Faden (publisher) Map of Norfolk, 1797 Detail of the area around St Benet’s Abbey. https://sublimesites.co/wp-content/uploads/2017/03/san-francisco-watercolour.jpgSan Francisco watercolourafter John Sell Cotman (1782-1842)St Benet's Abbey, Norfolk, from the south west , c.1808Graphite and watercolour on white wove paper, 289 x 233 mmUSA, San Francisco Fine Art Museums, Achenbach Foundation for Graphic Arts, 1963.24.4Image courtesy of Achenbach Foundation for Graphic Arts.To see this image in the San Francisco Fine Art Museums own website, click on the following link, then use your browser’s ‘back’ button to return to this page:https://art.famsf.org/john-sell-cotman/windmill-196324456 https://sublimesites.co/wp-content/uploads/2017/03/lady-lever-watercolour.jpgLady Lever watercolourJohn Sell Cotman (1782-1842)St Benet's Abbey, Norfolk, from the south west , c.1808Graphite and watercolour on white wove paper, 282 x 224 mmLiverpool, Walker Art Gallery: From the Lady Lever Art Gallery collections (LL 3946)Image courtesy of National Galleries on Merseyside.To see this image in the NGM’s own website, click on the following link, then use your browser’s ‘back’ button to return to this page:http://www.liverpoolmuseums.org.uk/walker/collections/works-on-paper/item-228178.aspxhttps://sublimesites.co/wp-content/uploads/2017/03/st-benets-west-dh-ss.jpgSt Benet's West DH SSSt Benet’s Abbey from the westPhotograph taken by David Hill, 7 March 2017, 11.23 GMTClick on image to view at full size.https://sublimesites.co/wp-content/uploads/2017/03/st-benets-ncm-1831.jpgSt Benets NCM 1831John Sell Cotman (1782-1842) St Benet's Abbey, Norfolk, 1831 Watercolour with paste medium on white wove paper watermarked 'J Whatman 1830', 320 mm x 470 mm Norwich Castle Museum, NWHCM: 1947.217.211 : F Image courtesy of Norfolk Museumshttps://sublimesites.co/wp-content/uploads/2017/03/benet-ncm-etching.jpgBenet NCM etchingJohn Sell Cotman (1782-1842) St Benet's Abbey, Norfolk; the gateway and windmill from the south. Called 'East View of the Gateway of St Bennet's Abbey', 1813 Etching printed in black ink on heavyweight off-white wove paper, image 241 x 372 mm on plate 276 x 380 mm (10 7/8 x 15 ins) on sheet as published Etched by Cotman 1813 and issued to subscribers as pl 25 of his Norfolk Antiquities in part five (consisting of six plates) in April or May 1813. Published as a complete set of sixty plates in one volume in 1818. https://sublimesites.co/wp-content/uploads/2017/03/st-benets-south-dh-ss.jpgSt Benet's south DH ssSt Benet’s Abbey from the south Photograph taken by David Hill, 7 March 2017, 11.15 GMT Click on image to view at full size.2021-05-29T10:55:39+00:00monthlyhttps://sublimesites.co/2017/03/19/cotmans-norfolk-3-st-benets-abbey-ii/https://sublimesites.co/wp-content/uploads/2017/03/maarssen-windmill-tail-piece.jpgMaarssen windmill tail piecehttps://sublimesites.co/wp-content/uploads/2017/03/maarssen-windmill-2015-dh-ss.jpgMaarssen windmill 2015 DH SSDutch smock mill on the river Vecht at Maarssen, near Utrecht Photograph by David Hill taken 22 July 2015, 12.55 GMT https://sublimesites.co/wp-content/uploads/2017/03/ncm-benets-detail-of-staging.jpgNCM Benets detail of stagingJohn Sell Cotman (1782-1842) St Benet's Abbey, Norfolk, from the north, c.1812 Detail of staging https://sublimesites.co/wp-content/uploads/2017/03/romantic-windmill-cover.jpgRomantic windmill coverhttps://sublimesites.co/wp-content/uploads/2017/03/ncm-benet-sketch-1812.jpgNCM Benet sketch 1812John Sell Cotman (1782-1842) St Benet's Abbey, Norfolk, from the north, c.1812 Graphite on white, wove paper, 288 x 213 mm; Norwich Castle Museum NWHCM : 1966.749.12 Image courtesy of Norfolk Museums To see this image in the Norfolk Museums’ own website, click on the following link, then use your browser’s ‘back’ button to return to this page: http://norfolkmuseumscollections.org/collections/objects/object-3727546919.html/#!/?q=cotman%2Bbenethttps://sublimesites.co/wp-content/uploads/2017/03/st-benets-north-dh-ss.jpgSt Benets North DH SSSt Benet's Abbey, Norfolk, from the North Photograph by David Hill taken 7 March 2017, 11.46 GMT2021-03-27T12:36:27+00:00monthlyhttps://sublimesites.co/2021/03/10/cotman-and-st-benets-part-3/https://sublimesites.co/wp-content/uploads/2021/03/st-benets-header-wp.jpgSt Benets header wp2021-03-27T12:32:14+00:00monthlyhttps://sublimesites.co/2021/03/18/cotman-and-st-benets-part-6-later-works-continued/https://sublimesites.co/wp-content/uploads/2021/03/tepapa-header-wp.jpgTepapa header wp2021-03-20T12:37:08+00:00monthlyhttps://sublimesites.co/2021/03/14/cotman-and-st-benets-part-5-later-works/https://sublimesites.co/wp-content/uploads/2021/03/lady-lever-watercolour-detail-flipped.jpgLady Lever watercolour detail flippedCapturefile: S:CapturesFeather2CH000966.001796.Capture.tif CaptureSN: CH000966.001796 Software: Capture One PRO for Windowshttps://sublimesites.co/wp-content/uploads/2021/03/cdb00794-header-wp.jpgcdb00794 header wp2021-12-30T13:38:10+00:00monthlyhttps://sublimesites.co/2021/03/11/cotman-and-st-benets-part-4/https://sublimesites.co/wp-content/uploads/2021/03/st-benets-suth-dh-wp-header.jpgSt Benets south DH wp header2021-03-13T11:18:37+00:00monthlyhttps://sublimesites.co/2015/08/18/cotmans-norfolk-tilney-all-saints-near-kings-lynn/https://sublimesites.co/wp-content/uploads/2015/08/tilney-watercolour.jpgTilney watercolourJohn Sell Cotman (1782 – 1842) Tower of Tilney All Saints Church, Norfolk, c.1809 Pencil and watercolour on paper, 281 x 210 mm USA, San Francisco Fine Art Museums, 1977.2.11; Museum purchase, Elizabeth Ebert and Arthur W. Barney Fund Image courtesy of San Francisco Fine Art Museums To view this work in San Francisco Fine Art Museums’ own online catalogue click on the following link then use your browser’s ‘back’ button to return to this page: https://art.famsf.org/john-sell-cotman/tilney-all-saints-church-near-kings-lynn-norfolk-1977211 https://sublimesites.co/wp-content/uploads/2015/08/tilney-watercolour-detail-top.jpgTilney watercolour detail topJohn Sell Cotman (1782 – 1842) Tower of Tilney All Saints Church, Norfolk, c.1809 Pencil and watercolour – detail of top of tower USA, San Francisco Fine Art Museums, 1977.2.11; Museum purchase, Elizabeth Ebert and Arthur W. Barney Fund Image courtesy of San Francisco Fine Art Museums https://sublimesites.co/wp-content/uploads/2015/08/tilney-watercolour-detail-figures.jpgTilney watercolour detail figuresJohn Sell Cotman (1782 – 1842) Tower of Tilney All Saints Church, Norfolk, c.1809 Pencil and watercolour – detail of figures, lower right USA, San Francisco Fine Art Museums, 1977.2.11; Museum purchase, Elizabeth Ebert and Arthur W. Barney Fund Image courtesy of San Francisco Fine Art Museums https://sublimesites.co/wp-content/uploads/2015/08/tilney-watercolour-detail-bottom.jpgTilney watercolour detail bottomJohn Sell Cotman (1782 – 1842) Tower of Tilney All Saints Church, Norfolk, c.1809 Pencil and watercolour – detail of base of tower and lancets, first stage USA, San Francisco Fine Art Museums, 1977.2.11; Museum purchase, Elizabeth Ebert and Arthur W. Barney Fund Image courtesy of San Francisco Fine Art Museums https://sublimesites.co/wp-content/uploads/2015/08/tilney-tower-detail-top.jpgTilney tower detail topTower of Tilney All Saints, Norfolk: detail of upper stage Photograph by David Hill taken 15 August 2015, 17.00 GMT Compare the detail in Cotman’s watercolour, etching and pencil drawing. https://sublimesites.co/wp-content/uploads/2015/08/tilney-tower-detail-middle.jpgTilney tower detail middleTower of Tilney All Saints, Norfolk: detail of first stage lancets Photograph by David Hill taken 15 August 2015, 17.02 GMT Compare the detail in Cotman’s watercolour, etching and pencil drawing. https://sublimesites.co/wp-content/uploads/2015/08/tilney-tower-detail-bottom.jpgTilney tower detail bottomTower of Tilney All Saints, Norfolk: detail of west portal Photograph by David Hill taken 15 August 2015, 17.02 GMT Compare the detail in Cotman’s watercolour, etching and pencil drawing. https://sublimesites.co/wp-content/uploads/2015/08/tilney-photo-dh.jpgTilney photo DHTower of Tilney All Saints, Norfolk Photograph by David Hill taken 15 August 2015, 16.55 GMT Houses now make it impossible to take such a distant stance as Cotman. It seems likely that Cotman’s pond was filled to make their gardens. https://sublimesites.co/wp-content/uploads/2015/08/tilney-pencil.jpgTilney pencilAfter John Sell Cotman (1782 – 1842) Tower of Tilney All Saints Church, Norfolk, c.1813-17 Graphite on paper, 292 x 211 mm Norwich Castle Museum, NWHCM : 1966.749.24 : F Image courtesy of Norwich Museums Collections To view this work in Norfolk Museums Collections’ own online catalogue click on the following link then use your browser’s ‘back’ button to return to this page: http://www.norfolkmuseumscollections.org/collections/objects/476261585.html/#!/?q=cotman%2Btilney This drawing is too mechanical to be by Cotman. It was probably copied (or traced) from the watercolour by an assistant preparatory to Cotman making an etching from it. https://sublimesites.co/wp-content/uploads/2015/08/tilney-interior-dh.jpgTilney interior DHInterior of Tilney All Saints, Norfolk Photograph by David Hill taken 15 August 2015, 17.17 GMT From the north aisle. Note the reproduction of Cotman’s watercolour hanging on the far centre column. 2021-03-09T18:04:39+00:00monthlyhttps://sublimesites.co/2015/08/22/cotmans-norfolk-2-terrington-st-clements-church-near-kings-lynn/https://sublimesites.co/wp-content/uploads/2015/08/terrington-window-2.jpgTerrington window #2Terrington St Clement’s Church, Norfolk, west window Photograph by David Hill taken 15 August 2015, 17.47 GMThttps://sublimesites.co/wp-content/uploads/2015/08/terrington-roundel-small.jpgTerrington roundel smallhttps://sublimesites.co/wp-content/uploads/2015/08/ladbrooke-terrington-1821.jpgLadbrooke Terrington 1821John Berney Ladbrooke (attrib.) Terrington St Clement, 1821 Lithograph on paper, 187 x 253 mm Norwich Castle Museum, NWHCM : 1954.138 Image courtesy of Norwich Museums Collections To view this work in Norfolk Museums Collections’ own online catalogue click on the following link then use your browser’s ‘back’ button to return to this page: http://www.norfolkmuseumscollections.org/collections/objects/2128696806.html/#!/?q=ladbrooke%2Bterrington This is the only other pre-1829 restoration image of Terrington that I can find. Unfortunately the quality of the detail is so poor in comparison to Cotman’s that it sheds no light on Cotman’s accuracy. https://sublimesites.co/wp-content/uploads/2015/08/johnson-terrington-c-1840.jpgJohnson Terrington c.1840J Johnson Terrington St Clement, c.1840 Lithograph on paper, 216 x 313 mm Norwich Castle Museum, NWHCM : 1954.138 Image courtesy of Norwich Museums Collections To view this work in Norfolk Museums Collections’ own online catalogue click on the following link then use your browser’s ‘back’ button to return to this page: http://www.norfolkmuseumscollections.org/collections/objects/424351770.html/#!/?q=johnson%2Bterrington This is perhaps the best architectural renditiojn of Terrington St Clement, but was made some time after the 1829 restoration. It agrees with the existing structure more than Cotman. https://sublimesites.co/wp-content/uploads/2015/08/tterrington-detail-roundels-dh-ss.jpgTterrington detail roundels DH SSTerrington St Clement’s Church, Norfolk, south porch, detail of roundels above portal Photograph by David Hill taken 15 August 2015, 17.50 GMT Compare the detail in Cotman’s etching https://sublimesites.co/wp-content/uploads/2015/08/terrinton-west-dh-ss.jpgTerrinton west DH SSTerrington St Clement’s Church, Norfolk, west front Photograph by David Hill taken 15 August 2015, 17.46 GM https://sublimesites.co/wp-content/uploads/2015/08/terrington-south-porch-dh-ss.jpgTerrington South Porch DH SSTerrington St Clement’s Church, Norfolk, south porch Photograph by David Hill taken 15 August 2015, 17.50 GMT Compare the detail in Cotman’s etching and pencil drawing. https://sublimesites.co/wp-content/uploads/2015/08/terrington-porch-window-dh-ss.jpgTerrington porch window DH SSTerrington St Clement’s Church, Norfolk, south porch, detail of side window Photograph by David Hill taken 15 August 2015, 17.46 GMT Compare the shape of the portal as shown by Cotman https://sublimesites.co/wp-content/uploads/2015/08/terrington-pencil.jpgTerrington pencil?After John Sell Cotman (1782 – 1842) Terrington St Clement’s Church, Norfolk, c.1812-17 Graphite on paper, 336 x 254 mm Untraced Image scanned from Walker’s Gallery catalogue, 1926 This drawing is too mechanical to be by Cotman. It might well have been traced from the etching, since the images are exactly the same size. It would be interesting to check the registration.. https://sublimesites.co/wp-content/uploads/2015/08/terrington-etching.jpgTerrington etchingJohn Sell Cotman (1782 – 1842) Terrington St Clement’s Church, Norfolk, c.1812-17 Etching: Image 339 x 254 mm, on plate 391 x 271 mm Norwich Castle Museum, NWHCM : 1954.138 Image courtesy of Norwich Museums Collections To view this work in Norfolk Museums Collections’ own online catalogue click on the following link then use your browser’s ‘back’ button to return to this page: http://www.norfolkmuseumscollections.org/collections/objects/2039255551.html/#!/?q=cotman%2Bterrington The subject is at first sight uncannily well preserved, but upon closer consideration all kinds of discrepancies can be discovered.. 2021-03-09T18:03:53+00:00monthlyhttps://sublimesites.co/2018/11/25/cotman-bloomfield-and-the-ploughed-field/https://sublimesites.co/wp-content/uploads/2018/11/ploughed-field-detail-farmer-and-crow-ss.jpgPloughed Field detail farmer and crow SShttps://sublimesites.co/wp-content/uploads/2018/11/farmers-boy-spring-header-ss.jpgFarmers Boy Spring header SSNo dead crows here!https://sublimesites.co/wp-content/uploads/2018/11/thomson-seasons.jpgThomson Seasons From a 1778 edition of James Thomson's 'The Seasons'https://sublimesites.co/wp-content/uploads/2018/11/farmers-boy-tp-image.jpgFarmers Boy tp imagehttps://sublimesites.co/wp-content/uploads/2018/11/farmers-boy-tp-ss.jpgFarmers Boy tp SShttps://sublimesites.co/wp-content/uploads/2018/11/farmers-boy-p10-ss.jpgFarmers Boy p10 SShttps://sublimesites.co/wp-content/uploads/2018/11/farmers-boy-p09-ss.jpgFarmers Boy p09 SShttps://sublimesites.co/wp-content/uploads/2018/11/farmers-boy-p08-ss.jpgFarmers Boy p08 SShttps://sublimesites.co/wp-content/uploads/2018/11/farmers-boy-p07-ss.jpgFarmers Boy p07 SShttps://sublimesites.co/wp-content/uploads/2018/11/farmers-boy-cover-ss.jpgFarmers Boy Cover SS2021-03-09T18:02:34+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-2-after-cotman-walsoken-chancel/https://sublimesites.co/wp-content/uploads/2020/01/walsoken-new-heder.jpgWalsoken new hederhttps://sublimesites.co/wp-content/uploads/2020/01/walsoken-key-image-.jpgWalsoken key imagehttps://sublimesites.co/wp-content/uploads/2020/01/after-cotman-detail.jpgafter Cotman detailhttps://sublimesites.co/wp-content/uploads/2020/01/walsoken-chancel-ss.jpgWalsoken Chancel ssChancel of Walsoken Church, Norfolk Photograph taken by Professor David Hill, 12 April 2010, 15.32.https://sublimesites.co/wp-content/uploads/2020/01/walsoken-engraving.jpgWalsoken engravinghttps://sublimesites.co/wp-content/uploads/2020/01/cdb00394v.jpgcdb00394vhttps://sublimesites.co/wp-content/uploads/2020/01/cdb00388.jpgcdb00388https://sublimesites.co/wp-content/uploads/2020/01/cdb00347.jpgcdb00347https://sublimesites.co/wp-content/uploads/2020/01/cdb00346.jpgcdb00346https://sublimesites.co/wp-content/uploads/2020/01/walsoken-copy-cropped-ss.jpgWalsoken copy cropped ss2021-03-09T18:01:23+00:00monthlyhttps://sublimesites.co/2021/03/03/in-turners-footsteps-around-lucerne-a-survey-of-sketches-part-2/2021-03-08T14:44:27+00:00monthlyhttps://sublimesites.co/2021/03/07/in-turners-footsteps-around-lucerne-a-survey-of-sketches-part-6/2021-03-07T12:20:58+00:00monthlyhttps://sublimesites.co/2021/03/06/in-turners-footsteps-around-lucerne-a-survey-of-sketches-part-5/2021-03-06T12:04:30+00:00monthlyhttps://sublimesites.co/2021/03/05/in-turners-footsteps-around-lucerne-a-survey-of-sketches-part-4/https://sublimesites.co/wp-content/uploads/2021/03/lucerne-part-4-header.jpgLucerne Part 4 header2021-03-05T15:18:37+00:00monthlyhttps://sublimesites.co/2021/03/04/in-turners-footsteps-around-lucerne-a-survey-of-sketches-part-3/https://sublimesites.co/wp-content/uploads/2021/03/lucerne-berne-header-wp.jpgLucerne Berne header wp2021-03-04T23:18:10+00:00monthlyhttps://sublimesites.co/2014/02/18/turner-and-switzerland-lucerne-by-moonlight-2/https://sublimesites.co/wp-content/uploads/2014/02/lucerne-jesuitquai.jpgLucerne JesuitquaiLucerne from outside the Jesuit Church Photograph by David Hill, 25 May 2014, 20.15 From a little further right of the photograph above, briging the Hofkirche and Tour Bagharda little more clearly into view. Click on image to enlarge https://sublimesites.co/wp-content/uploads/2014/02/lucern-from-jesuitkirche.jpgLucern from JesuitkircheLucerne from Outside the Jesuit Church Photograph by David Hill, 26 May 2014, 20.13 The Hofkirche is directly behind the Tour Baghard. A little further to the left, and it would be exactly as shown in Turner's watercolour. Click on the image to enlarge.https://sublimesites.co/wp-content/uploads/2014/02/lucerne-wasserturm.jpgLucerne WasserturmLucerne: The Wasserturm and Kapellbrucke from the Bahnhofstrasse, looking to the Hofkirche. Photograph by David Hill, 26 May 2014, 18.25 The Hofkirche only becomes visible near the Jesuitenkirche, and is not actually visible from the Reussbrucke. Click on image to enlargehttps://sublimesites.co/wp-content/uploads/2014/02/ge-reussbrucke-rigi.jpgGE Reussbrucke RigiGoogle Earth aerial view of Lucerne looking east, marking the viewpoints of Turner’s sketches around the Reussbrucke with Lake Lucerne and the Rigi in the background. Click on image to enlargehttps://sublimesites.co/wp-content/uploads/2014/02/cccxxix-01.jpgAt Lucerne circa 1841 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Lucerne: the Wasserthurm and Kapellbrucke from the Bahnhofquai on the left bank of the river Reuss, with the Clock tower of the Rathaus to the left, the towers of the walls beyond, and the tower of St Peter's Church (centre), Haus Zur Gilgen and Tour Baghard (right of centre) and the twin towers of the Hofkirche in the right distance, continued to the right in a separate register, above right, ?1844 Tate Britain, Turner Bequest, Between Lucerne and Thun sketchbook, TB CCCXXIX 01r (D.33132). From a similar viewpoint to the sketch in the Lake Zug and Goldau sketchbook (above), but from slightly further to the right. Photo courtesy Tate. To see the sketch in the Tate's own online catalogue, click on the following link, and use your browser's 'back' button to return to this page: http://www.tate.org.uk/art/artworks/turner-at-lucerne-d33132 https://sublimesites.co/wp-content/uploads/2014/02/wasserturm-panorama.jpgWasserturm panoramaLucerne: Panorama of the Wasserturm and Kapellbrucke from the Bahnhofquai. Photograph by David Hill, 26 May 2014, 10.38https://sublimesites.co/wp-content/uploads/2014/02/cccxxxi-28v-cropped.jpgMountains, Towers, Etc. circa 1841 by Joseph Mallord William Turner 1775-1851J.M.W.Turner<br /> Several sketches at or near Lucerne (detail of top part pf page), 1842<br /> Several sketches at Lucerne:<br /> 1) The Wasserturm from the Bahnhofstrasse, looking to the twin spires of the Hofkirche. A similar view to that recorded in the Between Lucerne and Berne sketchbook TB CCCXXIX 01r, but from a viewpoint slightly further left to bring the Wasserturm and Hofkirche into direct juxtaposition. Continued to the right immediately below in<br /> 2) to take in the Rigi and the view of the lake.<br /> Pencil on white wove paper, 165 x 74 mm<br /> A page from the Lake of Zug and Goldau sketchbook, Tate Britain, TB CCCXXXI 28v; D33461 (hitherto called ‘Mountains, Towers, Etc’)<br /> Photo courtesy of Tate Britain<br /> To see this sketch on the Tate’s online catalogue of the Turner bequest click on the link below, then press your browser’s ‘back’ button to return to this page<br /> http://www.tate.org.uk/art/artworks/turner-mountains-towers-etc-d33461 https://sublimesites.co/wp-content/uploads/2014/02/lucerne-swan.jpgLucerne SwanThe Swan Hotel, Lucerne; early morning Photograph by David Hll, 28 May 2014, 06.13. The Swan was built in 1835, and survives pretty much as it was when Turner stayed there in the 1840s. From its lake-front windows he could watch the light change on Mont Rigi and the Hofkirche. The hotel itself has closed, but the first floor restaurant maintains the traditions of the house.https://sublimesites.co/wp-content/uploads/2014/02/lucerne-reussbrucke-1200.jpgLucerne Reussbrucke 1200Lucerne, the Wasserturm and Mont Rigi from the Reussbrucke, early evening. Photograph by David Hill, 26 May 2014, 18.29 Click on the image to enlarge.https://sublimesites.co/wp-content/uploads/2014/02/lucerne-kapellbrucke-600.jpgLucerne Kapellbrucke #600Lucerne: The Wasserturm and Kapellbrucke from the Bahnhofstrasse, looking to the Hofkirche. Photo: David Hill (1991) The Hofkirche only becomes visible near the Wasserturm. Turner included it in the watercolour as characteristic of the site, but it is not actually visible from the Reussbrucke. 2021-03-04T18:19:06+00:00monthlyhttps://sublimesites.co/2021/03/02/in-turners-footsteps-around-lucerne-a-survey-of-sketches-part-1/https://sublimesites.co/wp-content/uploads/2021/03/ge-1802-view-header-wp.jpgGE 1802 view header wphttps://sublimesites.co/wp-content/uploads/2021/03/lucerne-from-gutsch-header-wp.jpgLucerne from Gutsch header wp2021-03-04T18:06:45+00:00monthlyhttps://sublimesites.co/2021/02/07/mont-cenis-revisited/https://sublimesites.co/wp-content/uploads/2021/02/tdb0537-header-wp.jpgtdb0537 header wp2021-02-09T11:44:42+00:00monthlyhttps://sublimesites.co/2021/01/21/byrons-europe-plate-14-port-of-vathy-ithaka-greece/https://sublimesites.co/wp-content/uploads/2021/01/ithaka-header.jpgIthaka header2021-01-28T21:04:21+00:00monthlyhttps://sublimesites.co/2019/03/10/dunstanburgh-castle-northumberland-c-1828/2021-01-17T13:26:47+00:00monthlyhttps://sublimesites.co/2019/03/12/hello-world-copy/2021-01-17T13:23:09+00:00monthlyhttps://sublimesites.co/2019/03/12/hello-world-copy-2/2021-01-17T13:14:59+00:00monthlyhttps://sublimesites.co/2021/01/14/byrons-europe-plate-13-patras-greece/https://sublimesites.co/wp-content/uploads/2021/01/patras-header-wp.jpgPatras header wp2021-01-17T12:57:51+00:00monthlyhttps://sublimesites.co/2020/06/17/rochester-seen-across-the-river-medway-c-1793/2021-01-17T12:20:38+00:00monthlyhttps://sublimesites.co/2020/06/17/the-copper-plate-magazine/2021-01-17T12:12:59+00:00monthlyhttps://sublimesites.co/2020/06/21/berwick-upon-tweed-c-1832/2021-01-17T11:25:10+00:00monthlyhttps://sublimesites.co/2020/06/21/mayburgh-with-penrith-castle-and-beacon-sometimes-mayborough-or-king-arthurs-round-table-c-1832/2021-01-17T11:23:33+00:00monthlyhttps://sublimesites.co/2020/06/21/skiddaw-from-the-southern-end-of-derwentwater-c-1832/2021-01-17T11:21:48+00:00monthlyhttps://sublimesites.co/2020/06/21/smailholm-tower-roxburghshire-smailholme-c-1832/2021-01-17T11:19:02+00:00monthlyhttps://sublimesites.co/2020/06/26/abbeville-st-vulfran-from-the-market-square-c-1834/2021-01-17T11:14:25+00:00monthlyhttps://sublimesites.co/2020/06/27/the-poetical-works-of-sir-walter-scott/2021-01-17T11:10:48+00:00monthlyhttps://sublimesites.co/2020/06/27/the-prose-works-of-sir-walter-scott-bart/2021-01-17T11:09:58+00:00monthlyhttps://sublimesites.co/2020/07/03/rediscovering-kilnsey/https://sublimesites.co/wp-content/uploads/2020/07/kilnsey-wcl-new-header.jpgKilnsey wcl new headerhttps://sublimesites.co/wp-content/uploads/2020/07/kilnsey-ts-ref.jpgKilnsey TS refReference to the watercolour exhibited in November 1983. Turner Studies 4.1, p.62.https://sublimesites.co/wp-content/uploads/2020/07/kilnsey-tailpiece.jpgKilnsey tailpiecehttps://sublimesites.co/wp-content/uploads/2020/07/kilnsey-wp-key-image.jpgKilnsey wp key imagehttps://sublimesites.co/wp-content/uploads/2020/07/kilnsey-acp.jpgKilnsey ACPhttps://sublimesites.co/wp-content/uploads/2020/07/itf-kilnsey-spread-wp.jpgITF Kilnsey spread wphttps://sublimesites.co/wp-content/uploads/2020/07/kilnnsey-d17205_10.jpgKilnsey Crag and Conistone, Upper Wharfedale 1816 by Joseph Mallord William Turner 1775-1851Kilnsey Crag and Conistone, Upper Wharfedale 1816 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D17205https://sublimesites.co/wp-content/uploads/2020/07/cxlviii-19a-20-bw.jpgcxlviii 19a-20 bwJ.M.W.Turner (1775-1851) Kilnsey Crag and Conistone Bridge, 1816 Tate, TB CXLVIII 19a-20, Tate D11555-D11556. Image courtesy of Tate.https://sublimesites.co/wp-content/uploads/2020/07/itf-tour-1983-wp.jpgITF tour 1983 wpIn Turner's Footsteps tour, July 1983https://sublimesites.co/wp-content/uploads/2020/07/kilnsey-1983-dh-wp.jpgKilnsey 1983 DH wpKilnsey Crag and Conistone Bridge Photograph taken by David Hill, March 19832021-01-17T11:04:59+00:00monthlyhttps://sublimesites.co/2020/07/02/colour-beginning-kilnsey-crag-and-conistone-bridge-upper-wharfedale-yorkshire-called-a-bridge-in-mist-white-bridge-c-1825/2021-01-17T11:03:52+00:00monthlyhttps://sublimesites.co/2020/07/06/bacharach-on-the-rhine-looking-upstream-sunset-c-1831/2021-01-16T23:00:29+00:00monthlyhttps://sublimesites.co/2020/07/06/illustrations-for-john-murrays-life-and-works-of-lord-byron-17-vols-1832-33/2021-01-16T21:56:43+00:00monthlyhttps://sublimesites.co/2020/07/08/the-drachenfels-on-the-rhine-germany-drachenfells-c-1832/2021-01-16T21:51:33+00:00monthlyhttps://sublimesites.co/2020/07/08/findens-landscape-illustrations-to-the-life-and-works-of-lord-byron-1832-34/2021-01-16T19:57:17+00:00monthlyhttps://sublimesites.co/2020/07/12/rolandswerth-nunnery-and-drachenfels-on-the-river-rhine-germany-1817/2021-01-16T17:39:57+00:00monthlyhttps://sublimesites.co/2020/07/12/the-drachenfels-on-the-rhine-with-the-rolandsberg-and-nonnenwerth-1817/2021-01-16T17:34:28+00:00monthlyhttps://sublimesites.co/2020/07/15/rhine-series/2021-01-16T16:57:16+00:00monthlyhttps://sublimesites.co/2020/07/18/tower-of-london-c-1794/2021-01-16T16:38:11+00:00monthlyhttps://sublimesites.co/2020/07/18/1817-belgium-rhine-and-netherlands/2021-01-16T16:30:26+00:00monthlyhttps://sublimesites.co/2020/08/18/distant-view-of-minster-isle-of-thanet-kent-c-1788/2021-01-16T16:01:00+00:00monthlyhttps://sublimesites.co/2020/08/18/minster-church-isle-of-thanet-kent-c-1788/2021-01-16T15:58:07+00:00monthlyhttps://sublimesites.co/2020/08/19/a-street-in-margate-looking-down-to-the-harbour-c-1788/2021-01-16T15:52:45+00:00monthlyhttps://sublimesites.co/2020/08/19/st-johns-church-margate-kent-c-1788/2021-01-16T15:48:28+00:00monthlyhttps://sublimesites.co/2013/11/08/moonlight-and-its-implications-turner-at-sisteron/https://sublimesites.co/wp-content/uploads/2013/11/sisteron-moon-600.jpgSisteron moon #600https://sublimesites.co/wp-content/uploads/2013/11/sisteron-mill-600.jpgSisteron Mill #600Sisteron from the North West - formerly known as 'The entrance to the Via Mala', or 'Sion'. Private collection. Sold at Sotheby's, London, 14 March 1985, lot 96. Image scanned from Sotheby's 1985 catalogue, by courtesy Sotheby's.https://sublimesites.co/wp-content/uploads/2013/11/sisteron-mexico-600.jpgSisteron Mexico #600Private Collection, Mexicohttps://sublimesites.co/wp-content/uploads/2013/11/sisteron-ge-600.jpgSisteron GE #600Google Earth view of Turner's viewpoint at Sisteronhttps://sublimesites.co/wp-content/uploads/2013/11/sisteron-birket-foster-600.jpgSisteron Birket Foster #600J.M.W.Turner, Sisteron from the North-West, Private Collection. From a photograph taken in the 1860s.https://sublimesites.co/wp-content/uploads/2013/11/sisteron-tdb1888.jpgSisteron tdb1888Google 'Street View' from near by Turner's viewpoint at Sisteron2021-01-16T13:20:52+00:00monthlyhttps://sublimesites.co/2013/12/01/truanting-with-turner-dallam-tower-and-the-kent-estuary-at-milnthorpe-cumbria/https://sublimesites.co/wp-content/uploads/2013/12/milnthorpe-os-602.jpgMilnthorpe OS #602https://sublimesites.co/wp-content/uploads/2013/12/milnthorpe-noe-600.jpgMilnthorpe NOE #600https://sublimesites.co/wp-content/uploads/2013/12/milnthorpe-os-600.jpgMilnthorpe OS #600https://sublimesites.co/wp-content/uploads/2013/12/milnthorpe-panorama-1-600.jpgMilnthorpe Panorama 1 #600The Kent Estuary near Milnthorpe. Photo: David Hill, September 2013https://sublimesites.co/wp-content/uploads/2013/12/morecambe-bay-towards-lancaster-600.jpgMorecambe Bay towards Lancaster #600https://sublimesites.co/wp-content/uploads/2013/12/morecambe-bay-towards-lancaster-detail.jpgMorecambe Bay towards Lancaster detailhttps://sublimesites.co/wp-content/uploads/2013/12/morecambe-bay-from-silverdale.jpgMorecambe Bay from Silverdalehttps://sublimesites.co/wp-content/uploads/2013/12/cxlviii-42-06-d11595_small.jpgcxlviii 42 06 D11595_smallJMWTurner, Dallam Tower and the Kent Estuary, 1816, Turner Bequest, Tate Britain, by courtesy.https://sublimesites.co/wp-content/uploads/2013/12/calais-sands-600.jpg(c) Bury Art Museum; Supplied by The Public Catalogue FoundationJMWTurner, Calais Sands at Low Water: Poissards Collecting Bait, 1830, Oil on canvas, 68.5 x 105.5 cm. Bury Art Gallery, by courtesy.https://sublimesites.co/wp-content/uploads/2013/12/cxlvii-33-600.jpgcxlvii 33 #600JMWTurner, The Kent Estuary from near Milnthorpe, 1816, Turner Bequest TB CXLVII 36 (Tate D11500), Tate Britain, London. Photo: David Hill2021-01-16T13:19:57+00:00monthlyhttps://sublimesites.co/2014/02/01/turner-in-switzerland-the-lungernsee-and-brunig-pass-1/https://sublimesites.co/wp-content/uploads/2014/02/tdb1659-600.jpgtdb1659 #600https://sublimesites.co/wp-content/uploads/2014/02/tdb1658600.jpgtdb1658#600J.M.W.Turner The Lungernsee, going up to the Brunig Pass, looking north-north-east. Called 'Lake with hills (?Brienz)', c.1848 Watercolour, 353 x 527 mm, 14 x 20 3/4 ins London, Victoria and Albert Museum (124-1894) Photo courtesy of V&A https://sublimesites.co/wp-content/uploads/2014/02/sothebys-2014-detail-300.jpgSotheby's 2014 detail #300https://sublimesites.co/wp-content/uploads/2014/02/lungernsee-location-map-600.jpgLungernsee location map #600Google Earth image of general location of Lungernsee, Switzerlandhttps://sublimesites.co/wp-content/uploads/2014/02/lungernsee-detail-map-600.jpgLungernsee detail map #600Google Earth aerial view of Lungernsee, looking south-east, marking sites of Turner sketches and watercolours. Snowy peaks of Bernese Oberland in diastance, and Lake of Brienz in mid-distance to right.https://sublimesites.co/wp-content/uploads/2014/02/d33178_10600.jpgLake, with Mountains. Bargland [Turner] (Bürglen, Lake of Lungern), Etc. circa 1841 by Joseph Mallord William Turner 1775-1851J.M.W.Turner The Lungernsee from its northern end, looking towards the Brunig Pass, with the high peaks of the Bernese Oberland just visible in the distance, 1844 From the Between Lucerne and Thun sketchbook, Tate Britain, Turner Bequest TB CCCXXIX 24, Tate D33178, Pencil on paper 82 x 138 mm Photo courtesy Tate 2021-01-16T13:19:07+00:00monthlyhttps://sublimesites.co/2014/02/22/turner-in-switzerland-3-zurich-by-moonlight/https://sublimesites.co/wp-content/uploads/2014/02/tdb1576-aic_00075178-01_highres.jpg00075178-01J.M.W.Turner Zurich by Moonlight, c.1841-2? Watercolour on white paper, 9 3/16 x 11 ½ ins, 233 x 292 mm Art Institute of Chicago, Gift of Margaret Mower in Memory of her Mother, Elsa Durand Mower. Photograph courtesy of the Art Institute of Chicago. To view the watercolour on the Art Institute of Chicago’s own website click on the following link, and the click on your browser’s ‘back’ button to return to this page: http://www.artic.edu/aic/collections/artwork/11442?search_no=25&index=0https://sublimesites.co/wp-content/uploads/2014/02/zurich-photo-1910-600.jpgZurich photo 1910 #600Aerial photograph of Zurich, 1910 Source: http://www.skyscrapercity.com/showthread.php?t=564911 The Limmat mills survived well into the twentieth century but are now completely disappeared. Turner’s viewpoint is at the far end of the left –hand row of mills looking left to the Rathausbrucke, out of frame to the left. The railways station can be seen to the right. https://sublimesites.co/wp-content/uploads/2014/02/zurich-google-earth-image-720.jpgZurich Google Earth image #720Google Earth aerial view of Zurich, looking south along the river Limmat to the Lake of Zurich, marking the viewpoint of Turner’s Zurich by Moonlight, and the positions of the Grossmunster and Fraumunster.https://sublimesites.co/wp-content/uploads/2014/02/zurich-corrodi-bm-600.jpgZurich Corrodi BM #600Friedrich Weber, after Heinrich Corrodi Zurich: The Munsterbrucke from the Rathausbrucke, with the Hotel Schwerdt, to the right, c.1838 Hand coloured etching, 240 x 324 (platemark) British Museum, London, R.W.Lloyd Bequest, 1958,0712.2603 Photograph courtesy of British Museum To view the watercolour on the British Museum’s own website click on the following link, and the click on your browser’s ‘back’ button to return to this page: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3324583&partId=1&searchText=zurich&images=true&page=1 Turner’s guidebook recommended the Hotel Schwerdt [Sword]. This view records the view upstream from the Rathausbrucke with the hotel to the right. Turner would have certainly appreciated that it gave views directly onto the Limmat. He could easily have watched the moon over the river from his windows, and the viewpoint of his coloured sketch was close by. This view was possibly taken around the time of Turner’s visits. Murray’s Handbook of 1838 records the new stone Munsterbrucke, but says also that the old prison tower, the Wellenberg, which formerly stood just upstream of the Munsterbrucke, was still standing. Other sketches by Turner of the area (click on the following link and enter 'Zurich', and then press your browser’s ‘back’ button to return to this page:) http://www.tate.org.uk/art show that it had been removed by the time that he was there in the 1840s. https://sublimesites.co/wp-content/uploads/2014/02/zuerich_1863_600.jpgZuerich_1863_#600Michel Charles Ficot (1817-1903), after Zurich, 1863 Lithograph Courtesy of Wikimedia Commons. The watermills of Zurich are here approaching their peak before the introduction of electricity began to make them redundant. Turner’s viewpoint would be at the near end of the central row, looking to the right towards the Rathausbrucke. https://sublimesites.co/wp-content/uploads/2014/02/tdb1576-dh-detail-boat-500.jpgtdb1576 DH detail boat #500J.M.W.Turner Zurich by Moonlight, c.1842-2 (detail, lower right) Photograph: David Hill, by courtesy of the Art Institute Chicago https://sublimesites.co/wp-content/uploads/2014/02/tdb1576-dh-detail-250.jpgtdb1576 DH detail #250https://sublimesites.co/wp-content/uploads/2014/02/tdb1576-dh-cropped-600.jpgtdb1576 DH cropped #600J.M.W.Turner Zurich by Moonlight, c.1841-2? Watercolour on white paper, 9 3/16 x 11 ½ ins, 233 x 292 mm Art Institute of Chicago, Gift of Margaret Mower in Memory of her Mother, Elsa Durand Mower. Photograph by David Hill, courtesy of the Art Institute of Chicago. To view the watercolour on the Art Institute of Chicago’s own website click on the following link, and the click on your browser’s ‘back’ button to return to this page: http://www.artic.edu/aic/collections/artwork/11442?search_no=25&index=0 https://sublimesites.co/wp-content/uploads/2014/02/image-3-600.jpgImage 3 #600Heinrich Maurer (1774-1822), engraved by Franz Hegi Zurich from the North, early C19 Hand-coloured etching 207 x 279 mm (sheet size) British Museum, London, Lloyd Bequest 1958,0712.1384 Photo courtesy British Museum To view the watercolour on the British Museum’s own website click on the following link, and the click on your browser’s ‘back’ button to return to this page: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3274590&partId=1&searchText=zurich&images=true&page=1 The British Museum catalogue does not fully identify Heinrich Maurer, but establishing his dates means that the image must date from before 1822. Note the two rows of mills across the river in the middle distance. Turner’s viewpoint is at the right end of the furthest row. https://sublimesites.co/wp-content/uploads/2014/02/ccclxiv-324-detail-boat.jpgLucerne by Moonlight: Sample Study circa 1842-3 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Lucerne [?]; Sample Study, c.1841-2 (detail, lower right) Photograph courtesy of Tate 2021-01-16T13:17:35+00:00monthlyhttps://sublimesites.co/2014/04/21/turner-at-sisteron-further-observations/https://sublimesites.co/wp-content/uploads/2014/04/sisteron-ge-sunset-29-sept.jpgSisteron GE sunset 29 Sept'Google Earth' visualisation of sunset from the citadel at Sisteron. The time slider is set to 29 September, and the sun is setting in the dip to the left of the Montagne de l'Ubac. Click to enlarge and 'back' to return to this page.https://sublimesites.co/wp-content/uploads/2014/04/sisteron-shadow-detail-600.jpgSisteron shadow detail #600https://sublimesites.co/wp-content/uploads/2014/04/sisteron-sunset-shadow-2.jpgSisteron sunset shadow 219.47https://sublimesites.co/wp-content/uploads/2014/04/sisteron-shadow-18-52-46-gone.jpgSisteron shadow 18 52 46 gone19.52.46 gonehttps://sublimesites.co/wp-content/uploads/2014/04/sisteron-shadow-18-50-25-fading.jpgSisteron shadow 18 50 25 fading19.50.25 fadinghttps://sublimesites.co/wp-content/uploads/2014/04/sisteron-shadow-18-47-06-peak.jpgSisteron shadow 18 47 06 peak19.47.06 at peakhttps://sublimesites.co/wp-content/uploads/2014/04/sisteron-shadow-18-39-45-becoming-distinct.jpgSisteron shadow 18 39 45 becoming distinct19.39.45 becoming distincthttps://sublimesites.co/wp-content/uploads/2014/04/sisteron-shadow-18-37-35-first-glimmer.jpgSisteron shadow 18 37 35 first glimmer19.37.35 first glimmerhttps://sublimesites.co/wp-content/uploads/2014/04/sisteron-shadow-18-31-40-no-sign.jpgSisteron shadow 18 31 40 no sign19.31.40 no sign2021-01-16T13:16:52+00:00monthlyhttps://sublimesites.co/2014/04/26/turner-at-sisteron-continued-observations-2/https://sublimesites.co/wp-content/uploads/2014/04/tdb1967.jpgtdb1967J.M.WTurner Sisteron from the North West c.1838 Watercolour, 133 x 190 mm Private Collection Image courtesy of Ian Warrell and by permission of the owner. The original watercolour was exhibited in ‘Turner et la Couleur’ Aix en Provence, 2016 and ‘J M W Turner: Adventures in Colour’, Turner Contemporary, Margate, 2016-7. https://sublimesites.co/wp-content/uploads/2014/04/sisteron-buech-moon-tailpiece.jpgSisteron Buech Moon tailpiecehttps://sublimesites.co/wp-content/uploads/2014/04/tdb1135.jpgtdb1135https://sublimesites.co/wp-content/uploads/2014/04/sisteron-ge-confluence-and-pont-de-la-baume.jpgSisteron GE confluence and Pont de la BaumeGoogle Earth aerial view of the confluence of the Durance and Buech. The Pont du Buech is to the right. The Pont de la Baume only comes into view from near the right bank of the Durance.https://sublimesites.co/wp-content/uploads/2014/04/sisteron-christies-detail-bridge-exaggerated.jpgSisteron Christies detail bridge exaggeratedEnhanced detail2021-01-16T13:16:17+00:00monthlyhttps://sublimesites.co/2014/05/09/turner-at-sisteron-the-pont-du-buech-looking-west/https://sublimesites.co/wp-content/uploads/2014/05/buech-mountain-detail-3.jpgBuech mountain detail 3Montagne de l'Ubac over the Pont du Buechhttps://sublimesites.co/wp-content/uploads/2014/05/sisteron-pont-du-buech-from-la-baume-ge.jpgSisteron Pont du Buech from La Baume GEGoogle Earth image marking the viewpoint of my photograph in white and Turner’s viewpoint in blue. (Click on the image to enlarge, and click your browser’s ‘back’ button to return to this page)]https://sublimesites.co/wp-content/uploads/2014/05/sisteron-buech-panorama-1200.jpgSisteron Buech panorama 1200Sisteron: The Pond du Buech from La Baume Photograph by David Hill, 12 April 2014, 11.54 am Click to view full-size and the use your browser's 'back' button to return to this page.https://sublimesites.co/wp-content/uploads/2014/05/sister-pont-du-buech-from-la-baume-2.jpgSister Pont du Buech from La Baume #2Sisteron: The Pont du Buech from La Baume Photograph by David Hill, 13 April 2014, 11.52 am. Taken from the road to St Giniez, not far from the Dominican Convent, looking along the river Buech to the Pont, with the citadel of Sisteron to the left, and the Montagne de l'Ubac in the distance Click to view full-size and then press your browser's 'back' button to return to this page.https://sublimesites.co/wp-content/uploads/2014/05/sisteron-pont-du-buech-from-la-baume.jpgSisteron Pont du Buech from La BaumeSisteron: The Pont du Buech from La Baume Photograph by David Hill, 13 April 2014, 11.52 am. Taken from the road to St Giniez, not far from the Dominican Convent, looking along the river Buech to the Pont, with the citadel of Sisteron to the left, and the Montagne de l'Ubac in the distance.https://sublimesites.co/wp-content/uploads/2014/05/sisteron-buech-risd.jpgSisteron Buech RISDJ.M.W.Turner Sisteron: The Pont du Buech from La Baume, 1838? Pencil, watercolour, bodycolour and chalk with pen and brown ink on buff paper, 5 1/2 x 7 9/16 ins, 140 x 193 mm The Museum of Rhode Island School of Design, USA (69.154.53) Photograph courtesy of Rhode Island School of Designhttps://sublimesites.co/wp-content/uploads/2014/05/buech-mountain-detail-2.jpgBuech Mountain detail 2Sisteron: Pont du Buech from La Baume (detail)https://sublimesites.co/wp-content/uploads/2014/05/buech-mountain-detail-1.jpgBuech mountain detail 1Montagne de l'Ubac over the Pont du Buech2021-01-16T13:15:43+00:00monthlyhttps://sublimesites.co/2014/06/27/turner-on-the-rhine-1-bingen/https://sublimesites.co/wp-content/uploads/2014/06/tdb0810-1000.jpgtdb0810 #1000J.M.W.Turner Binger Loch and Mausethurm, 1817 Watercolour and bodycolour on white paper prepared with a wash of grey, 194 x 311 mm, 7 5/8 x 12 1/4 ins Christie's, London, 10 July 2014, lot 214 Recording the view down the Rhine with Burg Klopp and Bingen to left, the Mausethurm centre, and Burg Ehrenfels to the right. Photograph courtesy of Christie’s Ltd. To jump to this watercolour in Christie’s online catalogue click on the following link, and then click your browser’s ‘back’ button to return to this page: http://www.christies.com/lotfinder/drawings-watercolors/joseph-mallord-william-turner-ra-binger-5812642-details.aspx https://sublimesites.co/wp-content/uploads/2014/06/ge-bingen.jpgGE BingenGoogle Earth aerial view of the Rhine at Bingen. With placemarks indicating the viewpoint of Turner’s sketch n yellow, and of the watercolour in blue. Click on image to open full size. https://sublimesites.co/wp-content/uploads/2014/06/ehrenfels-and-mausethurm.jpgEhrenfels and MausethurmMausethurm and Burg Ehrenfels from the quay at Bingen, overlooking the junction with the river Nahe. Photograph by David Hill, 21 April 2006, 08.45 From this viewpoint Burg Ehrenfels is seen against the steep vineyards amongst which it stands. The sunbathed slopes of Ehrenfels and brilliantly illuminated Mausethurm are the defining visual characters at the site. Click on image to open full size. https://sublimesites.co/wp-content/uploads/2014/06/clx-71v-72r.jpgclx 71v-72rJ.M.W.Turner Waterloo and Rhine sketchbook Page spread with a group of sketches made from a boat on 27 August 1817 when travelling by boat down the Rhine from Mainz to St Goar, including (centre of page) From below Rudesheim looking to Bingen, the Mausethurm and Burg Ehrenfels. This sketch is usually said to be the direct basis of the watercolour, but this article tries to find some room for doubt. Pencil on paper, sketchbook page size (each) 150 x 94 mm, 5 7/8 x 3 11/16 ins Tate Britain, Turner Bequest TB CLX 71v-72r Photo courtesy of Tate. To see the sketches in Tate online catalogue of the Turner bequest, click on the following link, and then click your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-views-downstream-from-mid-river-1-to-bingen-and-rudesheim-sketch-of-rudesheim-to-d12841 https://sublimesites.co/wp-content/uploads/2014/06/bingerloch-1200.jpgBingerLoch #1200Binger Loch and the Mausethurm with Burg Ehrenfels from the quay at Bingen Photograph by David Hill, 20 April 2006, 16.10 It is only on this line of sight that Ehrenfels can appear both in profile and silhouetted. Click on image to open full size https://sublimesites.co/wp-content/uploads/2014/06/bingen-detail-250.jpgBingen detail #250https://sublimesites.co/wp-content/uploads/2014/06/bike-near-bingen.jpgBike near Bingenhttps://sublimesites.co/wp-content/uploads/2014/06/approaching-bingen.jpgApproaching BingenPhotograph by David Hill, 20 April 2006, 16.10 It is only on this line of sight that Ehrenfels can appear both in profile and silhouetted. Click on image to open full size. 2021-01-16T13:15:04+00:00monthlyhttps://sublimesites.co/2015/01/22/turner-in-italy-rome-from-mount-aventine-1836/https://sublimesites.co/wp-content/uploads/2015/01/right-panorama-dh-ss.jpgRight panorama DH SSThe Capitoline and Imperial Forum from Mount Aventine, Rome Photograph by David Hill taken 11 April 2015, 16.24 GMT Click on image to enlargehttps://sublimesites.co/wp-content/uploads/2015/01/domes-painting-detail-ss.jpgDomes painting detail SShttps://sublimesites.co/wp-content/uploads/2015/01/clxxviii-04v-05r-detail-domes1.jpgclxxviii 04v-05r detail domeshttps://sublimesites.co/wp-content/uploads/2015/01/domes-detail-dh-ss.jpgDomes detail Dh SShttps://sublimesites.co/wp-content/uploads/2015/01/castel-sant-angelo-detail-dh-ss.jpgCastel Sant Angelo detail DH SSGlimpse of Castel Sant' Angelohttps://sublimesites.co/wp-content/uploads/2015/01/castel-sant-angelo-dh-ss.jpgCastel Sant Angelo DH SSCastel Sant’ Angelo from Mount Aventine Photograph by David Hill, taken 13 April 2015, 11.53 GMT Castel Sant’ Angelo can only be glimpsed from Turner’s viewpoint at Sant Alessio. Indicated in the detail Click on image to enlargehttps://sublimesites.co/wp-content/uploads/2015/01/st-peters-and-castel-sa-dh-ss.jpgSt Peters and Castel SA DH SSFrom the Vatican to Castel Sant’ Angelo from Mount Aventine, Rome Photograph by David Hill, taken 13 April 2015, 11.53 GMT Click on image to enlarge https://sublimesites.co/wp-content/uploads/2015/01/ospizio-dh-ss.jpgOspizio DH SSThe Ospizio di San Michele a Ripa Grande from Sant Alessio on Mount Aventine, Rome Photograph by David Hill taken 13 April 2015, 11.52 GMT. The Ospizio was built to house and provide work for orphans and abandoned children. Started in the late C17 and finished a hundred years later, the industrial-scale Ospizio was the largest charitable foundation in Rome in Turner’s day. Click on image to enlarge.https://sublimesites.co/wp-content/uploads/2015/01/ponte-rotto-dh-ss.jpgPonte Rotto DH SSThe Ponte Rotto, Rome Photograph by David Hill, taken 12 April 2015, 14.44 GMT Originally built in the 2nd C B.C., the Ponte Emilio was repeatedly damaged by floods, and in Turner’s day, only three arches remained stretching half way across the river. Now there is only one arch, curiously marooned in mid-stream. Click on image to enlarge. https://sublimesites.co/wp-content/uploads/2015/01/page02-ss1.jpgpage02 SSJ.M.W.Turner Rome from Mount Aventine, 1828 From the Rimini to Rome sketchbook, TB CLXXVIII 5a-6,7 Page size, 3 7/8 x 5 3/16 inches, or 97 x 132 mm Photo courtesy of Tate Annotations by Professor David Hill Click on the image to enlarge To see the image in the Tate’s online catalogue of the Turner Bequest, click on the following link, and press your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-rome-from-mount-aventine-d14841 Click on image to enlarge 2021-01-16T13:14:17+00:00monthlyhttps://sublimesites.co/2015/02/27/turner-and-heidelberg-a-second-pilkington-foundation-commission/https://sublimesites.co/wp-content/uploads/2015/02/heidelberg-detail.jpgHeidelberg c.1844-5 by Joseph Mallord William Turner 1775-1851https://sublimesites.co/wp-content/uploads/2015/02/bj-440-heidelberg.jpgHeidelberg c.1844-5 by Joseph Mallord William Turner 1775-1851J M W Turner Heidelberg, c.1844-5 Oil on canvas, 52 × 79 ½ ins (132 × 201 cms) Tate, London, N00518 Photo courtesy of Tate To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-heidelberg-n00518 2021-01-16T13:13:40+00:00monthlyhttps://sublimesites.co/2015/03/19/turner-at-sallanches-1836/https://sublimesites.co/wp-content/uploads/2015/03/voreppe-d04891_10.jpgSallanches and the River Arve, from the St Martin Road 1802 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Voreppe in the Chartreuse, with the Grande Aiguille in the distance, right, 1802 Pencil and watercolour on grey paper 458 x 594 mm Tate Britain, London, Turner Bequest LXXIX Q (D04891) This sketch is currently catalogued as ‘Sallanches and the River Arve, from the St Martin Road’, but it certainly shows Voreppe in the Chartreuse near Grenoble. Photo courtesy of Tate. To see this image in the Tate’s own online catalogue of the Turner Bequest click on the following link, then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-sallanches-and-the-river-arve-from-the-st-martin-road-d04891 https://sublimesites.co/wp-content/uploads/2015/03/tdb2882b-flipped-ss.jpgtdb2882b flipped SSJ.M.W.Turner Bridge of Saint Martin, near Chamonix, 1836 Pencil on paper, 9 x 12 5/8 in. (22.9 x 32.1 cm.) The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California, USA. Gilbert Davis Collection. Object Number: 59.55.1279 Showing the view looking up the River Arve, with the debouchement of the Torrent de Sallanches in the foreground right, to the bridge of St Martin, and Mont Blanc in the distance. The summit of Mont Blanc must have been veiled by cloud, for it is not visible in this sketch. This sketch [and that following} was owned by John Ruskin, and exhibited by him at the Fine Art Society in London in 1878 no.120 as ‘Mont Blanc. Over the bridge of St Martin’s. The old Hotel du Mont Blanc on the left. St Martin’s Bridge with the cross on its keystone has been principal in Turner’s mind in both.. sketches. There will doubtless soon be an iron one instead – with no such useless decoration; but probably a bill pasted on it of the Sunday trains to Chamouni at reduced fares.’ It is very useful to have Ruskin’s specific identification of the hotel. Image courtesy of the Huntington Library. To see the image in the Huntington’s own online catalogue click on the following link, then press your browser’s ‘back’ button to return to this page. http://emuseum.huntington.org/view/objects/asitem/People$004097/3/title-asc?t:state:flow=03fd85b0-c630-456a-8089-1eff5fdd67cc https://sublimesites.co/wp-content/uploads/2015/03/tdb1826-ss.jpgtdb1826 SSJ.M.W.Turner Sallanches, near Chamonix, from St Martin, 1836 Pencil on paper, 9 x 12 5/8 in, 230 x 322 mm The Fitzwilliam Museum, Cambridge , no.156 Showing the view from St Martin, looking over the bridge to Sallanches. It is of a strikingly different character to the run of sketches discussed in the main text of this article. Here Turner is in much less sublime mode, and populates his foreground with many entertaining and picturesque figures and details. The spirit seems much more in tune with say the sentiment of illustrations for the popular landscape ‘Annuals’ of the 1830s, and the subject may have been developed in some measure for the benefit and instruction of Turner’s travelling companion, H.A.J.Munro of Novar. This and the previous sketch was owned by John Ruskin. He made his penultimate visit to Sallanches and St Martin in 1882 and on that occasion he mulled over the prospect of buying the then derelict Hotel du Mont Blanc at St Martin. He took the fact of the drawings coming into his hands as a sign. Image courtesy of the Fitzwilliam Museum. To see the image in the Fitzwilliam’s own online catalogue click on the following link, then press your browser’s ‘back’ button to return to this page. http://www.fitzmuseum.cam.ac.uk/support/friends/opac/cataloguedetail.html?&priref=13978&_function_=xslt&_limit_=10 https://sublimesites.co/wp-content/uploads/2015/03/tdb1790-ss.jpgtdb1790 SSJ.M.W.Turner ?Looking down the river Arve to Sallanches at the left and St Martin bridge and church at the right, 1836 Watercolour on off-white white wove paper, a little discoloured, 9 x 12 1/2 ins, 225 x 315 mm Private Collection This watercolour was called ‘An Alpine River Landscape’, when offered at Christie's, London - 12 July 1988 No. 194. In notes, I have suggested that the subject might be a view down the Arve o Sallanches at the left and St Martin bridge and church at the right. The distant mountain profiles correspond in general terms, but I am unsure about the view evidently up to Sallanches at the left. Photograph courtesy private collection. https://sublimesites.co/wp-content/uploads/2015/03/tdb0038-ss.jpgtdb0038 SSJ.M.W.Turner Mont Blanc from the bridge at St Martin near Sallanches, 1836 Watercolour, 7 3/4 x 12 1/2 ins, 200 x 320 mm Private Collection This watercolour was called 'Wetterhorn from near Rosenlaui', when offered at Phillips’ Phillips 18 April 1988 (no.35) but reidentified as Mont Blanc when exhibited at Aosta in 200 no.12. It records the classic view of Mont Blanc from the bridge at St Martin. Turner had sketched and painted this view on his first visit to the site in 1802, so the subject was well rehearsed even by him. Nonetheless, in 1836 it must have been obligatory to resketch it in the presence of his companion H.A.J.Munro of Novar. Munro must have been astonished at how simply Turner could call up the pupil-contracting brightness of the contre-jour mountain. Photograph courtesy private collection. https://sublimesites.co/wp-content/uploads/2015/03/ge-voreppe.jpgGE VoreppeGoogle Earth Street View image of Voreppehttps://sublimesites.co/wp-content/uploads/2015/03/varan-morning.jpgVaran Morninghttps://sublimesites.co/wp-content/uploads/2015/03/st-jacques-evening.jpgSt Jacques Eveninghttps://sublimesites.co/wp-content/uploads/2015/03/sallanches-morning.jpgSallanches Morninghttps://sublimesites.co/wp-content/uploads/2015/03/mont-blanc-evening-2.jpgMont Blanc evening #22021-01-16T13:12:05+00:00monthlyhttps://sublimesites.co/2015/05/08/rome-revisited/https://sublimesites.co/wp-content/uploads/2015/05/pines-ss.jpgPines SS2021-01-16T13:11:17+00:00monthlyhttps://sublimesites.co/2015/05/10/the-leeds-cotman-project-1-a-study-of-turners-helvoetsluis-at-the-r-a-1832/https://sublimesites.co/wp-content/uploads/2015/05/leeds-cdb1792-ss.jpgLeeds cdb1792 SSJohn Sell Cotman Study after JMW Turner's painting 'Helvoetsluys : the City of Utrecht, 64, going to Sea', exh RA 1832 no.284. Called 'Shipping Off Yarmouth', 1832 Graphite on thin, off-white [Kitson 1926 says grey] wove paper, somewhat darkened and glue-stained in the corners, 93 x 142 mm, 3 5/8 x 5 5/8 ins, holed towards the upper and lower left, where previously glued down. Inscribed 'S H', lower edge centre and '284' lower right. Leeds Art Gallery , LEEAG.1949.0009.0067 Photograph courtesy of Leeds Art Galleries Click on image to enlarge https://sublimesites.co/wp-content/uploads/2015/05/helvoetsluis-tokyo-fuji.jpgHelvoetsluis Tokyo FujiJ.M.W.Turner RA Helvoetsluys : the City of Utrecht, 64, going to Sea, exhibited Royal Academy, 1832 no.284 Oil on canvas, 914 x 1220 mm, 36 x 48 ins Fuji Art Museum, Tokyo, Japan Image courtesy of Fuji Art Museum To see this image on the Fiji Art Museum’s own website, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.fujibi.or.jp/en/our-collection/profile-of-works.html?work_id=428 Click on image to enlarge. https://sublimesites.co/wp-content/uploads/2015/05/holvoetsluis-detail-small.jpgHolvoetsluis detail smallhttps://sublimesites.co/wp-content/uploads/2015/05/helvoetsluis-detail.jpgHelvoetsluis detailClick on image to enlarge.https://sublimesites.co/wp-content/uploads/2015/05/cdb01792.jpgcdb01792John Sell Cotman Study after JMW Turner's painting 'Helvoetsluys : the City of Utrecht, 64, going to Sea', exh RA 1832 no.284. Called 'Shipping Off Yarmouth', 1832 Graphite on thin, off-white [Kitson 1926 says grey] wove paper, somewhat darkened and glue-stained in the corners, 93 x 142 mm, 3 5/8 x 5 5/8 ins, holed towards the upper and lower left, where previously glued down. Inscribed 'S H', lower edge centre and '284' lower right. Leeds City Art Gallery 1949.067 Photograph by David Hill, courtesy of Leeds City Art Galleries Click on image to enlarge 2021-01-16T13:09:40+00:00monthlyhttps://sublimesites.co/2015/10/19/in-turners-footsteps-at-heidelberg/https://sublimesites.co/wp-content/uploads/2015/10/part-1-key-image1.jpgPart 1 key imagehttps://sublimesites.co/wp-content/uploads/2015/10/karlstor1.jpgKarlstorHeidelberg; the Karlstor Photograph by David Hill, 27 August 2015, 09.51 GMT The Karlstor was begun in 1775 as a tribute to the Elector Karl Theodore. The fact that it was thus the same age as the artist might account for Turner’s commitment to trying to make something of it. Today it is overwhelmed by the paraphernalia of modern motoring. https://sublimesites.co/wp-content/uploads/2015/10/bridge-41.jpgBridge #4Heidelberg Castle from the Old Bridge Photograph by David Hill taken 27 August 2015, 11.29 GMT From the foot of the statue of Minerva https://sublimesites.co/wp-content/uploads/2015/10/bridge-31.jpgBridge #3Heidelberg Old Bridge, from the right bank of the Neckar Photograph by David Hill taken 27 August 2015, 11.28 GMT Turner returned to the old bridge and made a second sketch (see CCC 2, above) looking across the bridge, this time from a viewpoint nearer the far bank, beneath the statue of Minerva. As with the first sketch, however, things are not so straightforward as they at first seem. He employs the same device of moving viewpoints halfway through the sketch (the first from the end of the bridge, the second from under the statue so as to bring the castle more tightly into the composition. https://sublimesites.co/wp-content/uploads/2015/10/heidelberg-from-upstream.jpgHeidelberg from upstreamHeidelberg from the right bank of the Neckar Photograph by David Hill taken 27 August 2015, 09.23 GMT The right bank of the Neckar has been developed into a splendid tree-shaded promenade. Even Turner might have been surprised at the energy expenditure of contemporary German promenaders! https://sublimesites.co/wp-content/uploads/2015/10/castle-from-upstream-panorama1.jpgCastle from upstream panoramaHeidleberg Castle, Town and Bridge from the banks of the Neckar, upstream of the old bridge Photograph by David Hill taken 27 August 2015, 08.30 GMT https://sublimesites.co/wp-content/uploads/2015/10/castle-from-upstream-crop1.jpgCastle from upstream cropHeidelberg Castle and Palais Weimar Photograph by David Hill, Taken 27 August 2015, 8.27 GMT https://sublimesites.co/wp-content/uploads/2015/10/providenzkirche1.jpgProvidenzkirchehe spire of the Providenzkirche, Heidelberg Photograph by David Hill taken 27 August 2015, 17.51 GMT From the right bank of the Neckar a little way below the armoury. https://sublimesites.co/wp-content/uploads/2015/10/bridge-from-downstream1.jpgBridge from downstreamHeidelberg Bridge, Castle and town from downstream, opposite the armoury Photograph by David Hill taken 27 August 2015, 17.54 GM https://sublimesites.co/wp-content/uploads/2015/10/heidelberg-from-garden-terrace1.jpgHeidelberg from garden terraceHeidelberg Castle from the Garden Terrace Photograph by David Hill taken 26 August 2015, 7.52 GMT One of the principal viewpoints at Heidelberg is from the magnificent elevated terrace that forms the east side of the gardens of Heidelberg Castle. Turner made numerous sketches there, including his first impression at the beginning of the terrace at its south end (7a) where he appears to have been a little distracted by two rather glamorous ladies that took his eye away from the scenery. As is typical of him, he looked to go further than the regular circuit, so he embarked upon a fairly strenuous (I can testify) clamber around the slopes above the castle to find still more elevated views. His next sketch in the series (8a), is somewhat beyond and above the north end of the terrace. His vantage point must have been quite precarious on the edge of a considerable cliff above the Neckar. He made several further sketches on the slopes, culminating in one (12) at about the height of a path called the ‘Elisabethanweg’. The effort of attempting views above the level of the terrace today is wasted; they being all blocked either by new building or unchecked tree growth. 2021-01-16T13:08:16+00:00monthlyhttps://sublimesites.co/2015/11/18/in-turners-footsteps-at-heidelberg-part-2/https://sublimesites.co/wp-content/uploads/2015/11/aligned-towers1.jpgAligned towersHeidelberg: the octagonal tower, Heiliggeistkirche and Armoury in alignment. Photograph by David Hill, taken 27 August 2015, 17.40 GMThttps://sublimesites.co/wp-content/uploads/2015/11/bridge-and-castle-11.jpgBridge and Castle #1Heidelberg Bridge, Castle and Heiliggeistkirche Photograph by David Hill taken 25 August 2015, 17.51 GMT Turner probably spent his first full day, as I did, exploring the castle precincts, and the second day exploring the views of the town and castle from the shores of the Neckar across the bridge. He began with a careful study of the bridge, castle and church, across two pages of his sketchbook before systematically exploring the shore at intervals both down and upstream.https://sublimesites.co/wp-content/uploads/2015/11/heidelberg-sundowners-river1.jpgHeidelberg sundowners - riverHeidelberg sundowners Photograph by David Hill, taken 25 August 2015, 18.25 GMT https://sublimesites.co/wp-content/uploads/2015/11/watercolour-viewpoint1.jpgWatercolour viewpointHeidelberg Bridge, Castle and Town from the north bank of the Neckar Photograph by David Hill taken 25 August 2015, 18.02 GMT The exact viewpoint of the colour-beginning and watercolour commissioned by Thomas Abel Prior https://sublimesites.co/wp-content/uploads/2015/11/ge-turner-viewpoints-1841.jpgGE Turner viewpoints 1841Heidelberg: Google Earth Aerial View Marking the viewpoints of Turner’s 1841 sketches and the watercolour made for Prior. This image is best viewed at full-size. Click on the image to enlarge and use your browser’s ‘back’ button to return to this page. https://sublimesites.co/wp-content/uploads/2015/11/heidelberg-rainbow-detail.jpgHeidelberg rainbow detailhttps://sublimesites.co/wp-content/uploads/2015/11/heidelberg-rainbow-winona.jpgHeidelberg Rainbow Winonahttps://sublimesites.co/wp-content/uploads/2015/11/tdb1487-det1.jpgtdb1487 det#1J M W Turner Heidelberg with a Rainbow, c.1842 Watercolour, 311 x 521 mm, 12 1/4 x 20 1/2 ins USA, Minnesota Marine Art Museum, Winona, Minnesota. Detail of figures. https://sublimesites.co/wp-content/uploads/2015/11/prior-engraving.jpgHeidelberg from the Opposite Bank of the Neckar, engraved by Thomas Abel Prior published 1846 by Joseph Mallord William Turner 1775-1851Thomas Abel Prior, after J.M.W.Turner Heidelberg from the opposite bank of the Neckar, published 1846 Line Engraving on Steel, printed on etching paper, image size 370 x 543 mm, 14 9/16 x 21 ¼ ins Tate T05190 Photo courtesy of Tate To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-heidelberg-from-the-opposite-bank-of-the-neckar-engraved-by-thomas-abel-prior-t05190 https://sublimesites.co/wp-content/uploads/2015/11/tdb1487.jpgtdb1487J M W Turner Heidelberg with a Rainbow, c.1842 Watercolour, 311 x 521 mm, 12 1/4 x 20 1/2 ins USA, Minnesota Marine Art Museum, Winona, Minnesota. This watercolour was commissioned from Turner in 1840 by the engraver Thomas Abel Prior. He published a large engraving of the image in 1846. The watercolour fetched a world record for a watercolour by the artist at auction when it was sold by Sotheby's, New York, 31 January 2013 lot 101 for $4,562,500. Photo courtesy of Sotheby’s. To view this image on Sotheby’s website click on the following link and use your browser’s ‘back’ button to return to this page. 2021-01-16T13:07:40+00:00monthlyhttps://sublimesites.co/2015/11/20/in-turners-footsteps-at-heidelberg-part-3/https://sublimesites.co/wp-content/uploads/2015/11/shadow-ss1.jpgShadow SSHeidelberg at sunset Photograph taken by David Hill 25 August 2015, 17.56 GMT Showing exactly the same shadow as in the Manchester watercolour, being cast by the sun dipping behind the Michaelsberg behind us. https://sublimesites.co/wp-content/uploads/2015/11/manchester-panorama1.jpgManchester panoramaHeidelberg Bridge, Castle and Church Photograph by David Hill, 25 August 2015, 17.56 GMT https://sublimesites.co/wp-content/uploads/2015/11/tdb17451.jpgtdb1745J M W Turner Heidelberg Sunset Study #1, c.1841 Watercolour and pen and ink, on white paper, 233 x 290 mm, 8 3/4 x 11 1/2 ins Private Collection Image scanned from Andrew Wilton, ‘William Turner: Licht und Fabre’, catalogue of the exhibition at Essen and Zurich, 2001, where exhibited as no.171. This is the only time that it has been reproduced in colour. https://sublimesites.co/wp-content/uploads/2015/11/heidelberg-moonlight-11.jpgHeidelberg Moonlight #1Heidelberg Moonrise Photograph by David Hill taken 27 August 2015, 17.20 GMT https://sublimesites.co/wp-content/uploads/2015/11/moonight-reflection.jpgMoonight reflectionhttps://sublimesites.co/wp-content/uploads/2015/11/manchester-detail.jpgManchester detailhttps://sublimesites.co/wp-content/uploads/2015/11/mcag-heidelberg.jpgMCAG HeidelbergJ M W Turner Heidelberg: Sunset, c.1842 Watercolour, 380 x 552 mm, 14 1/2 x 21 1/8 ins Manchester, City Art Gallery (1917.106) This watercolour seems to have been painted as a pair to that made for Thomas Abel Prior. Photo courtesy of Manchester City Art Gallery To view this image on Manchester City Art Gallery’s website click on the following link and use your browser’s ‘back’ button to return to this page. http://manchesterartgallery.org/collections/search/collection/?id=1917.106 https://sublimesites.co/wp-content/uploads/2015/11/325-d36183_10.jpgHeidelberg, Moonlight: Sample Study circa 1841-2 by Joseph Mallord William Turner 1775-1851J M W Turner Heidelberg, Moonlight: Sample Study, c.1841 Watercolour on paper, 241 x 300 mm Tate, London, D36183, Turner Bequest CCCLXIV 325 It seems to me to that this must be a study from nature. The moon stood exactly in the same position when I was there on 27 August 2015 Photograph courtesy of Tate To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-heidelberg-moonlight-sample-study-d36183 https://sublimesites.co/wp-content/uploads/2015/11/turner_heidelberg_large.jpgturner_heidelberg_largeJ M W Turner Heidelberg Sunset Study #2, c.1841 Watercolour and pen and ink on white paper, 236 x 295 mm, 9 1/4 x 11 5/8 ins Cambridge, Fitzwilliam Museum. (2284; Cormack 51) as ‘Heidelberg from the opposite bank of the Neckar' Photograph courtesy of the Fitzwilliam Museum To view this image in the Fitzwilliam Museum’s own website, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.fitzmuseum.cam.ac.uk/gallery/friends/exhibits/turner_heidelberg.htm https://sublimesites.co/wp-content/uploads/2015/11/sample-studiies-photo-ss.jpgSample studiies photo SSHeidelberg Bridge, Castle and Church Photograph by David Hill taken 25 August 2015, 17 58 GMT2021-01-16T13:06:55+00:00monthlyhttps://sublimesites.co/2015/11/23/in-turners-footsteps-at-heidelberg-part-4/https://sublimesites.co/wp-content/uploads/2015/11/part-5-key-image.jpgPart 5 key imagehttps://sublimesites.co/wp-content/uploads/2015/11/13-d35233_10.jpgHeidelberg Castle from the Hirschgasse 1844 by Joseph Mallord William Turner 1775-1851J M W Turner Heidelberg from upstream, fading light, 1844 Graphite and watercolour on paper, 229 x 329 mm From the Heidelberg sketchbook, Tate, London, D35233; Turner Bequest CCCLII 13 as ‘Heidelberg Castle from the Hirschgasse’. This sketch is the third of three that Turner made in 1844 recording the advance of sunset at intervals from viewpoints upstream of the castle and bridge. Here he is opposite the castle, with the Palais Weimar on the opposite bank, with the setting sun still lower, and the intensity of the colour on the castle now beginning to fade, and to have paled entirely at river level. Finding a view from this aspect had been a priority for Turner on his first visit in 1833, and in this study he returned to close to the viewpoint of an earlier pencil sketch, TB CCXCVIII 23a. Photo courtesy of Tate To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-heidelberg-castle-from-the-hirschgasse-d35233 https://sublimesites.co/wp-content/uploads/2015/11/05-d35224_10.jpgHeidelberg from the Neckar Shore close to the Hirschgasse 1844 by Joseph Mallord William Turner 1775-1851J M W Turner Heidelberg from upstream, sunset, 1844 Graphite and watercolour on paper, 229 x 329 mm From the Heidelberg sketchbook, Tate, London, D35224; Turner Bequest CCCLII 5 as ‘Heidelberg from the Neckar Shore close to the Hirschgasse’. This sketch is the second of three that Turner made in 1844 recording the advance of sunset at intervals from viewpoints upstream of the castle and bridge. Here he is further upstream than in f.18 (above), and at a later hour, with the sun now setting, and casting its characteristic gold and red tones on the castle and its wooded slopes. Finding a view from this aspect had been a priority for Turner on his first visit in 1833, and in this study he returned to close to the viewpoint of an earlier pencil sketch TB CCXCVIII 22. Photo courtesy of Tate To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-heidelberg-from-the-neckar-shore-close-to-the-hirschgasse-d35224 https://sublimesites.co/wp-content/uploads/2015/11/castle-from-upstream-above-weir.jpgCastle from upstream - above weirHeidelberg from upstream Photograph by David Hill taken 27 August 2015, 9.05 GMT https://sublimesites.co/wp-content/uploads/2015/11/18-d35238_10.jpgHeidelberg from the Neckar Shore close to the Hirschgasse 1844 by Joseph Mallord William Turner 1775-1851J M W Turner Heidelberg from upstream, late afternoon, 1844 Graphite and watercolour on paper, 229 x 329 mm From the Heidelberg sketchbook, Tate, London, D35238; Turner Bequest CCCLII 18 as ‘Heidelberg from the Neckar Shore close to the Hirschgasse’. This sketch is the first of three that Turner made in 1844 recording the advance of sunset at intervals from viewpoints upstream of the castle and bridge. Finding a view from this aspect had been a priority for Turner on his first visit in 1833, and in this study he returned to close to the viewpoint of an earlier pencil sketch TB CCXCVIII 19. Here the sun appears to be shining towards us, more-or-less down the line of the river, which would set the time of day as in the late afternoon, but before the sun has sunk low enough to intensify the colour. Photo courtesy of Tate To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-heidelberg-from-the-neckar-shore-close-to-the-hirschgasse-d35238 https://sublimesites.co/wp-content/uploads/2015/11/11-d35231_10.jpgHeidelberg from the Hirschgasse 1844 by Joseph Mallord William Turner 1775-1851J M W Turner Heidelberg from upstream, morning, 1844 Graphite and watercolour on paper, 229 x 329 mm From the Heidelberg sketchbook, Tate, London, D35231; Turner Bequest CCCLII 11 as ‘Heidelberg from the Hirschgasse’ This sketch records morning light from the left, although the colours are soft and muted. Turner generally rose early to see effects of sunrise, but in August at Heidelberg the sun does not illuminate the castle till quite some while after rising. The river here flows from the north east, so the sun rises along that line for a month or so either side of the summer solstice. The views from upstream were one of his priorities in his sketches of 1833. In this he returns close to a viewpoint of one of those, TB CCCXCVIII, 18a. Photo courtesy of Tate To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-heidelberg-from-the-hirschgasse-d35231https://sublimesites.co/wp-content/uploads/2015/11/ge-castle-sunset.jpgGe Castle sunsetHeidelberg Castle from the East Google Earth 3D buildings view. Again, a site worth considering with a view to pruning.https://sublimesites.co/wp-content/uploads/2015/11/09-d35229_10.jpgHeidelberg from the East 1844 by Joseph Mallord William Turner 1775-1851J M W Turner Heidelberg Castle from the East, 1844 Graphite and watercolour on paper, 229 x 329 mm From the Heidelberg sketchbook, Tate, London, D35229; Turner Bequest CCCLII 9 as ‘Heidelberg from the East’ Having already sketched in pencil the sunset from the garden terrace, here he sets it down in colour. His viewpoint is actually some way above the terrace itself on the road. It seems to have been a popular vantage point to judge from the indications of figures in this sketch. Sadly, once again there is nothing now to be seen from here but trees. Photo courtesy of Tate To view this image in Tate’s own catalogue of the Turner bequest, click on the following link, and use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-heidelberg-from-the-east-d35229https://sublimesites.co/wp-content/uploads/2015/11/heidelberg-castle-sunset-1.jpgHeidelberg Castle sunset #1Heidelberg sunset Photograph by David Hill taken 26 August 2015, 18.20 GMT https://sublimesites.co/wp-content/uploads/2015/11/ge-castle-south-west.jpgGE Castle South WestHeidelberg Castle from the South West Google Earth 3D buildings view. With some pruning, it might be possible to open up a real view as spectacular as this. 2021-01-16T13:06:11+00:00monthlyhttps://sublimesites.co/2016/01/17/in-turners-footsteps-at-heidelberg-part-5/https://sublimesites.co/wp-content/uploads/2016/01/ngs-detail-close.jpgNGS detail closeNational Gallery of Scotland 'Heidelberg' - detail of figures in foregroundhttps://sublimesites.co/wp-content/uploads/2016/01/part-5-tailpiece.jpgPart 5 tailpiecehttps://sublimesites.co/wp-content/uploads/2016/01/ngs-heidelberg-in-exhibition-2016.jpgNGS Heidelberg in exhibition 2016Turner's 'Heidelberg' exhibited at the National Gallery of Scotland, Edinburgh, January 2016. Photograph by David Hill, Taken 17 January 2016, 15.40 GMThttps://sublimesites.co/wp-content/uploads/2016/01/ngs-detail-bottom-left.jpgNGS detail bottom leftNational Gallery of Scotland watercolour - detail bottom lefthttps://sublimesites.co/wp-content/uploads/2016/01/ngs-detail-boat.jpgNGS detail boatNational Gallery of Scotland watercolour, detail of foreground.https://sublimesites.co/wp-content/uploads/2016/01/sky-detail-cincinnati-coblenz.jpgSky detail, Cincinnati CoblenzDetail of sky in Cincinnati watercolour of Koblenzhttps://sublimesites.co/wp-content/uploads/2016/01/skey-detail-ngs.jpgSky detail NGSDetail of sky in National Gallery of Scotland Heidelberghttps://sublimesites.co/wp-content/uploads/2016/01/koblenz-cincinnati.jpgKoblenz CincinnatiJ M W Turner Koblenz, Germany, 1842 Watercolour, 303 x 467 mm USA, Ohio, Cincinnati Art Museum, 1956.112 Photograph courtesy of Cincinnati Art Museum https://sublimesites.co/wp-content/uploads/2016/01/shadow-ngs.jpgShadow NGSNational Gallery of Scotland watercolour - detail of shadowhttps://sublimesites.co/wp-content/uploads/2016/01/shadow-manchester.jpgShadow ManchesterManchester watercolour, detail of shadow2021-01-16T13:05:03+00:00monthlyhttps://sublimesites.co/2016/12/31/update-turner-and-sisteron/https://sublimesites.co/wp-content/uploads/2016/12/sisteron-watercolour-shadow-detail.jpgsisteron-watercolour-shadow-detail2021-01-16T12:28:04+00:00monthlyhttps://sublimesites.co/2016/03/09/cotman-and-turners-van-tromp-a-newly-identified-study-of-1832/https://sublimesites.co/wp-content/uploads/2016/03/frensh-shallop.jpgFrensh ShallopFrench Shallop From David Steel, The Elements and Practice of Rigging and Seamanship, 1794 https://sublimesites.co/wp-content/uploads/2016/03/cotman-van-tromp-ss.jpgCotman Van Tromp SSMemorandum of Turner's painting 'Van Tromp's Shallop, at the Entrance of the Scheldt' exhibited at the Royal Academy in 1832 Graphite on paper, 95 x 133 mm Inscribed: By Cotman in graphite in lower margin: 'S.H.' and '206' Provenance: The Hannan collection (see notes) to the International Art Centre, 272 Parnell Road, Auckland, New Zealand, Collectable Art, 23 February, 2016, lot 147: John Sell Cotman 1782 - 1842 - Seven drawings - Coastal Scenes, Pencil on paper 3.0 x 9.0, Signed & dated (date illegible), repr, est. $NZ 500 - 1,000, sold for NZ$700; Photograph by David Hillhttps://sublimesites.co/wp-content/uploads/2016/03/cotman-van-tromp-detail.jpgCotman Van Tromp detailVan Tromp’s Barge in Cotman sketchhttps://sublimesites.co/wp-content/uploads/2016/03/wadsworth-van-tromp-1951-233.jpgWadsworth Van Tromp 1951.233J M W Turner Van Tromp Returning after the Battle off the Dogger Bank’, exhibited at the Royal Academy, 1833 Oil on canvas, 88.9 x 119.4 cm Wadsworth Athenaeum, Museum of Art, Hartford, Connecticut, USA, 1951.233, as ‘Van Tromp's Shallop, at the Entrance of the Scheldt, exhibited at the Royal Academy, 1832 (The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund, Endowed by Mr. and Mrs. William Lidgerwood). Turner exhibited several ‘Van Tromp’ subjects, and there has been some confusion as to which is which. In the light of the identification of Cotman’s sketch, this can now be identified as the 1833 exhibit. Image courtesy of Wadsworth Athenaeum. To see the picture and cataloguing on the Wadsworth Athenaeum’s own website, click on the following link, and then use your browser’s ‘back’ button to return to this site. http://argus.wadsworthatheneum.org/Wadsworth_Atheneum_ArgusNet/Portal/public.aspx?lang=en-UShttps://sublimesites.co/wp-content/uploads/2016/03/wadsworth-van-tromp-1951-233-detail.jpgWadsworth Van Tromp 1951.233 detailJ M W Turner Van Tromp Returning after the Battle off the Dogger Bank’, exhibited at the Royal Academy, 1833 – detail of figure standing in foreground boat) Oil on canvas, 88.9 x 119.4 cm Wadsworth Athenaeum, Museum of Art, Hartford, Connecticut, USA https://sublimesites.co/wp-content/uploads/2016/03/n00537_10.jpgVan Tromp Returning after the Battle off the Dogger Bank exhibited 1833 by Joseph Mallord William Turner 1775-1851J M W Turner Van Tromp's Shallop, at the Entrance of the Scheldt, exhibited at the Royal Academy, 1832, no.206 Oil on canvas, 90.5 x 120.6 cm Tate Britain, London, N00537, Turner Bequest, 1856 as ‘Van Tromp Returning after the Battle off the Dogger Bank’, exhibited 1833. Turner exhibited several ‘Van Tromp’ subjects, and there has been some confusion as to which is which. Cotman’s sketch confirms for the first time that the painting at the Tate can be identified with the 1832 exhibit. Image courtesy of TATE. To see the picture and cataloguing in Tate’s own website, click on the following link, and then use your browser’s ‘back’ button to return to this site. http://www.tate.org.uk/art/artworks/turner-van-tromp-returning-after-the-battle-off-the-dogger-bank-n00537https://sublimesites.co/wp-content/uploads/2016/03/2016-02-147-h.jpg2016-02-147-HInternational Art Centre, 272 Parnell Road, Auckland, New Zealand, Collectable Art, 23 February, 2016, lot 147: John Sell Cotman 1782 - 1842 - Seven drawings - Coastal Scenes, Pencil on paper 3.0 x 9.0, Signed & dated (date illegible), repr, est. $NZ 500 - 1,000, sold for NZ$700; Image courtesy of International Art Centre To see the picture and cataloguing in the IAC’s own website, click on the following link, and then use your browser’s ‘back’ button to return to this site. http://www.internationalartcentre.co.nz/auctions/auctionDetail.lsd?a=201602&p=1472021-01-16T12:21:54+00:00monthlyhttps://sublimesites.co/2016/04/10/turner-and-scotland-1-ben-arthur-from-near-ardgartan/https://sublimesites.co/wp-content/uploads/2016/04/key-image.jpgA Mountain Ridge with Trees in the Foreground 1801 by Joseph Mallord William Turner 1775-1851https://sublimesites.co/wp-content/uploads/2016/04/28a-29.jpgA Mountain Ridge with Trees in the Foreground 1801 by Joseph Mallord William Turner 1775-1851J M W Turner Rain-spattered pages, 1801 Pencil on paper, 149 x 218 mm (page size, 149 x 109 mm) from the ‘Tummel Bridge’ sketchbook, Tate, London, D03332-33, Turner Bequest TB LVII 28a-29 as ‘A Mountain Ridge with Trees in the Foreground’ Image courtesy of Tate. To see the image in the Tate’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-a-mountain-ridge-with-trees-in-the-foreground-d03333 Turner prepared many of the pages of the Tummel Bridge sketchbook with a wash of purple-grey. This sort of preparation was useful for reducing glare when sketching on the Roman Campagna, but was perhaps less unnecessary in Scotland. It has the unfortunate result of making his drawings almost invisible in photographs, but the unintended consequence of permanently recording the day’s weather conditions. https://sublimesites.co/wp-content/uploads/2016/04/07a-08.jpgLoch Long seen through Trees, with Ben Arthur Rising into Clouds Above 1801 by Joseph Mallord William Turner 1775-1851J M W Turner Towards Beinn Narnain from Gen Loin above Arrochar, 1801 Pencil on paper, 149 x 218 mm (page size, 149 x 109 mm) from the ‘Tummel Bridge’ sketchbook, Tate, London, D03290-91, Turner Bequest TB LVII 7a-8 as ‘Loch Long seen through Trees, with Ben Arthur Rising into Clouds Above’ and ‘Figures on a Field with Woods and Hills Beyond, with Mountains Rising into Clouds’ Image courtesy of Tate. To see the image in the Tate’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-a-cloudy-sky-above-a-mountain-valley-d03289 This wants confirmation but looks to be a view towards the high peaks of Beinn Narnain from the Glen Loin above Arrochar. Clouds are streaming off the upper slopes. https://sublimesites.co/wp-content/uploads/2016/04/06a-07.jpgA Cloudy Sky above a Mountain Valley 1801 by Joseph Mallord William Turner 1775-1851J M W Turner Head of Loch Long from Arrochar, 1801 Pencil on paper, 149 x 218 mm (page size, 149 x 109 mm) from the ‘Tummel Bridge’ sketchbook, Tate, London, D03288-89, Turner Bequest TB LVII 6a-7 as ‘A Cloudy Sky above a Mountain Valley’ Image courtesy of Tate. To see the image in the Tate’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-a-cloudy-sky-above-a-mountain-valley-d03289 The clear conditions of Loch Lomond are giving way to increasing cloud. https://sublimesites.co/wp-content/uploads/2016/04/05a-06.jpgView across Loch Lomond from near Inversnaid 1801 by Joseph Mallord William Turner 1775-1851J M W Turner Loch Lomond from above Tarbet, 1801 Pencil on paper, 149 x 218 mm (page size, 149 x 109 mm) from the ‘Tummel Bridge’ sketchbook, Tate, London, D03286-87, Turner Bequest TB LVII 5a-6 as ‘View across Loch Lomond from near Inversnaid’ Image courtesy of Tate. To see the image in the Tate’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-view-across-loch-lomond-from-near-inversnaid-d03287 Clouds are gathering on the hills to the right, and shafts of light are breaking through. https://sublimesites.co/wp-content/uploads/2016/04/03a-04.jpgA Wooded Cliff beside the Old Military Road along Loch Lomond, with the Loch and Ben Lomond to the Right 1801 by Joseph Mallord William Turner 1775-1851J M W Turner Ben Lomond from Colonel Lascelles’s Monument near Inverbeg, 1801 Pencil on paper, 149 x 218 mm (page size, 149 x 109 mm) from the ‘Tummel Bridge’ sketchbook, Tate, London, D03282-83, Turner Bequest TB LVII 3a-4 as ‘A Wooded Cliff beside the Old Military Road along Loch Lomond, with the Loch and Ben Lomond to the Right’ Image courtesy of Tate. To see the image in the Tate’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-a-wooded-cliff-beside-the-old-military-road-along-loch-lomond-with-the-loch-and-ben-d03283 This may be taken as the beginning of the sequence that culminates in the sketch of Ben Arthur (LVII 7a-8). Conditions here appear to be still and atmospheric, with Ben Lomond a flat wash against the morning light. The subject is intriguing, with its carved inscription to ‘Colonel Lascelles Regiment March 12th 1745’., recording their part in forging the new military road to Inverary along the shores of Loch Lomond. It is hope to develop this theme on a return visit. The Lascelles connection would have caught Turner’s eye, for the Lascelles family of Harewood in Yorkshire were major patrons of his work at this time.https://sublimesites.co/wp-content/uploads/2016/04/lvii-04a-05.jpglvii 04a-05J M W Turner Rubha Mor on Loch Lomond, with Ben Lomond in the distance, 1801 Pencil and sepia washes on paper, 149 x 218 mm (page size, 149 x 109 mm) from the ‘Tummel Bridge’ sketchbook, Tate, London, D03284-85, Turner Bequest TB LVII 4a-5 as ‘A Small Boat Drawn Up in a Wooded Bay, with Mountains Beyond: ?Loch Lomond at Inveruglas’. Image courtesy of Tate. To see the image in the Tate’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/sketchbook/tummel-bridge-sketchbook-65708https://sublimesites.co/wp-content/uploads/2016/04/d03426_10.jpgA Wooded Bay with Mountains Beyond, Perhaps Loch Lomond at Inveruglas 1801 by Joseph Mallord William Turner 1775-1851J M W Turner Rubha Mor on Loch Lomond, with Ben Lomond in the distance, 1801 Chalk, Pencil and watercolour on paper, 297 x 429 mm. Tate, London, D03426., Turner Bequest TB LVIII 47 as ‘A Wooded Bay with Mountains Beyond, Perhaps Loch Lomond at Inveruglas’ Image courtesy of Tate. To see the image in the Tate’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-a-wooded-bay-with-mountains-beyond-perhaps-loch-lomond-at-inveruglas-d03426https://sublimesites.co/wp-content/uploads/2016/04/fitzwilliam-oil.jpgFitzwilliam oilJ.M.W.Turner Ben Lomond Mountains, Scotland: The Traveller – Vide Ossian’s War of Caros. Exhibited Royal Academy, 1802 Oil on canvas 641 x 988 mm The Fitzwilliam Museum, Cambridge Image courtesy of the Fitzwilliam Museum, Cambridge. To see the image in the Fitzwilliam Museum’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://webapps.fitzmuseum.cam.ac.uk/explorer/index.php?oid=3996https://sublimesites.co/wp-content/uploads/2016/04/bm-watercolour.jpgBM watercolourJ M W Turner Ben Arthur from the entrance to Glen Croe above Ardgartan, 1801 Watercolour, 247 x 418 mm British Museum, London, R.W.Lloyd Bequest, 1958-7-12-405 as ‘Mountain Study: a view in North Wales?’ Image courtesy of The British Museum. To see the image in the British Museum’s own online catalogue, click on the following link, and then use your browser’s ‘back’ button to return to this page: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=748939&partId=1&searchText=turner+welsh+mountain&page=1 2021-01-16T12:16:13+00:00monthlyhttps://sublimesites.co/2016/04/14/update-turner-and-heidelberg-a-newly-identified-source-for-the-tate-painting/2021-01-16T12:15:30+00:00monthlyhttps://sublimesites.co/2017/01/11/j-m-w-turner-ehrenbreitstein-from-neuendorf/https://sublimesites.co/wp-content/uploads/2017/01/tdb1434-detail-boatman.jpgtdb1434-detail-boatmanhttps://sublimesites.co/wp-content/uploads/2017/01/ge-sun-rising-from-neuendorf.jpgge-sun-rising-from-neuendorfGoogle Earth rendering of sunrise across the Rhine from Neuendorf, 5.45 am, 27 September, about the same time that Turner was there in 1840https://sublimesites.co/wp-content/uploads/2017/01/ge-neuendorf-ehrenbreitstein.jpgge-neuendorf-ehrenbreitsteinGoogle Earth Aerial View of Neuendorf, Ehrenbreitstein and Koblenz, showing Turner’s viewpointshttps://sublimesites.co/wp-content/uploads/2017/01/ccclxiv-286.jpgccclxiv-286J.M.W.Turner The Mosel Bridge at Coblenz: Sample Study, c.1841-2 Watercolour on paper, 236 x 295 mm Tate, London, Turner Bequest, TB CCCLXIV 286, D36139 Image courtesy of Tate. To see this in the Tate’s own website, click on the following link, and then use your browser’s ‘back’ button to return to this page. http://www.tate.org.uk/art/artworks/turner-the-mosel-bridge-at-coblenz-sample-study-d36139 https://sublimesites.co/wp-content/uploads/2017/01/koblenz-bridge-sunset.jpgkoblenz-bridge-sunsetMosel Bridge, Koblenz, sunset Photograph taken by David Hill, 2001https://sublimesites.co/wp-content/uploads/2017/01/41a-d29676_10-ss.jpgEhrenbreitstein and Coblenz (in Three Instalments) 1833 by Joseph Mallord William Turner 1775-1851Ehrenbreitstein and Coblenz (in Three Instalments) 1833 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D29676https://sublimesites.co/wp-content/uploads/2017/01/ehrenbreitstein-from-neuendorf.jpgehrenbreitstein-from-neuendorfNeuendorf, looking up the Rhine with St Peter’s Church in the foreground and Ehrenbreitstein Castle in the beyond. Turner’s church was comprehensively rebuilt in 1913, but the view of the castle is pretty much unchanged. Photograph by courtesy of Björnsen Beratende Ingenieure of Koblenz. To see the image in the company’s website click on the following link, and use your browser’s ‘back’ button to return to this page. The site is worth visiting for a full picture of the works undertaken. https://www.bjoernsen.de/index.php?id=hws_koblenzhttps://sublimesites.co/wp-content/uploads/2017/01/tdb14341.jpgtdb1434J.M.W.Turner The Castle of Ehrenbreitstein looking up the Rhine from Neuendorf, with the church of St Peter in the foreground: Dawn, c.1840-1 Watercolour on white paper, 230 x 285 mm Private Collection. Exhibited Aix en Provence ‘Turner et la Couleur’ (no.105) and Turner Contemporary, Margate, ‘JMW Turner: Adventures in Colour’ as ‘River Scene: Moonlight’, the subject can here be reidentified. Image scanned from catalogue ‘Turner et la Couleur’, 2016, no.105, pending approval of the owner.2021-01-16T12:10:52+00:00monthlyhttps://sublimesites.co/2018/01/07/turner-at-brunnen-lake-lucerne/https://sublimesites.co/wp-content/uploads/2018/01/338-d36197_10.jpgLake Lucerne: Sample Study 1844 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Lake Lucerne: Sample Study, 1844 Graphite and watercolour on paper, 244 x 303 mm Tate Britain, London, Turner Bequest TB CCCLXIV 338, Tate D36197 Photo courtesy of Tate To see this sketch on the Tate’s own online catalogue click on the link below, then press your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-lake-lucerne-sample-study-d36197 https://sublimesites.co/wp-content/uploads/2018/01/tdb1626-verso-ss.jpgtdb1626 verso SSThe Lake of Lucerne from Brunnen, with a Steamer, 1841 Detail of verso, bottom right-hand corner (contrast exaggerated). The late sample sketches often have a number in red chalk on the back. This number ‘18’ has just been noticed. It is not clear what might be the significance of the pencil number ‘0294’. ?Perhaps a collection or exhibition number. Photograph courtesy of Christie’shttps://sublimesites.co/wp-content/uploads/2018/01/brunnen_618_t.jpgBrunnen_618_TLake Lucerne at Brunnen Photo courtesy of www.Switzerland Mobility To see this image in Switzerland Mobility’s own website, click on the following link, then use your browser’s ‘back’ button to return to this page: http://www.schweizmobil.ch/en/hiking-in-switzerland/services/places/ort-0475.html https://sublimesites.co/wp-content/uploads/2018/01/ge-brunnen-from-landing-stage.jpgGE Brunnen from landing stageGoogle Earth image of Lake of Uri from the Landing Stage at Brunnen [Best viewed full size, click on image to enlarge]https://sublimesites.co/wp-content/uploads/2018/01/385-d36250_10.jpgLake Lucerne, from Brunnen: Sample Study circa 1844-5 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Lake Lucerne, from Brunnen: Sample Study, c.1844-5 Pen and ink, graphite and watercolour on paper, 246 x 308 mm Tate Britain, London, Turner Bequest TB CCCLXIV 385, Tate D36250 Photo courtesy of Tate To see this sketch on the Tate’s own online catalogue click on the link below, then press your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-lake-lucerne-from-brunnen-sample-study-d36250 https://sublimesites.co/wp-content/uploads/2018/01/354-d36216_10.jpgLake Lucerne: The Bay of Uri from above Brunnen: Sample Study circa 1841-2 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Lake Lucerne: The Bay of Uri from above Brunnen: Sample Study, c.1841-2 Pen and ink, graphite and watercolour on paper, 242 x 297 mm Tate Britain, London, Turner Bequest TB CCCLXIV 354, Tate D36216 Photo courtesy of Tate To see this sketch on the Tate’s own online catalogue click on the link below, then press your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-lake-lucerne-the-bay-of-uri-from-above-brunnen-sample-study-d36216 https://sublimesites.co/wp-content/uploads/2018/01/348-d36209_10.jpgThe Bay of Uri on Lake Lucerne, from Brunnen circa 1841-2 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Lake Lucerne: The Bay of Uri, from Brunnen, c.1841-2 Pen and ink, graphite and watercolour on paper, 244 x 295 mm Tate Britain, London, Turner Bequest TB CCCLXIV 348, Tate D36209 Photo courtesy of Tate To see this sketch on the Tate’s own online catalogue click on the link below, then press your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-lake-lucerne-the-bay-of-uri-from-brunnen-d36202 https://sublimesites.co/wp-content/uploads/2018/01/342-d36202_10.jpgLake Lucerne: The Bay of Uri, from Brunnen circa 1841-2 by Joseph Mallord William Turner 1775-1851J.M.W.Turner The Bay of Uri on Lake Lucerne, from Brunnen, c.1841-2 Pen and ink, graphite and watercolour on paper, 244 x 299 mm Tate Britain, London, Turner Bequest TB CCCLXIV 342, Tate D36202 Photo courtesy of Tate To see this sketch on the Tate’s own online catalogue click on the link below, then press your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-the-bay-of-uri-on-lake-lucerne-from-brunnen-d36209 https://sublimesites.co/wp-content/uploads/2018/01/387-d36254_10.jpgLake Lucerne, from Brunnen after circa 1830 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Lake Lucerne, from Brunnen, after c.1830 [1841] Pen and ink, graphite and watercolour on paper, 228 x 294 mm Tate Britain, London, Turner Bequest TB CCCLXIV 387, Tate D36254 Photo courtesy of Tate To see this sketch on the Tate’s own online catalogue click on the link below, then press your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-lake-lucerne-from-brunnen-d36254 https://sublimesites.co/wp-content/uploads/2018/01/032-d33502_10.jpgMorning on the Lake of Lucerne 1841 by Joseph Mallord William Turner 1775-1851J.M.W.Turner Morning on the Lake of Lucerne, 1841 [from Brunnen] Pen and ink, graphite and watercolour on paper, 228 x 292 mm Tate Britain, London, Turner Bequest TB CCCXXXII 32, Tate D33502 Photo courtesy of Tate To see this sketch on the Tate’s own online catalogue click on the link below, then press your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-morning-on-the-lake-of-lucerne-d33502 2021-01-15T22:33:17+00:00monthlyhttps://sublimesites.co/2018/03/31/a-newly-identified-val-daosta-subject-by-turner/https://sublimesites.co/wp-content/uploads/2018/03/ge-courmayeur.jpgGE CourmayeurGoogle Earth aerial view of Courmayeur, marking Turner's viewpoint at the Ponte de la Villettehttps://sublimesites.co/wp-content/uploads/2018/03/ge-route-from-geneva-to-aosta.jpgGE Route from Geneva to AostaGoogle Earth; Aerial view of Turner's route from Geneva to Aostahttps://sublimesites.co/wp-content/uploads/2018/03/valley_of_aosta_snowstorm_avalanche_and_thunderstorm_1836-1837_by_joseph_mallord_william_turner_-_art_institute_of_chicago_-_dsc09550.jpgValley_of_Aosta,_Snowstorm,_Avalanche,_and_Thunderstorm,_1836-1837,_by_Joseph_Mallord_William_Turner_-_Art_Institute_of_Chicago_-_DSC09550J.M.W.Turner ‘Snow-storm, Avalanche and Inundation – a Scene in the Upper Part of Val d’Aouste’, exh RA 1837 Oil on canvas, Art Institute of Chicago, Chicago, USA. Image source: https://upload.wikimedia.org/wikipedia/commons/a/ac/Valley_of_Aosta%2C_Snowstorm%2C_Avalanche%2C_and_Thunderstorm%2C_1836-1837%2C_by_Joseph_Mallord_William_Turner_-_Art_Institute_of_Chicago_-_DSC09550.JPG https://sublimesites.co/wp-content/uploads/2018/03/bacon-coll-key-image.jpgOLYMPUS DIGITAL CAMERAOLYMPUS DIGITAL CAMERAhttps://sublimesites.co/wp-content/uploads/2018/03/avalanche-detail-2.jpgAvalanche detail #2J.M.W.Turner ‘Snow-storm, Avalanche and Inundation – a Scene in the Upper Part of Val d’Aouste’, exh RA 1837 Detail centre left https://sublimesites.co/wp-content/uploads/2018/03/aosta-2000-4.pngAosta 2000 #4http://www.meteoweb.eu/2011/11/diario-delle-alluvioni-dellautunno-2000-tra-calabria-e-valle-daosta/97552/https://sublimesites.co/wp-content/uploads/2018/03/aosta-2000-3.jpgAosta 2000 #3http://www.valledaostaglocal.it/2017/10/12/leggi-notizia/argomenti/cronaca-4/articolo/alluvione-dellottobre-2000-in-valle-daosta-il-ricordo-del-cpel.htmlhttps://sublimesites.co/wp-content/uploads/2018/03/aosta-2000-1.jpgAosta 2000 #1http://www.esa.int/spaceinimages/Images/2000/10/Floods_in_Aosta_valley2https://sublimesites.co/wp-content/uploads/2018/03/aosta-2000-2.jpgAosta 2000 #2http://news.bbc.co.uk/1/hi/world/europe/976171.stmhttps://sublimesites.co/wp-content/uploads/2018/03/avalanche-detail-1.jpgAvalanche detail #1J.M.W.Turner ‘Snow-storm, Avalanche and Inundation – a Scene in the Upper Part of Val d’Aouste’, exh RA 1837 Detail, lower right 2021-01-15T22:25:52+00:00monthlyhttps://sublimesites.co/2019/06/29/england-and-wales-revisited-34-alnwick-castle-northumberland/https://sublimesites.co/wp-content/uploads/2019/06/alnwick-percy-lion.jpgAlnwick Percy Lionhttps://sublimesites.co/wp-content/uploads/2019/06/alnwick-xxxiv-44-percy-lion-detail.jpgAlnwick XXXIV 44 Percy lion detailhttps://sublimesites.co/wp-content/uploads/2019/06/34-alnwick-detail-moon.jpg34 Alnwick detail moonhttps://sublimesites.co/wp-content/uploads/2019/06/alwick-moonlight-detail.jpgAlwick moonlight detailhttps://sublimesites.co/wp-content/uploads/2019/06/alnwick-from-bridge-23.46.jpgAlnwick from bridge 23.46Alnwick Castle: Moonlit reflections, 17 June 2019, 23.46 Photograph by David Hillhttps://sublimesites.co/wp-content/uploads/2019/06/alnwick-from-bridge-23.44.jpgAlnwick from bridge 23.44Alnwick Castle: Moon from bridge. 17 June 2019 23.44 Photograph by David Hillhttps://sublimesites.co/wp-content/uploads/2019/06/alnwick-moonrise-pp.jpgAlnwick Moonrise ppAnlwick after Turner, 17 June 2019, 23.36 Photograph by David Hill (final version)https://sublimesites.co/wp-content/uploads/2019/06/alnwick-moon-key-image.jpgAlnwick moon key imagehttps://sublimesites.co/wp-content/uploads/2019/06/alnwick-23.36.jpgAlnwick 23.36Alnwick, 17 June 2019, 23.36 Photograph by David Hillhttps://sublimesites.co/wp-content/uploads/2019/06/alnwick-22.55.jpgAlnwick 22.55Alnwick, 17 June 2019, 22.55 Photograph taken by David Hill2021-01-15T22:22:20+00:00monthlyhttps://sublimesites.co/2019/07/09/england-and-wales-revisited-35-holy-island-northumberland/https://sublimesites.co/wp-content/uploads/2019/07/35-holy-island-detail-steamboat-key-image.jpg35 Holy Island detail steamboat key imagehttps://sublimesites.co/wp-content/uploads/2019/07/35-holy-island-detail-children-left.jpg35 Holy island detail children lefthttps://sublimesites.co/wp-content/uploads/2019/07/35-holy-island-detail-steamboat.jpg35 Holy Island detail steamboathttps://sublimesites.co/wp-content/uploads/2019/07/holy-island-to-bamburgh.jpgHoly Island to BamburghBamburgh Castle from St Cuthbert's Isle Photograph taken by David Hill, 2 July 2019, 20.00 BSThttps://sublimesites.co/wp-content/uploads/2019/07/35-holy-island-detail-boats.jpg35 Holy Island detail boatshttps://sublimesites.co/wp-content/uploads/2019/07/35-holy-island-yale-detail-2.jpgB1977.14.13358rectohttps://sublimesites.co/wp-content/uploads/2019/07/35-holy-island-yale-detail-figures.jpgB1977.14.13358rectohttps://sublimesites.co/wp-content/uploads/2019/07/holy-island-va-pp.jpgHoly Island V&A ppJ.M.W.Turner Holy Island, Northumberland, 1829 Watercolour, 292 x 432 mm Victoria and Albert Museum, London Image courtesy of V&A, to view in Museum’s own online catalogue click here. http://collections.vam.ac.uk/item/O1028632/holy-island-northumberland-watercolour-turner-joseph-mallord/https://sublimesites.co/wp-content/uploads/2019/07/holy-island-xxxiv-51-pp.jpgHoly Island XXXIV 51 ppHoly Island, Northumberland, 1797 Pencil on paper, 210 x 270 mm A page from the ‘North of England’ sketchbook, Tate, London, Turner Bequest, TB XXXIV 51, Tate D00959 To see this in Tate’s online catalogue of the Turner Bequest click here, and use you browser’s back button to return to this page https://www.tate.org.uk/art/artworks/turner-holy-island-general-view-from-the-sea-d00959https://sublimesites.co/wp-content/uploads/2019/07/holy-island-pp.jpgHoly Island ppLindisfarne, Church, Priory, Coastguard Station and Castle from St Cuthbert's Isle Photograph taken by David Hill, 2 July 2019, 20.45 BST2021-01-15T22:18:10+00:00monthlyhttps://sublimesites.co/2020/10/28/byrons-europe-frontispiece-gibraltar/https://sublimesites.co/wp-content/uploads/2020/10/gibraltar-engraving-header.jpgGibraltar engraving headerhttps://sublimesites.co/wp-content/uploads/2020/10/gibraltar-engraving-wp.jpgGibraltar engraving wp2021-01-15T21:54:40+00:00monthlyhttps://sublimesites.co/2021/01/14/cotman-etchings/2021-01-14T17:34:10+00:00monthlyhttps://sublimesites.co/welcome/2021-01-14T17:09:43+00:00weekly0.6https://sublimesites.co/2020/08/06/a-twopeny-portfolio-1-cotman-kings-lynn/https://sublimesites.co/wp-content/uploads/2020/01/cotman-lynn-south-gate-new-header.jpgCotman Lynn South Gate new headerhttps://sublimesites.co/wp-content/uploads/2020/01/cotman-lynn-south-gate-detail.jpgCotman Lynn South Gate, detailhttps://sublimesites.co/wp-content/uploads/2020/01/cotman-south-gate-key-image.jpgCotman south gate key imagehttps://sublimesites.co/wp-content/uploads/2020/01/soth-gate-excursions-engraving.jpgSoth Gate Excursions engravingSource: Norfolk Museums onlinehttps://sublimesites.co/wp-content/uploads/2020/01/southgate.jpgsouthgatePostcard sent in 1906 Source: https://www.kingslynn-forums.co.uk/viewtopic.php?f=14&t=1821https://sublimesites.co/wp-content/uploads/2020/01/ge-kings-lynn-south-gate.jpgGE King's Lynn, South Gatehttps://sublimesites.co/wp-content/uploads/2020/01/ge-kings-lynn-south-gate-wider-view.jpgGE King's Lynn, South Gate wider viewhttps://sublimesites.co/wp-content/uploads/2020/01/cotman-kings-lynn-south-gate-ss.jpgCotman King's Lynn South Gate ssJohn Sell Cotman (1782-1842) The South Gate, King's Lynn, Norfolk, from the west, 1818 On the verso, a slight indication of pictures in frames? Pencil and sepia wash on heavyweight, stiff, textured, warm cream, wove paper, 208 x 175 mm, 8 3/16 x 6 15/16 ins Inscribed in pencil, lower right, by the artist, 'J S Cotman 1818' and on verso in pencil, 'South Gate Lynn/ Norfolk' 2021-01-14T15:27:02+00:00monthlyhttps://sublimesites.co/2020/12/19/byrons-europe-plate-11-mount-etna-sicily-italy/https://sublimesites.co/wp-content/uploads/2020/12/etna-header-wp.jpgEtna header wp2021-01-14T12:09:40+00:00monthlyhttps://sublimesites.co/2020/12/28/byrons-europe-plate-12-valletta-harbour-malta/https://sublimesites.co/wp-content/uploads/2020/12/malta-header-wp.jpgMalta header wp2021-09-07T19:31:19+00:00monthlyhttps://sublimesites.co/2020/12/12/byrons-europe-plate-9-cadiz-spain/https://sublimesites.co/wp-content/uploads/2020/12/cadiz-header-wp.jpgcadiz header 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header2020-12-22T11:14:44+00:00monthlyhttps://sublimesites.co/2020/10/25/byrons-europe-title-page-villeneuve-switzerland/https://sublimesites.co/wp-content/uploads/2020/10/1-title-stanfield-villeneuve-header-wp.jpg1 title Stanfield Villeneuve header wp2020-12-22T11:13:35+00:00monthlyhttps://sublimesites.co/2020/11/20/byrons-europe-plate-5-lisbon-from-near-almada-fort/https://sublimesites.co/wp-content/uploads/2020/11/039af-almadacastelovistatomadadespauloartegravura183000lisbonfromalmadadrawnltcolbattyengravwilliammillerc.jpgAlmada+Castelo+Vista+tomada+de+S+Paulo+Arte+Gravura+1830+00+Lisbon+from+Almada+Drawn+Lt+Col+Batty+Engrav+William+MillerChttps://sublimesites.co/wp-content/uploads/2020/11/stanfield-lisbon-almada-header.jpgStanfield Lisbon Almada header2020-12-17T11:56:12+00:00monthlyhttps://sublimesites.co/2020/11/30/byrons-europe-plate-6-sintra/https://sublimesites.co/wp-content/uploads/2020/11/f37f2-img_3255_001.jpgIMG_3255_001https://sublimesites.co/wp-content/uploads/2020/11/stanfield-sintra-header-wp.jpgStanfield Sintra header wp2020-12-17T11:17:22+00:00monthlyhttps://sublimesites.co/2020/12/04/byrons-europe-plate-7-mafra-portugal/https://sublimesites.co/wp-content/uploads/2020/12/007-mafra-header.jpg007 Mafra header2020-12-17T11:16:24+00:00monthlyhttps://sublimesites.co/2020/12/08/byrons-europe-plate-8-the-maid-of-zaragoza/https://sublimesites.co/wp-content/uploads/2020/12/008-maid-of-saragoza-wp-header-e1607295016708.jpg008 Maid of Saragoza wp header2020-12-17T11:15:37+00:00monthlyhttps://sublimesites.co/2020/11/16/byrons-europe-plate-4-belem-tower-lisbon/https://sublimesites.co/wp-content/uploads/2020/11/stanfield-belem-header-wp.jpgStanfield Belem header wp2020-12-11T15:31:53+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-update/https://sublimesites.co/wp-content/uploads/2020/02/portfolio-header.jpgPortfolio headerhttps://sublimesites.co/wp-content/uploads/2020/02/update-key-image.jpgUpdate key imagehttps://sublimesites.co/wp-content/uploads/2020/02/little-casterton-forestead-ss.jpgLittle Casterton Forestead sshttps://sublimesites.co/wp-content/uploads/2020/02/little-casterton-rectory-dh-ss.jpgLittle Casterton rectory DH ssOld Rectory, Little Casterton Photograph by David Hill, 6 February 20202020-10-24T14:00:09+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-3-david-twopeny-and-northborough-manor/https://sublimesites.co/wp-content/uploads/2020/01/northborough-new-header.jpgNorthborough new headerhttps://sublimesites.co/wp-content/uploads/2020/01/northborough-key-image.jpgNorthborough key imagehttps://sublimesites.co/wp-content/uploads/2020/01/northborough-chickens-detail.jpgNorthborough chickens detailhttps://sublimesites.co/wp-content/uploads/2020/01/northborough-detail-windows.jpgNorthborough detail windowshttps://sublimesites.co/wp-content/uploads/2020/01/northborough-initials-and-date.jpgNorthborough initials and datehttps://sublimesites.co/wp-content/uploads/2020/01/northborough-inscr-verso.jpgNorthborough inscr versohttps://sublimesites.co/wp-content/uploads/2020/01/northborough-manor-1.jpgNorthborough Manor #1https://sublimesites.co/wp-content/uploads/2020/01/northborough-manor-ss.jpgNorthborough Manor ss‘D.T.’, i.e. David [later Revd.] Twopeny (1803-1875) Northborough Manor, Northamptonshire, 1824 Pencil on heavyweight, dark cream, wove paper, 253 x 320 mm, 10 x 12 ½ ins Inscribed in pencil, lower right, by the artist, ‘D T 1824' with a more extensive inscription top right, deliberately erased and now illegible. Also inscribed on the verso in pencil in various hands ‘Norbury House, Lincolnshire [deleted] Northamptonshire/ Northborough House. [and ?possibly by the artist] ‘D Twopeny delt/ Mrs Claypole daughter of Oliver Cromwell/ resided here.’ Numbered ‘11)’ top left. 2020-10-24T13:47:57+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-4-david-twopeny-newarke-gate-leicester/https://sublimesites.co/wp-content/uploads/2020/01/newarke-gate-new-header.jpgNewarke Gate new headerhttps://sublimesites.co/wp-content/uploads/2020/01/cotman-st-m-kings-lynn-detail-2.jpgCotman St M Kings Lynn detail #2John Sell Cotman St Margaret’s Church, King’s Lynn, 1815 Etching (detail) Etched by Cotman for ‘Architectural Antiquites of Norfolk’, published complete 1818. Photograph: Professor David Hill https://sublimesites.co/wp-content/uploads/2020/01/newarke-key-image.jpgNewarke key imagehttps://sublimesites.co/wp-content/uploads/2020/01/newarke-gate-detail-palings.jpgNewarke Gate detail palingshttps://sublimesites.co/wp-content/uploads/2020/01/newarke-gate-detail-portals-ss.jpgNewarke gate detail portals sshttps://sublimesites.co/wp-content/uploads/2020/01/newarke-gate-detail-ss.jpgNewarke Gate detail sshttps://sublimesites.co/wp-content/uploads/2020/01/ge-newarke-gate.jpgGE Newarke Gatehttps://sublimesites.co/wp-content/uploads/2020/01/ge-leicester-centre.jpgGE Leicester Centrehttps://sublimesites.co/wp-content/uploads/2020/01/newarke-gate-1824-ss.jpgNewarke Gate 1824 ss‘D.T.’, i.e. David [later Revd.] Twopeny (1803-1875) The Newarke (or Magazine) Gate, Leicester, 1824 Pencil and grey wash on heavyweight, dark cream, wove paper, 263 x 340 mm, 10 3/8 x 13 3/8 ins Inscribed in pencil, lower right, by the artist, ‘D T 1824'. Also inscribed on the verso in pencil ‘Gateway in Leicester.’ Numbered ‘28)’ top left. 2020-10-24T12:53:19+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-5-the-old-bridge-oxford/https://sublimesites.co/wp-content/uploads/2020/01/folly-bridge-new-header-wp.jpgFolly Bridge new header wphttps://sublimesites.co/wp-content/uploads/2020/01/folly-bridge-key-image.jpgFolly Bridge key imagehttps://sublimesites.co/wp-content/uploads/2020/01/folly-bridge-detail-punt.jpgFolly Bridge detail punthttps://sublimesites.co/wp-content/uploads/2020/01/folly-bridge-detail-right.jpgFolly Bridge detail righthttps://sublimesites.co/wp-content/uploads/2020/01/folly-bridge-detail-left.jpgFolly Bridge detail lefthttps://sublimesites.co/wp-content/uploads/2020/01/storer-folley-bridge-1821.jpgStorer Folly Bridge 1821J Storer (after) Boat House, Oxford [i.e. Folly Bridge] 1821 Engraving Image courtesy of Rareoldprints.com see http://www.rareoldprints.com/printset/Lascelles%20Oxford%20Views?opendocument https://sublimesites.co/wp-content/uploads/2020/01/d00001_10.jpgFolly Bridge and Bacon's Tower, Oxford 1787 by Joseph Mallord William Turner 1775-1851Folly Bridge and Bacon's Tower, Oxford 1787 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D00001https://sublimesites.co/wp-content/uploads/2020/01/ge-oxford.jpgGE Oxfordhttps://sublimesites.co/wp-content/uploads/2020/01/ge-folly-bridge.jpgGE Folly Bridgehttps://sublimesites.co/wp-content/uploads/2020/01/folly-bridge-ss.jpgFolly Bridge ssDavid [later Revd.] Twopeny (1783-1876) The Old Bridge, Oxford, 1824 Pencil on two pieces of heavyweight, white, wove paper, overall 100 x 185 mm, joined approx. 83mm from left, mounted on softer, textured heavyweight white wove paper, irregular, approx. 197 x 275 mm. Dated in image, lower left, ‘1824’ and inscribed on verso of drawing, along top edge, ‘The Old Bridge, Oxford’. The mount embellished with a double framing line in pencil and Inscribed in pencil, lower left ‘The Old Bridge, Oxford’. The mount also numbered on the verso in pencil, top left, ’39)’. 2020-10-24T12:42:02+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-6-broughton-castle-oxfordshire-c-1827/https://sublimesites.co/wp-content/uploads/2020/01/broughton-new-header.jpgBroughton new headerhttps://sublimesites.co/wp-content/uploads/2020/01/ge-broughton-viewpoint-1.jpgGE Broughton viewpointhttps://sublimesites.co/wp-content/uploads/2020/01/broughton-key-image.jpgBroughton key imagehttps://sublimesites.co/wp-content/uploads/2020/01/broughton-detail-birds.jpgBroughton detail birdshttps://sublimesites.co/wp-content/uploads/2020/01/broughton-detail-figure-ss.jpgBroughton detail figure sshttps://sublimesites.co/wp-content/uploads/2020/01/broughton-detail-tree-ss.jpgBroughton detail tree sshttps://sublimesites.co/wp-content/uploads/2020/01/broghton-detail-of-archtecture-ss.jpgBroghton detail of archtecture sshttps://sublimesites.co/wp-content/uploads/2020/01/ge-broughton-map.jpgGE Broughton maphttps://sublimesites.co/wp-content/uploads/2020/01/broughton-from-air-2.jpgAerial view of Broughton Castle Broughton Castlehttps://sublimesites.co/wp-content/uploads/2020/01/broughton-from-air-1.jpgBroughton from air #12020-10-24T12:35:31+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-7-forestead-and-island-little-casterton/https://sublimesites.co/wp-content/uploads/2020/01/little-casterton-forestead-new-header.jpgLittle Casterton Forestead new headerhttps://sublimesites.co/wp-content/uploads/2020/01/ge-forestead-viewpoint.jpgGE Forestead viewpointhttps://sublimesites.co/wp-content/uploads/2020/01/os-little-casterton-1884-lettered.jpgOS Little Casterton 1884 letteredhttps://sublimesites.co/wp-content/uploads/2020/01/os-little-casterton-1884.jpgOS Little Casterton 1884Ordnance Survey, Little Casterton in 1884https://sublimesites.co/wp-content/uploads/2020/01/newarke-gate-detail-foliage.jpgNewarke Gate detail foliageNewarke Gate, 1824 detail (see part#4)https://sublimesites.co/wp-content/uploads/2020/01/little-casterton-forestead-detail-trees-ss.jpgLittle Casterton Forestead detail trees sshttps://sublimesites.co/wp-content/uploads/2020/01/william-twopeny-1825-detail-foliage-ss.jpgWilliam Twopeny 1825 detail foliage sshttps://sublimesites.co/wp-content/uploads/2020/01/william-twopeny-1825-ss.jpgWilliam Twopeny 1825 ssWilliam Twopeny (1797-1873) Bredgar Parsonage, Kent, 1825 Pencil and Wash British Museum, Londonhttps://sublimesites.co/wp-content/uploads/2020/01/ge-forestead.jpgGE foresteadhttps://sublimesites.co/wp-content/uploads/2020/01/little-casterton-forestead-detail-girls-ss.jpgLittle Casterton Forestead detail girls ss2020-10-24T12:29:00+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-8-from-the-drawing-room-at-woodstock/https://sublimesites.co/wp-content/uploads/2020/01/woodstock-drawing-room-new-header.jpgWoodstock drawing room new headerhttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-drawing-room-key-image.jpgWoodstock drawing room key imagehttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-drawing-room-detail-figures-ss.jpgWoodstock drawing room detail figures sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-drawing-room-detail-road-ss.jpgWoodstock drawing room detail road sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-drawing-room-detail-figures-on-road-ss.jpgWoodstock drawing room detail figures on road sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-1872.jpgWoodstock 1872Ordnance Survey, 1872https://sublimesites.co/wp-content/uploads/2020/01/ge-woodstock-detail.jpgGE Woodstock detailhttps://sublimesites.co/wp-content/uploads/2020/01/ge-woodstock-local.jpgGE Woodstock Localhttps://sublimesites.co/wp-content/uploads/2020/01/ge-woodstock-gen.jpgGE Woodstock genhttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-drawing-room-detail-ss.jpgWoodstock drawing room detail ss2020-10-24T12:19:56+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-9-woodstock-house-kent/https://sublimesites.co/wp-content/uploads/2020/01/woodstock-house-new-header.jpgWoodstock House new headerhttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-house-key-image.jpgWoodstock House key imagehttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-house-detail-of-trees.jpgWoodstock House detail of treeshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-house-detail-ss.jpgWoodstock House detail sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-house-detail-of-figures.jpgWoodstock House detail of figureshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-house-detail-of-house.jpgWoodstock House detail of househttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-house-photo-c.1900.jpgWoodstock House photo c.1900Original photograph supplied by Shell Energy to E Swain, 'William Twopeny in Kent' Winston Publications, 1986.https://sublimesites.co/wp-content/uploads/2020/01/woodstock-house.jpgWoodstock House? David [later Revd.] Twopeny (1803-1875) Woodstock House, near Sittingbourne, 1828 Pencil on medium-weight, cream, handmade, Whatman-type, rag, wove paper, watermarked ‘J BUDGEN/ 1822’, 165 x 253 mm. Inscribed with date in pencil, lower left edge by the artist, ‘July 16, 1828-‘. Subsequently stuck down on a backing sheet of softer, lower quality, handmade, off-white rag wove paper, watermarked ‘B.E. & S./ 1823’, 277 x 366 mm, with two pencil keylines and inscribed, lower left, with title ‘Woodstock, near Sittingbourne’. Numbered 4) on the verso. 2020-10-24T12:13:46+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-10-trees-in-woodstock-park-kent/https://sublimesites.co/wp-content/uploads/2020/01/woodstock-tree-new-header.jpgWoodstock tree new headerhttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-tree-study-detail-figures.jpgWoodstock Tree study detail figureshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-tree-study-key-image.jpgWoodstock tree study key imagehttps://sublimesites.co/wp-content/uploads/2020/01/woodstoc-tree-study-detail-sheep.jpgWoodstoc tree study detail sheephttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-tree-study-detail-centre-ss.jpgWoodstock Tree study detail centre sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-tree-study-detail-left-ss.jpgWoodstock Tree study detail left sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-tree-study-ss.jpgWoodstock Tree study ss? David [later Revd.] Twopeny (1803-1875) Tree study in the Park at Woodstock, near Sittingbourne, Kent, 1828 Pencil on medium-weight, off-white, handmade, Whatman-type, rag, wove paper, 165 x 257 mm. Inscribed with date in pencil, lower left edge by the artist, ‘July 16, 1828-‘. Subsequently stuck down on a backing sheet of softer, lower quality, handmade, off-white rag wove paper, 266 x 374 mm, with two pencil keylines and inscribed, lower left, with title ‘At Woodstock, nr. Sittingbourne, Kent’. Numbered ‘3)’ on the verso. 2020-10-24T11:34:03+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-11-in-woodstock-park-kent/https://sublimesites.co/wp-content/uploads/2020/01/woodstock-shepherd-new-header-wp.jpgWoodstock shepherd new header wphttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-shepherd-detail-number-ss.jpgWoodstock shepherd detail number sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-shepherd-key-image-ss.jpgWoodstock shepherd key image sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-shepherd-detail-ss.jpgWoodstock shepherd detail sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-shepherd-folded-ss.jpgWoodstock shepherd folded sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-shepherd-detail-mounting-ss.jpgWoodstock shepherd detail mounting sshttps://sublimesites.co/wp-content/uploads/2020/01/woodstock-shepherd-ss.jpgWoodstock shepherd ss? David [later Revd.] Twopeny (1803-1875) Shepherd in the Park at Woodstock, near Sittingbourne, Kent, 1828 Pencil on medium-weight, off-white, handmade, Whatman-type, rag, wove paper, watermarked ‘J BUDGEN/ 1824’ 173 x 419 [overall, the original sheet widened at the right with a 75mm strip] mm. Inscribed with date in pencil, lower right edge by the artist, ‘July 17, 1828-‘. Subsequently folded 133mm from right edge and stuck down on a backing sheet of softer, lower quality, handmade, off-white rag wove paper, 274 x 374 mm, with two pencil keylines and inscribed, lower left, with title ‘At Woodstock, nr. Sittingbourne’. Numbered ‘2)’ on the verso. 2020-10-24T11:24:20+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-12-portrait-of-john-hemsley-at-woodstock/https://sublimesites.co/wp-content/uploads/2020/01/hemsley-new-header-wp.jpgHemsley new header wphttps://sublimesites.co/wp-content/uploads/2020/01/hemsley-census-detail.jpgHemsley census detailhttps://sublimesites.co/wp-content/uploads/2020/01/hemsley-key-image.jpgHemsley key imagehttps://sublimesites.co/wp-content/uploads/2020/01/hemsley-detail-ss-1.jpgHemsley detail sshttps://sublimesites.co/wp-content/uploads/2020/01/hemsley-reading.jpgHemsley readinghttps://sublimesites.co/wp-content/uploads/2020/01/ge-brexon-cottages.jpgGE Brexon cottageshttps://sublimesites.co/wp-content/uploads/2020/01/ge-woodstock-and-brexon.jpgGE Woodstock and Brexonhttps://sublimesites.co/wp-content/uploads/2020/01/hemsley-1841-3.jpgHemsley 1841 #3https://sublimesites.co/wp-content/uploads/2020/01/hemsley-detail-ss.jpgHemsley detail sshttps://sublimesites.co/wp-content/uploads/2020/01/hemsley-inscription.jpgHemsley inscription2020-10-24T11:16:21+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-13-in-the-rectory-garden-little-casterton/https://sublimesites.co/wp-content/uploads/2020/02/rectory-header-wp.jpgRectory header wphttps://sublimesites.co/wp-content/uploads/2020/02/cdb03549.jpgcdb03549John Sell Cotman Study of trees; trunk dividing into narrower branches, some in leaf, c.1804 Pencil on cream paper, 350 x 256 mm The British Museum, London, 1902,0514.299 Image by courtesy of the Trustees of the British Museum See this image on British Museum website https://sublimesites.co/wp-content/uploads/2020/02/os-little-casterton-1884-lettered-2.jpgOS Little Casterton 1884 lettered #2https://sublimesites.co/wp-content/uploads/2020/02/caterton-tomb-dh-ss.jpgCaterton tomb DH ssTomb at Little Casterton. Photograph taken by David Hill, 6 February 2020.https://sublimesites.co/wp-content/uploads/2020/02/old-rectory-garden-key-image-ss.jpgOld Rectory Garden key image sshttps://sublimesites.co/wp-content/uploads/2020/02/old-rectory-garden-detail-figure-ss.jpgOld Rectory Garden detail figure sshttps://sublimesites.co/wp-content/uploads/2020/02/schoolhouse-dh-ss.jpgSchoolhouse DH sshttps://sublimesites.co/wp-content/uploads/2020/02/casterton-school-plaque-dh-ss.jpgCasterton School plaque DH sshttps://sublimesites.co/wp-content/uploads/2020/02/old-rectory-2-dh-ss.jpgOld Rectory #2 DH sshttps://sublimesites.co/wp-content/uploads/2020/02/rectory-garden-ss.jpgRectory Garden ss? David [later Revd.] Twopeny (1803-1875) In the garden, Little Casterton Rectory, Rutland, 1828 Pencil and grey wash with white bodycolour on medium-weight, buff, handmade, Whatman-type, rag, wove paper, 255 x 170 mm, mounted on a larger sheet of similar weight and type of paper, slightly lighter in tone, cut down irregularly to 276 x 180 mm with two pencil keylines [partly trimmed away] and inscribed, lower left, with title [partly trimmed at left ‘[In] the garden, Little Casterton Rectory, Rutland’ Inscribed by the artist with date in pencil, on drawing lower left, ‘June 2, 1828-‘, and on the verso along the top edge in pencil, ‘Little Casterton, Rutland’. 2020-10-24T10:57:23+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-14-tolethorpe-mill-near-little-casterton-1828/https://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-butterbur-header-wp.jpgTolethorpe butterbur header wphttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-upstream-new-header-wp.jpgTolethorpe upstream new header wphttps://sublimesites.co/wp-content/uploads/2020/02/os-tolethorpe-1884-lettered-1-1.jpgOS Tolethorpe 1884 lettered #1https://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-butterbur-key-image.jpgTolethorpe butterbur key imagehttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-butterbur.jpgTolethorpe butterburhttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-mill-upstream-detail-leaves-ss.jpgTolethorpe Mill upstream detail leaves sshttps://sublimesites.co/wp-content/uploads/2020/02/cotman-at-kirkham.jpgCotman At KirkhamJohn Sell Cotman Leaves by a Stream called 'At Kirkham', 1805 Pencil and watercolour on white wove paper, 257 x 436 mm Norwich Castle Museum, 131.235.951 Image courtesy of Norfolk Museums, as reproduced in D.Hill, Cotman in the North, 2005, pl.92https://sublimesites.co/wp-content/uploads/2020/02/leeag.1949.0009.0030.jpgLEEAG.1949.0009.0030John Sell Cotman Study of plants, c.1814 Pencil on white, wove paper, 92 x 138 mm Leeds Art Gallery, 1949.0009.0030 Image courtesy of Leeds Art Gallery. See this in ‘Cotmania’ the online catalogue of the Leeds Cotman collection here.https://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-mill-britton.jpgTolethorpe Mill Brittonhttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-mill-upstream-detail-mill-ss.jpgTolethorpe Mill upstream detail mill ss2020-10-24T10:15:07+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-15-tolethorpe-mill-near-little-casterton-c-1828/https://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-detail-header-wp.jpgTolethorpe detail header wphttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-sepia-detail-bridge.jpgTolethorpe sepia detail bridgehttps://sublimesites.co/wp-content/uploads/2020/02/st-initials.jpgST initialshttps://sublimesites.co/wp-content/uploads/2020/02/catharine-inscription.jpgCatharine inscriptionhttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-sepia-key-image.jpgTolethorpe sepia key imagehttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-sepia-detail-figures-close.jpgTolethorpe sepia detail figures closehttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-sepia-detail-figures.jpgTolethorpe sepia detail figureshttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-mill-downstream-verso.jpgTolethorpe Mill downstream versohttps://sublimesites.co/wp-content/uploads/2020/02/rochester-castle.jpgRochester Castlehttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-mill-downstream.jpgTolethorpe Mill downstreamTolethorpe Mill, Rutlandshire Photograph by David Hill, 6 February 2020 2020-10-23T21:42:21+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-16-little-casterton-church-rutlandshire/https://sublimesites.co/wp-content/uploads/2020/02/little-casterton-church-header-wp.jpgLittle casterton church header wphttps://sublimesites.co/wp-content/uploads/2020/02/ge-little-casterton-viewpoints.jpgGE Little Casterton viewpointshttps://sublimesites.co/wp-content/uploads/2020/02/little-casterton-church-key-image.jpgLittle Casterton Church key imagehttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-mill-upstream-detail-tree.jpgTolethorpe Mill upstream detail treeTolethorpe Mill (part #14) detailhttps://sublimesites.co/wp-content/uploads/2020/02/little-casterton-church-drawing-ss-detail-church.jpgLittle Casterton Church drawing ss detail churchhttps://sublimesites.co/wp-content/uploads/2020/02/little-casterton-church-drawing-ss-detail-trees.jpgLittle Casterton Church drawing ss detail treeshttps://sublimesites.co/wp-content/uploads/2020/02/tolethorpe-mill-sepia-detail-of-riverbank.jpgTolethorpe Mill sepia detail of riverbankhttps://sublimesites.co/wp-content/uploads/2020/02/little-casterton-church-drawing-ss-detail-riverside.jpgLittle Casterton Church drawing ss detail riversidehttps://sublimesites.co/wp-content/uploads/2020/02/little-casterton-church-4.jpgLittle Casterton Church #4Little Casterton Church Photograph by Professor David Hill, 6 February 2020 https://sublimesites.co/wp-content/uploads/2020/02/little-casterton-church-3.jpgLittle Casterton Church #3Little Casterton Church Photograph by Professor David Hill, 6 February 2020 2020-10-23T21:28:45+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-17-interior-of-little-casterton-church-rutlandshire/https://sublimesites.co/wp-content/uploads/2020/03/casterton-church-interior-header-wp.jpgCasterton church interior header wphttps://sublimesites.co/wp-content/uploads/2020/03/large_gbad1169.jpglarge_gbad1169Miles Edmund Cotman Interior of Attleborough Church, 1838 Pencil and watercolour on paper, 144 x 209 mm Norwich Castle Museum, NWHCM : 1951.235.702.B10 https://sublimesites.co/wp-content/uploads/2020/03/ba-obj-8334-0001-pub-large.jpgB1975.2.510John Sell Cotman, 1782–1842, British, Norwich Cathedral: Interior of the North Aisle of the Choir, Looking East, 1829, Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper, Yale Center for British Art, Paul Mellon Collection, B1975.2.510 https://sublimesites.co/wp-content/uploads/2020/03/cdb00657.jpgcdb00657John Sell Cotman Interior of Trentham Church, Staffordshire, 1806 Graphite and watercolour on buff, laid paper, 545 x 410 mm, 21 7/16 x 16 1/8 ins Norwich Castle Museum, NWHCM : 1947.217.133 https://sublimesites.co/wp-content/uploads/2020/03/little-casterton-watercolour-key-image.jpgLittle Casterton watercolour key imagehttps://sublimesites.co/wp-content/uploads/2020/03/casterton-church-interior.jpgCasterton church interiorhttps://sublimesites.co/wp-content/uploads/2020/03/little-casterton-watercolour-detail-couple-close.jpgLittle Casterton watercolour detail couple closehttps://sublimesites.co/wp-content/uploads/2020/03/little-casterton-watercolour-detail-preacher.jpgLittle Casterton watercolour detail preacherhttps://sublimesites.co/wp-content/uploads/2020/03/little-casterton-watercolour-detail-countess-1.jpgLittle Casterton watercolour detail countesshttps://sublimesites.co/wp-content/uploads/2020/03/little-casterton-church-interior-brass.jpgLittle Casterton Church interior brassPhotograph taken by Professor David Hill, 6 February 20202020-10-23T17:27:00+00:00monthlyhttps://sublimesites.co/2020/10/21/byron-and-the-idea-of-europe-1/https://sublimesites.co/wp-content/uploads/2020/10/byron-murray.jpgByron Murrayhttps://sublimesites.co/wp-content/uploads/2020/10/finden-header-wp-e1603280732823.jpgFinden header wp2020-10-22T17:07:55+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-18-a-mountain-seen-over-a-loch-with-travellers-on-the-road-scotland/https://sublimesites.co/wp-content/uploads/2020/03/scotland-new-header-wp.jpgScotland new header wphttps://sublimesites.co/wp-content/uploads/2020/03/ge-ben-venue-venachar.jpgGE Ben Venue 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detail boat closehttps://sublimesites.co/wp-content/uploads/2020/03/beaumaris-detail-boat.jpgBeaumaris detail boathttps://sublimesites.co/wp-content/uploads/2020/03/beaumaris-detail-pier.jpgBeaumaris detail pierhttps://sublimesites.co/wp-content/uploads/2020/03/beaumaris-detial-fishing-boat.jpgBeaumaris detial fishing boat2020-10-22T14:49:23+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-20-founders-tomb-navenby-church-lincolnshire-1823/https://sublimesites.co/wp-content/uploads/2020/08/navenby-new-header-wp.jpgNavenby new header wphttps://sublimesites.co/wp-content/uploads/2020/03/navenby-tomb-central-spandrels.jpgNavenby tomb central spandrelshttps://sublimesites.co/wp-content/uploads/2020/03/navenby-tomb-key-image.jpgNavenby Tomb key imagehttps://sublimesites.co/wp-content/uploads/2020/03/navenby-tomb-nun.jpgNavenby Tomb nunhttps://sublimesites.co/wp-content/uploads/2020/03/cotman-north-creake-cardiograph.jpgCotman north creake cardiographCotman detailhttps://sublimesites.co/wp-content/uploads/2020/03/navenby-detail.jpgNavenby detailTwopeny detailhttps://sublimesites.co/wp-content/uploads/2020/03/cdb00392.jpgcdb00392https://sublimesites.co/wp-content/uploads/2020/03/navenby-tomb-gen-detail.jpgNavenby tomb gen detailhttps://sublimesites.co/wp-content/uploads/2020/03/cotman-creake-dh-ss.jpgCotman Creake DH ss John Sell Cotman Ancient Monument in North Creake Church, Norfolk, c.1817 Line etching, image 265 x 223 mm, on plate 302 x 230 mm Private collection Photograph taken by David Hill https://sublimesites.co/wp-content/uploads/2020/03/navenby-tomb-initials-and-date.jpgNavenby Tomb initials and date2020-10-22T11:30:29+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-24-a-bouquet-of-flowers-hand-painted-on-silk-1770s/https://sublimesites.co/wp-content/uploads/2020/06/silk-new-header-wp.jpgSilk new header wphttps://sublimesites.co/wp-content/uploads/2020/06/silk-detail-worm-hole.jpgSilk detail worm 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imagehttps://sublimesites.co/wp-content/uploads/2020/04/peppermint-carnation-flower.jpgPeppermint-Carnation-flowerhttps://sublimesites.co/wp-content/uploads/2020/04/flower-1-detail.jpgFlower #1 detailhttps://sublimesites.co/wp-content/uploads/2020/04/ann-barrow-watercolour.jpgAnn Barrow watercolourSutherlandia frutescens, 2 species of Wurmbea, Hermannia pinnata and a small Senecio, c. 1800, pencil and watercolour Source: https://en.wikipedia.org/wiki/Anna_Maria_Truter#/media/File:Anna_Maria_Truter00.JPGhttps://sublimesites.co/wp-content/uploads/2020/04/screen-shot-white-carnation-with-red-stripes.jpgScreen shot white carnation with red stripeshttps://sublimesites.co/wp-content/uploads/2020/04/wellcome-carnation.jpgWellcome carnationCredit: Striped red carnation (Dianthus species): flowering stem. Watercolour. Credit: Wellcome Collection. Attribution 4.0 International (CC BY 4.0)https://sublimesites.co/wp-content/uploads/2020/04/oosterwijck-mauritshaus.jpgOosterwijck MauritshausMauritshaus, The Hague2020-10-22T09:28:04+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-a-cumbrian-connection/https://sublimesites.co/wp-content/uploads/2020/04/parkin-portfolio-header.jpgParkin portfolio headerhttps://sublimesites.co/wp-content/uploads/2020/04/parkin-key-image.jpgParkin key imagehttps://sublimesites.co/wp-content/uploads/2020/04/gaskell-book.jpgGaskell Bookhttps://sublimesites.co/wp-content/uploads/2020/04/gaskell-envelope-stamp.jpgGaskell envelope stamphttps://sublimesites.co/wp-content/uploads/2020/04/gaskell-envelope.jpgGaskell envelopehttps://sublimesites.co/wp-content/uploads/2020/04/porter-address.jpgPorter addresshttps://sublimesites.co/wp-content/uploads/2020/04/porter-envelope.jpgPorter envelopehttps://sublimesites.co/wp-content/uploads/2020/04/broadside-ballad.jpgBroadside Balladhttps://sublimesites.co/wp-content/uploads/2020/04/ballad-detail.jpgBallad detailhttps://sublimesites.co/wp-content/uploads/2020/04/ballad-release-2.jpgBallad release #22020-10-22T09:27:13+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-21-summit-of-the-rock-of-gibraltar-c-1883/https://sublimesites.co/wp-content/uploads/2020/03/gibraltar-header-wp.jpgGibraltar header wphttps://sublimesites.co/wp-content/uploads/2020/03/vgibraltar-key-image.jpgVGibraltar key imagehttps://sublimesites.co/wp-content/uploads/2020/03/portfolio-cover-with-label.jpgPortfolio cover with labelhttps://sublimesites.co/wp-content/uploads/2020/03/gibraltar-verso.jpgGibraltar versohttps://sublimesites.co/wp-content/uploads/2020/03/gibraltar-mounted-ss.jpgGibraltar mounted sshttps://sublimesites.co/wp-content/uploads/2020/03/gibraltar-mounted-page.jpgGibraltar mounted pagehttps://sublimesites.co/wp-content/uploads/2020/03/gibraltar-hansvandervliet.jpgGibraltar Hansvandervliethttps://sublimesites.co/wp-content/uploads/2020/03/gibraltar-detail-inscription.jpgGibraltar detail inscriptionhttps://sublimesites.co/wp-content/uploads/2020/03/gibraltar-full-frame-ss.jpgGibraltar full frame ssEdward Maxwell Twopeny (1860-1898) Gibraltar: Summit of the Rock from the top of Charles V’s Wall, c.1883? Watercolour on medium-weight, white, watercolour paper, 184 x 245 mm, as bought stuck down on thick brown card and sealed under gilt mat, overall 330 x 402 mm Inscribed in watercolour, lower left ‘GIB. from top of Wall/ 4.14. EMT’. Inscribed in pencil on backboard sealing sheet; ‘3442 (9)’ 2020-10-22T09:25:54+00:00monthlyhttps://sublimesites.co/2020/08/06/a-twopeny-portfolio-23-a-bouquet-of-four-flowers-c-1820/https://sublimesites.co/wp-content/uploads/2020/05/bouquet-detail-new-header.jpgBouquet detail new headerhttps://sublimesites.co/wp-content/uploads/2020/05/bouquet-key-image.jpgBouquet key imagehttps://sublimesites.co/wp-content/uploads/2020/05/bouquet-verso-inscription.jpgBouquet verso inscriptionhttps://sublimesites.co/wp-content/uploads/2020/05/bbouquet-detail-edges.jpgBBouquet detail edgeshttps://sublimesites.co/wp-content/uploads/2020/05/rose-detail-bud.jpgRose detail budhttps://sublimesites.co/wp-content/uploads/2020/05/bouquest-detail-leaves.jpgBouquest detail leaveshttps://sublimesites.co/wp-content/uploads/2020/05/bouquet-detail-tulip-close.jpgBouquet detail tulip closehttps://sublimesites.co/wp-content/uploads/2020/05/bouquet-detail-rose-closoe-up.jpgBouquet detail rose closoe uphttps://sublimesites.co/wp-content/uploads/2020/05/bouquet-detail-morning-glory-close.jpgBouquet detail morning glory closehttps://sublimesites.co/wp-content/uploads/2020/05/bouquet-detail-cistus-centre.jpgBouquet detail cistus centre2020-10-21T20:24:32+00:00monthlyhttps://sublimesites.co/2020/05/04/aiguilles-of-mont-blanc-a-rediscovered-watercolour-by-john-ruskin/https://sublimesites.co/wp-content/uploads/2020/05/ruskin-1842-les-houches-key-image.jpgE0936E0936https://sublimesites.co/wp-content/uploads/2020/05/ruskin-aiguilles-1842-detail-middle-dist.jpgE0936https://sublimesites.co/wp-content/uploads/2020/05/ruskin-1842-les-houches-detail-aiguilles.jpgE0936E0936https://sublimesites.co/wp-content/uploads/2020/05/rdb0186.jpgrdb0186https://sublimesites.co/wp-content/uploads/2020/05/rdb0173.jpgrdb0173https://sublimesites.co/wp-content/uploads/2020/05/rdb0201.jpgrdb0201https://sublimesites.co/wp-content/uploads/2020/05/rdb0700.jpgrdb0700https://sublimesites.co/wp-content/uploads/2020/05/rdb0025.jpgrdb0025https://sublimesites.co/wp-content/uploads/2020/05/rdb0463.jpgrdb0463https://sublimesites.co/wp-content/uploads/2020/05/rdb0699.jpgrdb06992020-12-28T11:41:59+00:00monthlyhttps://sublimesites.co/2019/10/06/update-another-constable-summerland-proof/https://sublimesites.co/wp-content/uploads/2019/10/met-33.25.9-detail-of-ploughteam.jpg33.25.9http://www.metmuseum.org/art/collection/search/359910https://sublimesites.co/wp-content/uploads/2019/10/halls-2019-detail-horse-and-ploughman.jpgHalls 2019 detail horse and ploughmanHalls 2019 Summerland - detail of plough teamhttps://sublimesites.co/wp-content/uploads/2019/10/halls-2019-inside-of-backboard.jpgHalls 2019 inside of backboardhttps://sublimesites.co/wp-content/uploads/2019/10/halls-2019-sothebys-label.jpgHalls 2019 Sotheby's labelhttps://sublimesites.co/wp-content/uploads/2019/10/halls-2019-leggats-label.jpgHalls 2019 Leggats labelhttps://sublimesites.co/wp-content/uploads/2019/10/halls-2019-backboard.jpgHalls 2019 backboardhttps://sublimesites.co/wp-content/uploads/2019/10/halls-2019-framed.jpgHalls 2019 framed2019-10-06T11:13:51+00:00monthlyhttps://sublimesites.co/2019/10/04/further-constable-summerland-proofs-2/https://sublimesites.co/wp-content/uploads/2019/08/dawe-bees-wing-1824.jpgDawe Bees Wing 1824Henry Dawe after Michael William Sharpe The Bee’s Wing, 1824 Mezzotint, 261 x 211 mm, published 1 June 1824 Image courtesy of the Wellcome Collection A man sits by a table and examines a full glass of wine that he holds to the light. Mezzotint by H. Dawe, c. 1824, after M. W. Sharp. Credit: Wellcome Collection. CC BY https://sublimesites.co/wp-content/uploads/2019/08/11a-dh-summerland-proof-july-2019.jpg11a DH Summerland proof July 2019David Lucas after John Constable, The Summerland, 1829 Mezzotint, printed in black ink on heavyweight, stiff, off-white [oatmeal], textured, wove rag paper Image, 150 x 226 mm, on plate 175 x 251, on sheet cut to 215 x 290 mm Inscribed in plate, lower right [indistinct] '1829 D Lucas', and inscribed in graphite top right ‘3’, in centre of lower margin, partly trimmed, ‘7’, and on verso, towards right, ‘1141’.2019-10-06T10:28:01+00:00monthlyhttps://sublimesites.co/2018/10/24/john-constable-david-lucas-and-a-summerland-part-3-the-progress-proofs-e-h/https://sublimesites.co/wp-content/uploads/2018/10/16a-dh-proof-09.19.jpg16a DH proof 09.19David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Halls auctioneers, Shrewsbury, 18 September 2019, lot 42https://sublimesites.co/wp-content/uploads/2018/10/16-fitzwilliam-p141.1954.jpg16 Fitzwilliam P141.1954David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Fitzwilliam Museum, Cambridge, P.141.1954 Image taken by David Hill and reproduced by courtesy of the Fitzwilliam Museum https://sublimesites.co/wp-content/uploads/2018/10/met-1986-1180-1930.jpgMet 1986.1180.1930David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Metropolitan Museum of Art, New York (1986.1180.1930) Image courtesy of the Metropolitan Museum of Art. https://sublimesites.co/wp-content/uploads/2018/10/met-43-75-16.jpgMet 43.75.16 David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Metropolitan Museum of Art, New York (43.75.16) Image courtesy of the Metropolitan Museum of Art. https://sublimesites.co/wp-content/uploads/2018/10/382147001-bmh.jpg382147001 BMh David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 British Museum, London (1842,1210.103) Image courtesy of the British Museum and ©Trustees of the British Museum https://sublimesites.co/wp-content/uploads/2018/10/met-33-25-9.jpgMet 33.25.9 David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Metropolitan Museum of Art, New York (33.25.9) Image courtesy of the Metropolitan Museum of Art. https://sublimesites.co/wp-content/uploads/2018/10/met-25-51-15.jpgMet 25.51.15 David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Metropolitan Museum of Art, New York (25.51.15) Image courtesy of the Metropolitan Museum of Art. https://sublimesites.co/wp-content/uploads/2018/10/bme-detail-of-scratch-at-lower-right-edge.jpgBMe detail of scratch at lower right edge [British Museum 1846,0130.15 Detail of scratch, near lower right edge] https://sublimesites.co/wp-content/uploads/2018/10/bme-detail-of-eroded-margins-top-right.jpgBMe detail of eroded margins top right British Museum 1846,0130.15 Detail of right margin https://sublimesites.co/wp-content/uploads/2018/10/868953001-bme.jpg868953001 BMe David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 British Museum, London, (1846,0130.15) Image courtesy of the British Museum and ©Trustees of the British Museum 2019-10-04T20:49:42+00:00monthlyhttps://sublimesites.co/2018/10/22/john-constable-david-lucas-and-a-summerland-part-3-the-progress-proofs-d/https://sublimesites.co/wp-content/uploads/2018/10/07-fitzwilliam-p1383-r.jpg07 Fitzwilliam P1383-RDavid Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Fitzwilliam Museum, Cambridge, P1383-R, Image taken by David Hill, and reproduced by courtesy of the Fitzwilliam Museumhttps://sublimesites.co/wp-content/uploads/2018/10/13-fitzwilliam-p1384-r.jpg13 Fitzwilliam P1384-RDavid Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Fitwiliiam Museum, Cambridge, P1384-R, Image taken by David Hill, and reproduced by courtesy of the Fitzwilliam Museumhttps://sublimesites.co/wp-content/uploads/2018/10/12-fitzwilliam-p140.1954-1.jpg12 Fitzwilliam P140.1954David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Fitwiliiam Museum, Cambridge, P140.1954, Image taken by David Hill, and reproduced by courtesy of the Fitzwilliam Museumhttps://sublimesites.co/wp-content/uploads/2018/10/12-fitzwilliam-p140.1954.jpg12 Fitzwilliam P140.1954David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Victoria & Albert Museum, London, 818.2016 Image courtesy of Victoria and Albert Museumhttps://sublimesites.co/wp-content/uploads/2018/10/11-fitzwilliam-p139.1954.jpg11 Fitzwilliam P139.1954David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Fitwiliiam Museum, Cambridge, P139.154, Image taken by David Hill, and reproduced by courtesy of the Fitzwilliam Museum.https://sublimesites.co/wp-content/uploads/2018/10/dh-summerland-2019-verso.jpgDH Summerland 2019 versoVerso of Impression of 'The Summerland' sold Chiswick Auctions, London, 27 June 2019, lot 372 With part of Henry Dawe's mezzotint after Michael William Sharpe (1777-1840) entitled ‘The Bee’s Wing’, published 1 June 1824https://sublimesites.co/wp-content/uploads/2018/10/11a-summerland-proof-july-2019.jpg11a Summerland proof July 2019David Lucas after John Constable, The Summerland, 1829 Mezzotint, printed in black ink on heavyweight, stiff, off-white [oatmeal], textured, wove rag paper Image, 150 x 226 mm, on plate 175 x 251, on sheet cut to 215 x 290 mm Inscribed in plate, lower right [indistinct] '1829 D Lucas', and inscribed in graphite top right ‘3’, in centre of lower margin, partly trimmed, ‘7’, and on verso, towards right, ‘1141’.https://sublimesites.co/wp-content/uploads/2018/10/bme-detail-of-slipped-stroke-left.jpgBMe detail of slipped stroke leftBritish Museum 1846,0130.15 Detail of slipped stroke below left horizon; first visible in Fitzwilliam Museum P1384-Rhttps://sublimesites.co/wp-content/uploads/2018/10/met-40-9-5-detail-of-plough-team.jpg40.9.5Metropolitan Museum 40.9.5 Detail of plough team https://sublimesites.co/wp-content/uploads/2018/10/met-40-9-6.jpgMet 40.9.6David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Metropolitan Museum of Art, New York (40.9.5) Image courtesy of the Metropolitan Museum of Art. 2019-08-05T10:56:27+00:00monthlyhttps://sublimesites.co/2019/07/11/update-further-constable-summerland-proofs/https://sublimesites.co/wp-content/uploads/2019/07/chiswick-proof-3.jpgChiswick proof #3David Lucas after John Constable, Willy Lott’s House, 1829 (1845) Mezzotint, printed in black ink on textured, off-white, laid rag paper watermarked ‘F . D’ Image, 172 x 157 mm (to keyline), on plate 253 x 186, on sheet 413 x 305 (max) Inscribed in ink lower right ‘l/A.C’, and in ink on verso ‘L.C./not/A.C [within brackets]. Chiswick Auctions, London, 27 June 2019, lot 372 https://sublimesites.co/wp-content/uploads/2019/07/chiswick-proof-2.jpgChiswick proof #2David Lucas after John Constable, A Summerland, (1829) 1855 Mezzotint, printed in black ink on smooth-surfaced, light card Image, 150 x 226 mm, on plate 178 x 252, on sheet 300 x 441 mm Inscribed in graphite in centre of lower margin, ‘(1)’ and on verso, towards right, ‘276/56’; ‘K/-/-‘. Chiswick Auctions, London, 27 June 2019, lot 372 2019-07-11T13:01:44+00:00monthlyhttps://sublimesites.co/2018/10/17/john-constable-david-lucas-and-a-summerland-part-2-the-progress-proofs-a-c/https://sublimesites.co/wp-content/uploads/2018/10/fitzwilliam-shirley-120-detail.jpgFitzwilliam Shirley 120 detailJohn Constable autograph inscription of ‘Summerland’ Fitzwilliam letter 7 October 1832 (Shirley 120; Beckett pp. 382-3). Photograph by David Hill, reproduced by courtesy of the Fitzwilliam Museum https://sublimesites.co/wp-content/uploads/2018/10/fitzwilliam-shirley-23-detail.jpgFitzwilliam Shirley 23 detailJohn Constable autograph inscription of ‘Summerland’ Fitzwilliam letters of ?summer 1830 (Shirley number 23; Beckett p.334) Photograph by David Hill, reproduced by courtesy of the Fitwilliam Museum https://sublimesites.co/wp-content/uploads/2018/10/04-fitzwilliam-p1382-r.jpg04 Fitzwilliam P1382-RDavid Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Fitzwilliam Museum, Cambridge, P1382-R Image taken by David Hill, and reproduced by courtesy of the Fitzwilliam Museum https://sublimesites.co/wp-content/uploads/2018/10/03-fitzwilliam-p138.1954.jpg03 Fitzwilliam P138.1954David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Fitzwilliam Museum, Cambridge, P138.1954 Image taken by David Hill, and reproduced by courtesy of the Fitzwilliam Museum https://sublimesites.co/wp-content/uploads/2018/10/02-fitzwilliam-p1381r.jpg02 Fitzwilliam P1381RDavid Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Fitzwilliam Museum, Cambridge, P1381-R, Image taken by David Hill, and reproduced by courtesy of the Fitzwilliam Museum https://sublimesites.co/wp-content/uploads/2018/10/dh-summerland-detail-spots-left.jpgDH Summerland detail spots leftNewly-discovered proof, 2018 Detail of left side and margin showing brown spots.https://sublimesites.co/wp-content/uploads/2018/10/va-e822-2016-detail-of-spots-left.jpgVA E822.2016 detail of spots leftV&A 822.2016 Detail of left side and margin showing brown spots.https://sublimesites.co/wp-content/uploads/2018/10/summerland-c-va-e822-2016.jpgSummerland c VA E822.2016David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Victoria & Albert Museum, London, 822.2016 Image courtesy of Victoria and Albert Museum https://sublimesites.co/wp-content/uploads/2018/10/summerland-c-va-e821-2016.jpgSummerland c VA E821.2016David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Victoria & Albert Museum, London, 821.2016 Image courtesy of Victoria and Albert Museum https://sublimesites.co/wp-content/uploads/2018/10/met-39-68-13.jpgMet 39.68.13David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper Image, 150 x 224 mm, on plate 177 x 251 Metropolitan Museum of Art, New York (39.68.13) Image courtesy of the Metropolitan Museum of Art. 2019-07-11T09:12:44+00:00monthlyhttps://sublimesites.co/2019/02/26/rembrandt-saskia-and-me-8/https://sublimesites.co/wp-content/uploads/2019/02/dh-rembrandt-saskia-detail-of-bounding-line.jpgDH Rembrandt Saskia detail of bounding lineSelf Portrait with Saskia: Detail of bounding linehttps://sublimesites.co/wp-content/uploads/2019/02/fries-museum-mirror.jpgFries Museum mirrorhttps://sublimesites.co/wp-content/uploads/2019/02/fries-mirror-label.jpgFries Mirror labelhttps://sublimesites.co/wp-content/uploads/2019/02/dh-rembrandt-saskia-detail-key-image.jpgDH Rembrandt Saskia detail key imagehttps://sublimesites.co/wp-content/uploads/2019/02/dh-rembrandt-saskia-detail-rembrandt-face.jpgDH Rembrandt Saskia detail Rembrandt facehttps://sublimesites.co/wp-content/uploads/2019/02/dh-rembrandt-saskia-detail-saskia.jpgDH Rembrandt Saskia detail saskiahttps://sublimesites.co/wp-content/uploads/2019/02/morgan-sylvius-ss.jpgMorgan Sylvius SSRembrandt van Rijn Portrait of Johannes Sylvius, 1633 Etching on paper, 166 x 141 mm Morgan Library, New York, RvR 357 Image courtesy of the Morgan Library To see the image in the Morgan Library online catalogue click on the following link, and use your browser’s ‘back’ button to return to this page: https://www.themorgan.org/rembrandt/print/179837 https://sublimesites.co/wp-content/uploads/2019/02/dh-rembrandt-saskia-date.jpgDH Rembrandt Saskia date2019-02-27T21:55:15+00:00monthlyhttps://sublimesites.co/2019/02/24/rembrandt-saskia-and-me-7/https://sublimesites.co/wp-content/uploads/2019/02/rembrandt_-_rembrandt_and_saskia_in_the_scene_of_the_prodigal_son_-_google_art_project.jpgRembrandt_-_Rembrandt_and_Saskia_in_the_Scene_of_the_Prodigal_Son_-_Google_Art_ProjectRembrandt van Rijn Self Portrait with Saskia, c.1635 Oil on canvas, 161 x 131 cm Dresden Gemalgalerie https://sublimesites.co/wp-content/uploads/2019/02/dresden-prodigal-key-image-7.jpgDresden prodigal key image #7https://sublimesites.co/wp-content/uploads/2019/02/de-jaren-cafe-amsterdam-2018.jpgDe Jaren cafe Amsterdam 2018https://sublimesites.co/wp-content/uploads/2019/02/dolenstraat-2018.jpgDolenstraat 2018https://sublimesites.co/wp-content/uploads/2019/02/ge-rembrandts-houses.jpgGE Rembrandts houses2019-02-27T21:51:20+00:00monthlyhttps://sublimesites.co/2019/02/11/rembrandt-saskia-and-me-6/https://sublimesites.co/wp-content/uploads/2019/02/leeuwarded-saskia-and-rembrandt.jpgLeeuwarded Saskia and Rembrandthttps://sublimesites.co/wp-content/uploads/2019/02/rijksmuseum-saskia.jpgRijksmuseum SaskiaRembrandt van Rijn Young Woman in Fantasy Costume, 1633 oil on panel, h 65 cm × w 48 cm Rijksmuseum, Ammsterdam, SK-A-4057 Image courtesy of Rijksmuseum, cf; https://www.rijksmuseum.nl/en/search/objects?q=rembrandt+saskia&s=artist&p=3&ps=12&st=Objects&ii=9#/SK-A-4057,33 https://sublimesites.co/wp-content/uploads/2019/02/sint-annoparochie-edit-ss.jpgSint Annoparochie-Edit SShttps://sublimesites.co/wp-content/uploads/2019/02/berlin-saskia-detail.jpgBerlin Saskia detailhttps://sublimesites.co/wp-content/uploads/2019/02/broos-consent-ss.jpgBroos consent SShttps://sublimesites.co/wp-content/uploads/2019/02/broos-consent-ss-detail.jpgBroos consent SS detailhttps://sublimesites.co/wp-content/uploads/2019/02/fries-exhibition-rembrants-mother.jpgFries exhibition Rembrants motherhttps://sublimesites.co/wp-content/uploads/2019/02/fries-bridal-crown.jpgFries Bridal crownhttps://sublimesites.co/wp-content/uploads/2019/02/fries-betrothal-locket.jpgFries Betrothal Lockethttps://sublimesites.co/wp-content/uploads/2019/02/fries-museum.jpgFries Museum2023-02-06T12:53:57+00:00monthlyhttps://sublimesites.co/2019/02/08/rembrandt-saskia-and-me-4/https://sublimesites.co/wp-content/uploads/2019/02/ossekop-plaque.jpgOssekop Plaquehttps://sublimesites.co/wp-content/uploads/2019/02/flink-saskia-detail.jpgFlink Saskia detailGovert Flink (attrib) Portrait of Saskia (detail) Photograph by David Hill, courtesy of the Fries Museumhttps://sublimesites.co/wp-content/uploads/2019/02/leeuwarden-town-hall.jpgLeeuwarden Town HallThe Town Hall, Leeuwaden Photograph by David Hill, January 2019 Rather later than e building that Saskia's father would have known, but still suggestive of the grandness of his office as Mayor.https://sublimesites.co/wp-content/uploads/2019/02/leeuwarden-weigh-house-ss.jpgLeeuwarden Weigh House SSThe Weigh House, Leeuwarden Photograph by David Hill, August 2018https://sublimesites.co/wp-content/uploads/2019/02/leeuwarden-1603-map-detail-of-saskia-house.jpgLeeuwarden 1603 map detail of Saskia houseLeeuwarden map, 1603 Detail of Saskia's house, 11 Ossekop (no.20)https://sublimesites.co/wp-content/uploads/2019/02/leeuwarden-1603-map-ss.jpgLeeuwarden 1603 map SSMap of Leeuwarden in 1603 Image courtesy of the Fries Museum https://sublimesites.co/wp-content/uploads/2019/02/leeuwarden-houose-plaque.jpgLeeuwarden houose plaquehttps://sublimesites.co/wp-content/uploads/2019/02/leeuwarden-house.jpgLeeuwarden househttps://sublimesites.co/wp-content/uploads/2019/02/flink-saskia-ss.jpgFlink Saskia ssGovert Flink (attrib.) Portrait of Saskia Uylenburgh, Signed and dated ‘Rembrandt 1633’ Oil on canvas, Collection: The Fries Museum, Leeuwarden Photograph by David Hill, courtesy of the Fries Museum.2019-02-27T21:47:01+00:00monthlyhttps://sublimesites.co/2019/02/05/rembrandt-saskia-and-me-3/https://sublimesites.co/wp-content/uploads/2019/02/sint-a-doorway-key-image.jpgSint A doorway key imagehttps://sublimesites.co/wp-content/uploads/2019/02/sint-a-church-door.jpgSint A church doorhttps://sublimesites.co/wp-content/uploads/2019/02/sint-a-shop-ss.jpgSint A shop sshttps://sublimesites.co/wp-content/uploads/2019/02/sint-a-regthuis-wcl.jpgSint A Regthuis wclJ Gardenier Visscher The village of Sint Annaparochie in Het Bilt Pen and ink on paper Collection Fries Museum Photo: David Hill, courtesy of Fries Museum https://sublimesites.co/wp-content/uploads/2019/02/sint-a-regthuis-wcl-det.jpgSint A Regthuis wcl dethttps://sublimesites.co/wp-content/uploads/2019/02/ge-rembrandts-places-1.jpgGE Rembrandt's places #1https://sublimesites.co/wp-content/uploads/2019/02/sint-annparochie-street-ss.jpgSint Annparochie street SShttps://sublimesites.co/wp-content/uploads/2019/02/saskia-2019-brochure-cover.jpgSaskia 2019 brochure coverhttps://sublimesites.co/wp-content/uploads/2019/02/saskia-400-brochure-cover.jpgSaskia 400 brochure coverhttps://sublimesites.co/wp-content/uploads/2019/02/saskia-400-brochure-cover-2.jpgSaskia 400 brochure cover #22019-02-27T21:45:52+00:00monthlyhttps://sublimesites.co/2019/02/03/rembrandt-saskia-and-me-2/https://sublimesites.co/wp-content/uploads/2019/02/scratches-on-rembrandts-chin-detail.jpgScratches on Rembrandts chin detailHorizontal scratches on Rembrandt's chinhttps://sublimesites.co/wp-content/uploads/2019/02/scratch-through-hand-detail.jpgScratch through hand detailVertical scratch through Rembrandt's handhttps://sublimesites.co/wp-content/uploads/2019/02/scratch-on-saskias-breast.jpgScratch on Saskia's breastHorizontal scratch across Saskia's breasthttps://sublimesites.co/wp-content/uploads/2019/02/foul-biting-detail.jpgFoul biting detailhttps://sublimesites.co/wp-content/uploads/2019/02/hind-144-edit.jpgHind 144 edithttps://sublimesites.co/wp-content/uploads/2019/02/mount-open.jpgMount openhttps://sublimesites.co/wp-content/uploads/2019/02/mount-open-inscr.jpgMount open inscrhttps://sublimesites.co/wp-content/uploads/2019/02/mount-inscriptions-2.jpgMount inscriptions #2https://sublimesites.co/wp-content/uploads/2019/02/mount-inscriptions-1.jpgMount inscriptions #1https://sublimesites.co/wp-content/uploads/2019/02/stuffing-5.jpgStuffing #52019-02-27T21:42:21+00:00monthlyhttps://sublimesites.co/2019/02/10/rembrandt-saskia-and-me-5/https://sublimesites.co/wp-content/uploads/2019/02/morgan-library-self-portrait-1631-key-image.jpgMorgan Library Self Portrait 1631 key imagehttps://sublimesites.co/wp-content/uploads/2019/02/rembrandts-neighbourhood-1.jpgRembrandts neighbourhood* The Uylenburgh House, Rembrandt lives here from late 1631/early 1632. In 1639 he bought the house next door - now the Rembrandt House Museum.https://sublimesites.co/wp-content/uploads/2019/02/aeltje_uylenburgh_by_rembrandt.jpgAeltje Uylenburgh, by RembrandtPortrait of Aeltje Uylenburgh Rembrandt Harmensz. van Rijn (Dutch, 1606–1669) 1632 Oil on panel * Rose-Marie and Eijk van Otterloo Collection * Reproduced with permission. * Courtesy Museum of Fine Arts, Bostonhttps://sublimesites.co/wp-content/uploads/2019/02/schama-rembrandt_0001.jpgSchama Rembrandt_0001https://sublimesites.co/wp-content/uploads/2019/02/morgan-library-self-portrait-1631.jpgMorgan Library Self Portrait 1631Rembrandt van Rijn Self Portrait in a Soft Hat and a Patterened Cloak, 1631 Etching, 148 x 130 mm The Morgan Library & Museum, New York RvR 8 Image courtesy of the Morgan Libraryhttps://sublimesites.co/wp-content/uploads/2019/02/rembrandts-neighbourhood.jpgRembrandts neighbourhoodhttps://sublimesites.co/wp-content/uploads/2019/02/map_amsterdam-1649-map-with-rembrandts-neighbourhood.jpgMap_Amsterdam 1649 map with Rembrandt's neighbourhoodhttps://sublimesites.co/wp-content/uploads/2019/02/ge-rembrants-house.jpgGE Rembrant's House2019-02-26T14:51:15+00:00monthlyhttps://sublimesites.co/2019/02/01/rembrandt-saskia-and-me-1/https://sublimesites.co/wp-content/uploads/2019/02/dh-rembrandt-saskia-ss.jpgDH Rembrandt Saskia SSSelf Portrait with Saskia, 1636 Line etching, image 104 x 92 mm (slightly irregular) on plate 105 x 96 mm (irreg), printed on white laid paper 107 x 97 mm (irreg), no watermark Bought from Hanson's Auctioneers of Etwall, Derbyshire, at their sale of 29 June 2017 where lot 636 as 'Rembrandt Harmenszoon van Rijn (1606-1669), Self Portrait with Saskia (B.19), etching, 10.5cm x 9.5cm, framed'. Collection Professor David Hillhttps://sublimesites.co/wp-content/uploads/2019/02/saskia-fries-key-image.jpgSaskia Fries key imagehttps://sublimesites.co/wp-content/uploads/2019/02/fries-museum-entrance.jpgFries Museum entrance2019-02-08T21:11:20+00:00monthlyhttps://sublimesites.co/2019/01/23/update-new-constable-summerland-proof-identified/https://sublimesites.co/wp-content/uploads/2019/01/summerland-priv-coll-2019-detail.jpgsummerland priv coll 2019 detailhttps://sublimesites.co/wp-content/uploads/2019/01/08a-priv-coll-2019.jpg08a priv coll 2019https://sublimesites.co/wp-content/uploads/2019/01/summerland-priv-coll-2019.jpgsummerland priv coll 2019David Lucas after John Constable A Summerland, 1829 Mezzotint, printed in black ink on paper, touched with graphite and white chalk or watercolour Image, 150 x 224 mm, on plate 177 x 251 Private Collection, UK2019-01-24T13:04:49+00:00monthlyhttps://sublimesites.co/2018/12/06/ruskin-drawings-at-kings-college-cambridge-4-the-mer-de-glace-from-the-montanvers-hotel-above-chamonix/https://sublimesites.co/wp-content/uploads/2018/12/key-image-montanvers.jpgKey image montanvershttps://sublimesites.co/wp-content/uploads/2018/12/mer-de-glace-ice-level-today.jpgMer de Glace ice level todayhttps://sublimesites.co/wp-content/uploads/2018/12/lancaster-mer-de-glace-ice-level.jpgLancaster Mer de Glace ice levelhttps://sublimesites.co/wp-content/uploads/2018/12/kings-mer-de-glace-ice-level-ss.jpgKing's Mer de Glace ice level SShttps://sublimesites.co/wp-content/uploads/2018/12/mer-de-glace-key-image.jpgMer de Glace key imagehttps://sublimesites.co/wp-content/uploads/2018/12/lancaster-mer-de-glace.jpgLancaster Mer de Glacehttps://sublimesites.co/wp-content/uploads/2018/12/kings-mer-de-glace-detail.jpgKings Mer de Glace detailhttps://sublimesites.co/wp-content/uploads/2018/12/mer-de-glace-daguerreotype.jpgMer de Glace Daguerreotypehttps://sublimesites.co/wp-content/uploads/2018/12/jacobson-book-ss.jpgJacobson book SShttps://sublimesites.co/wp-content/uploads/2018/12/bobbs-diary-gentian.jpgBobbs Diary gentian2018-12-07T09:10:09+00:00monthlyhttps://sublimesites.co/2018/11/22/john-constable-david-lucas-and-a-summerland-part-5-the-subject-and-its-development/https://sublimesites.co/wp-content/uploads/2018/11/key-image-map.jpgKey image Maphttps://sublimesites.co/wp-content/uploads/2018/11/ge-east-bergholt-with-site-of-house.jpgGE East Bergholt with site of houseSite of Constable’s Home at East Bergholt Google Streetview image The plaque is on the railings to the right https://sublimesites.co/wp-content/uploads/2018/11/constable-country-ss.jpgConstable Country SShttps://sublimesites.co/wp-content/uploads/2018/11/constable-country_0002.jpgConstable Country_0002The viewpoint of Constable’s Dedham Vale: Morning, with comparative photograph. From Alastair Smart and Attfield Brooks, ‘Constable and his Country’ 1976, p.28 The very same tree! How good is that?! https://sublimesites.co/wp-content/uploads/2018/11/constable-country_0003.jpgConstable Country_0003Map of Constable’s sites in the Stour Valley around East Bergholt From Alastair Smart and Attfield Brooks, ‘Constable and his Country’ 1976, p.30 https://sublimesites.co/wp-content/uploads/2018/11/enclosure-map-ss.jpgEnclosure map SSEast Bergholt Enclosure Award Map, 1817 Detail of East Bergholt village and Flatford Lane Showing Constable’s viewpoint in ‘The Summerland’ Suffolk Record Office, County Hall, Ipswich, 150/1/4 (2)https://sublimesites.co/wp-content/uploads/2018/11/ge-summerland-view1.jpgGE Summerland viewhttps://sublimesites.co/wp-content/uploads/2018/11/2-ploughing-scene-1814-reynolds-ss.jpg2 Ploughing Scene 1814 Reynolds SSJohn Constable Landscape: Ploughing scene in Suffolk (A Summerland), 1814 Oil on canvas, 19 7/8 x 30 1/8 in, 505 x 765 mm Private Collection Post-restoration Image scanned from G Reynolds, The Early Paintings and Drawings of John Constable, 1996, pl.1095 https://sublimesites.co/wp-content/uploads/2018/11/3-ploughing-scene-1825-yale.jpgB1977.14.41John Constable Ploughing Scene in Suffolk (A Summerland), 1824 to 1825 Oil on canvas, 16 3/4 x 30 inches (42.5 x 76.2 cm) Frame: 25 × 37 3/4 inches (63.5 × 95.9 cm) Yale Center for British Art, New Haven, USA, Paul Mellon Collection, B1977.14.41 Image courtesy of Yale Center for British Art https://sublimesites.co/wp-content/uploads/2018/11/1-ploughing-scene-1814-rosenthal.jpg1 Ploughing Scene 1814 RosenthalJohn Constable Landscape: Ploughing scene in Suffolk (A Summerland), 1814 Oil on canvas, 19 7/8 x 30 1/8 in, 505 x 765 mm Private Collection Pre-restoration Image scanned from D Hill, ‘Constable’s English Landscape Scenery’, 1984, pl.15] 2018-11-22T18:16:31+00:00monthlyhttps://sublimesites.co/2018/10/14/john-constable-david-lucas-and-a-summerland-part-1/https://sublimesites.co/wp-content/uploads/2018/10/tailpiece.jpgTailpiecehttps://sublimesites.co/wp-content/uploads/2018/10/reynolds-catalogue-1962.jpgReynolds catalogue 1962Alan Reynolds exhibition catalogue 1962https://sublimesites.co/wp-content/uploads/2018/10/savage-fine-art.jpgSavage Fine Arthttps://sublimesites.co/wp-content/uploads/2018/10/summerland-dh-title-inscription.jpgSummerland DH title inscriptionhttps://sublimesites.co/wp-content/uploads/2018/10/summerland-sh-signature.jpgSummerland SH signaturehttps://sublimesites.co/wp-content/uploads/2018/10/summerland-dh-detail-of-sky.jpgSummerland DH detail of skyhttps://sublimesites.co/wp-content/uploads/2018/10/beckett-1829-letter.jpgBeckett 1829 letterhttps://sublimesites.co/wp-content/uploads/2018/10/beckett-tp.jpgBeckett tphttps://sublimesites.co/wp-content/uploads/2018/10/beckett-summerland-letter.jpgBeckett summerland letterhttps://sublimesites.co/wp-content/uploads/2018/10/beckett-spine.jpgBeckett spine2021-05-22T11:01:58+00:00monthlyhttps://sublimesites.co/2018/04/10/john-sell-cotman-shelter-from-the-storm-part-5/https://sublimesites.co/wp-content/uploads/2018/04/greta-woods-cotmania-page1.jpgGreta Woods Cotmania pagehttps://sublimesites.co/wp-content/uploads/2018/04/hordartza-key-image.jpgHordartza Key imagehttps://sublimesites.co/wp-content/uploads/2018/04/hondartza-catalogue-2.jpgHondartza catalogue #2https://sublimesites.co/wp-content/uploads/2018/04/greta-wood-photo.jpgGreta Wood photoGreta Woods, Rokeby Park Photograph taken by David Hill, 5 May 2008, 14.30https://sublimesites.co/wp-content/uploads/2018/04/leeds-greta-woods.jpgLeeds Greta WoodsJohn Sell Cotman Greta Woods, 1805 Leeds Art Gallery https://cotmania.org/works-of-art/262523 https://sublimesites.co/wp-content/uploads/2018/04/hondartza-cotmania-2.jpgHondartza Cotmania #2https://sublimesites.co/wp-content/uploads/2018/04/hondartza-cotmania-1.jpgHondartza Cotmania #1https://sublimesites.co/wp-content/uploads/2018/04/hordartza-greta.jpgHordartza Greta2018-04-13T22:52:14+00:00monthlyhttps://sublimesites.co/2018/04/11/john-sell-cotman-shelter-from-the-storm-part-6/https://sublimesites.co/wp-content/uploads/2018/04/storm-7.jpgStorm #7https://sublimesites.co/wp-content/uploads/2018/04/storm-4.jpgStorm #4https://sublimesites.co/wp-content/uploads/2018/04/storm-3.jpgStorm #3https://sublimesites.co/wp-content/uploads/2018/04/storm-key-image.jpgStorm key imagehttps://sublimesites.co/wp-content/uploads/2018/04/storm-6.jpgStorm #6https://sublimesites.co/wp-content/uploads/2018/04/storm-5.jpgStorm #5https://sublimesites.co/wp-content/uploads/2018/04/storm-1.jpgStorm #1https://sublimesites.co/wp-content/uploads/2018/04/storm-2.jpgStorm #2https://sublimesites.co/wp-content/uploads/2018/04/storm-gen.jpgStorm Gen2018-04-11T16:01:17+00:00monthlyhttps://sublimesites.co/2018/04/09/john-sell-cotman-shelter-from-the-storm-part-3/https://sublimesites.co/wp-content/uploads/2018/04/part-3-key-image.jpgPart 3 key imagehttps://sublimesites.co/wp-content/uploads/2018/04/modernity-4.jpgModernity #4https://sublimesites.co/wp-content/uploads/2018/04/modernity-3.jpgModernity #3https://sublimesites.co/wp-content/uploads/2018/04/modernity-2.jpgModernity #2https://sublimesites.co/wp-content/uploads/2018/04/modernity-11.jpgModernity #1https://sublimesites.co/wp-content/uploads/2018/04/lyons-hanging-11.jpgLyons hanging #1https://sublimesites.co/wp-content/uploads/2018/04/large-lyons-11.jpgLarge Lyons #1https://sublimesites.co/wp-content/uploads/2018/04/installation-1.jpgInstallation #1https://sublimesites.co/wp-content/uploads/2018/04/modernity-1.jpgModernity #1https://sublimesites.co/wp-content/uploads/2018/04/lyons-hanging-1.jpgLyons hanging #12018-04-11T12:26:19+00:00monthlyhttps://sublimesites.co/2018/04/10/john-sell-cotman-shelter-from-the-storm-part-4/https://sublimesites.co/wp-content/uploads/2018/04/shelter-key-image.jpgShelter Key imagehttps://sublimesites.co/wp-content/uploads/2018/04/shelter-4.jpgShelter #4https://sublimesites.co/wp-content/uploads/2018/04/shelter-3.jpgShelter #3https://sublimesites.co/wp-content/uploads/2018/04/shelter-2.jpgShelter #2https://sublimesites.co/wp-content/uploads/2018/04/shelter-1.jpgShelter #1https://sublimesites.co/wp-content/uploads/2018/04/shelter-intro.jpgShelter intro2018-04-11T12:24:37+00:00monthlyhttps://sublimesites.co/2018/04/07/john-sell-cotman-shelter-from-the-storm-part2/https://sublimesites.co/wp-content/uploads/2018/04/small-lyons-visitor.jpgSmall lyons - visitorhttps://sublimesites.co/wp-content/uploads/2018/04/solander-boxes.jpgSolander boxeshttps://sublimesites.co/wp-content/uploads/2018/04/solander-box-open.jpgSolander box openhttps://sublimesites.co/wp-content/uploads/2018/04/solander-box-9.jpgSolander box 9https://sublimesites.co/wp-content/uploads/2018/04/sketches-close-up-key-image.jpgSketches close up key imagehttps://sublimesites.co/wp-content/uploads/2018/04/hondartza-placing-animation.jpgHondartza placing animationhttps://sublimesites.co/wp-content/uploads/2018/04/hondartza-animation-tree.jpgHondartza animation treehttps://sublimesites.co/wp-content/uploads/2018/04/hondartza-animation-boat.jpgHondartza animation boathttps://sublimesites.co/wp-content/uploads/2018/04/hondartza-catalogue-ss.jpgHondartza catalogue SShttps://sublimesites.co/wp-content/uploads/2018/04/2017-exhibition-sketches-2-ss.jpg2017 exhibition sketches #2 ss2018-04-10T16:08:19+00:00monthlyhttps://sublimesites.co/2018/04/04/john-sell-cotman-shelter-from-the-storm-part1/https://sublimesites.co/wp-content/uploads/2018/04/kitson-cover-blasted-oak-key-image.jpgKitson cover blasted oak key imagehttps://sublimesites.co/wp-content/uploads/2018/04/ploughed-field-ss.jpgPloughed Field SSJohn Sell Cotman The Ploughed Field, 1805c Leeds Art Gallery Full details: https://cotmania.org/works-of-art/41889 ‘It represents the complete antithesis to the strident, clamouring competition that for the most part was art in exhibition in the early nineteenth century: So antithetical, in fact as to exceed all context for its age, and it continues to challenge expectations in a visual environment that has taken a taste for the histrionic to hyperbolic levels.’ https://sublimesites.co/wp-content/uploads/2018/04/barnard-castle-ss.jpgBarnard Castle SSJohn Sell Cotman Barnard Castle from Towler Hill, 1805 Leeds Art Gallery Full details: https://cotmania.org/works-of-art/42701 Sydney Kitson bought this in 1932, pretty much at the height of the Great Slump. https://sublimesites.co/wp-content/uploads/2018/04/cotmania-filter-images.jpgCotmania filter imageshttps://sublimesites.co/wp-content/uploads/2018/04/cotmania-home-page.jpgCotmania home pagehttps://sublimesites.co/wp-content/uploads/2018/04/cotmania-spine-ss.jpgCotmania spine sshttps://sublimesites.co/wp-content/uploads/2018/04/shelter-promo.jpgShelter promohttps://sublimesites.co/wp-content/uploads/2018/04/kitson-cover-blasted-oak.jpgKitson cover blasted oakhttps://sublimesites.co/wp-content/uploads/2018/04/blasted-oak-sketch.jpgBlasted oak sketchhttps://cotmania.org/works-of-art/43820https://sublimesites.co/wp-content/uploads/2018/04/kiitson-cover-normandy-girl.jpgKiitson cover Normandy girl2018-04-05T20:15:12+00:00monthlyhttps://sublimesites.co/2016/05/16/the-bretton-hall-marbles-1-the-ashtray-and-the-million-pound-plant-pot/https://sublimesites.co/wp-content/uploads/2016/05/bretton-puteal-flowers-key-image.jpgBretton puteal flowers Key imagehttps://sublimesites.co/wp-content/uploads/2016/05/bretton-puteal-flowers-detail-edit-ss.jpgBretton puteal flowers detail edit SShttps://sublimesites.co/wp-content/uploads/2016/05/altar-at-michael-eastham-studio-1995-edit-ss.jpgAltar at Michael Eastham studio 1995 edit SSAltar from Delos In the studio, newly cleaned and conserved Photograph by David Hill, November 1995https://sublimesites.co/wp-content/uploads/2016/05/bretton-puteal-with-michael-eastham-1995-edit-ss.jpgBretton puteal with Michael Eastham 1995 edit SSThe Corinth Puteal With Michael Eastham in the studio, newly cleaned and conserved. Photograph by David Hill, November 1995https://sublimesites.co/wp-content/uploads/2016/05/bretton-puteal-upright-flowers-edit.jpgBretton Puteal upright flowers editThe Corinth Puteal at Bretton Hall Summer service as a plant pot. Photograph by David Hill, taken summer 1993.https://sublimesites.co/wp-content/uploads/2016/05/bretton-puteal-martini-edit-ss.jpgBretton puteal Martini edit SSThe Corinth Puteal at Bretton Hall Winter service as a litter bin Photograph by David Hill, taken winter 1993-4https://sublimesites.co/wp-content/uploads/2016/05/altar-from-photo-detail-top-ss.jpgAltar from photo detail top SSAltar from Delos (detail of top surface) Photograph by David Hill, taken at Bretton Hall, July 1993https://sublimesites.co/wp-content/uploads/2016/05/altar-from-photo-edit-ss.jpgAltar from photo edit SSAltar from Delos Ancient Greek carved altar, made on the island of Delos, recognised at Bretton Hall, Yorkshire, 1991 Photograph by David Hill, taken July 1993https://sublimesites.co/wp-content/uploads/2016/05/christies-sale-2002-ss.jpgChristie's sale 2002 SSScreen-shot, The Bretton Hall Delian Altar at Christie’s, South Kensington, Antiquities Sale, 15 May 2002, lot 418, est £30-50,000, and sold for £56,400. To see the article in Christie’s own website click on the following link, and use your browser’s ‘back’ button to return to this page: http://www.christies.com/lotfinder/lot/a-hellenistic-marble-altar-from-delos-circa-3911944-details.aspx?intobjectid=3911944https://sublimesites.co/wp-content/uploads/2016/05/2001-reportage_0001.jpg2001 reportage_0001THES: The Times Higher Education Supplement, 7 December 2001 Article by Alison Utley, reporting the discovery and impending sale of the Bretton Marbles.2022-06-17T10:24:23+00:00monthlyhttps://sublimesites.co/2015/03/04/john-atkinson-grimshaw-the-fields-of-headingley/https://sublimesites.co/wp-content/uploads/2015/03/grimshaw-terraces-detail1.jpgGrimshaw Terraces detailJohn Atkinson Grimshaw Leeds from Woodhouse Ridge, 1868 (detail of Terraces beyond Grove Lane) Leeds City Art Gallery Photograph courtesy of Leeds City Art Gallery. Marked with identifiable developments. There is considerable room for further research here; especially to establish a detailed chronology of development in this area, and the original names of properties, occupiers, builders etc. Click on image to enlargehttps://sublimesites.co/wp-content/uploads/2015/03/woodhouse-ridge.jpgWoodhouse RidgeWoodhouse Ridge Photograph by David Hill, taken 3 February 2015, 15.44 Click on image to enlarge. https://sublimesites.co/wp-content/uploads/2015/03/woodhouse-ridge-signboard.jpgWoodhouse Ridge signboardWoodhouse Ridge History Board Photograph by David Hill taken 3 February 2015, 11.01 Click on image to enlarge https://sublimesites.co/wp-content/uploads/2015/03/woodhouse-ridge-postcard.jpgWoodhouse ridge postcardOld postcard of Woodhouse Ridge (From Woodhouse Ridge History Board) Click on image to enlarge https://sublimesites.co/wp-content/uploads/2015/03/monet-poppies-1873-detail.jpgMonet poppies 1873 detailClaude Monet Wild Poppies near Argenteuil, 1873 (detail of woman and child, foreground right) Musee d’Orsay, Paris https://sublimesites.co/wp-content/uploads/2015/03/grove-lane-sign-ss.jpgGrove lane sign SSGrove Avenue, Headingley Photograph by David Hill taken 6 February 2015, 14.51. Click on image to enlarge https://sublimesites.co/wp-content/uploads/2015/03/grimshaw-leeds-st-chads-1868-figures.jpgGrimshaw, Leeds St Chad's 1868 FIGURESJohn Atkinson Grimshaw Leeds from Woodhouse Ridge, 1868 (detail of women and children, foreground left) Leeds City Art Gallery Photograph courtesy of Leeds City Art Gallery. https://sublimesites.co/wp-content/uploads/2015/03/grimshaw-leeds-st-chads-1868-detail-theodosia.jpgGrimshaw, Leeds St Chad's 1868 detail Theodosiahttps://sublimesites.co/wp-content/uploads/2015/03/grimshaw-leeds-st-chads-1868-detail-paths.jpgGrimshaw, Leeds St Chad's 1868 detail pathsJohn Atkinson Grimshaw Leeds from Woodhouse Ridge, 1868 (detail of paths to the right) Leeds City Art Gallery Photograph courtesy of Leeds City Art Gallery. https://sublimesites.co/wp-content/uploads/2015/03/30-grove-road1.jpg30 Grove Road30/28 Grove Road Photograph by David Hill taken 10 February 2015, 16.05. I have managed to establish very little about this splendidly gabled pair of semi-detached houses. No.28 named ‘Rupert Lodge’ on its gatepost is now Treetops Nursery, no.30 named ‘Milton Lodge’ is a private house. The building is clearly identifiable in Grimshaw’s watercolour, with its paired gables facing north, south east and west. Grimshaw’s angle of view is from the south east, with no.28 in front. This photograph is taken from the opposite angle with no.30 in front, to give the corresponding aspect of a symmetrical building. There is an almost identical pair of houses immediately to the north-east, with its gateways around the corner in Monk Bridge Road. Click on image to enlarge. 2024-11-30T16:59:07+00:00monthlyhttps://sublimesites.co/2014/03/15/ruskin-drawings-at-kings-college-cambridge-2-window-in-the-ca-foscari-venice-2/https://sublimesites.co/wp-content/uploads/2014/03/rdb0649-detail-of-geometric-construction.jpgrdb0649 detail of geometric constructionWindow in the Ca' Foscari, 1845 Detail of the geometric construction Photograph: David Hill By courtesy of the Master of King's College, Cambridge2018-04-01T16:25:31+00:00monthlyhttps://sublimesites.co/contact-me/2023-03-01T18:14:02+00:00weekly0.6https://sublimesites.co/2014/09/29/in-ruskins-footsteps-at-bellinzona/https://sublimesites.co/wp-content/uploads/2014/07/dscn3322.jpgDSCN3322Bellinzona: The Castel Grande from Daro Photograph by David Hill, 1 November 2012, 14.06 https://sublimesites.co/wp-content/uploads/2014/07/bellinzona-from-daro-cropped.jpgBellinzona from Daro croppedhttps://sublimesites.co/wp-content/uploads/2014/07/rdb0814.jpgrdb0814John Ruskin Bellinzona: the Church of San Giovanni, from Daro, 1858. Pen and ink and wash, 5 1/2 x 8 1/2 ins, 135 x 220 mm. Pprivate Collection, sold Christie's 8 June 1999 no.172 Image from Christie's website: follow link for full Christie's catalogue:http://www.christies.com/lotfinder/lot_details.aspx?intObjectID=1472395 https://sublimesites.co/wp-content/uploads/2014/07/rsukin-bellinzona-christies.jpgRsukin Bellinzona Christie'sJohn Ruskin The Church of San Quirico at Daro above Bellinzona, Switzerland, looking north towards the St Gotthard Pass. Called Cure's Garden at Bellinzona, 1858 Pencil, watercolour and bodycolour on light blue tinted paper, 20 1/2 x 14 ins, 520 x 355 mm Private Collection, sold Christie's 20 November 2003, no.49, £274,050 Although this fetched a world record price for Ruskin when sold at Christie’s in 2003, the exact subject is here identified for the first time. Ruskin was fascinated by the Curia’s garden below the church, and cared for it during the hot weather. Photograph courtesy of Christie’s. To view this image on Christie’s online catalogue click on the following link, then use your browser’s ‘back’ button to return to this page: http://www.christies.com/lotfinder/drawings-watercolors/john-ruskin-hrws-bellinzona-switzerland-looking-north-4189089-details.aspx?intObjectID=4189089 https://sublimesites.co/wp-content/uploads/2014/07/rdb0495.jpgrdb0495John Ruskin Bellinzona: The Castel Grande from Daro, 1858 Watercolour 5¾ x 8¼ ins , 146 x 210 mm Present collection unknown. Image scanned from the Library Edition of The Works of John Ruskin (1903-12) Vol.7, pl.C. Please contact me if you know the current whereabouts https://sublimesites.co/wp-content/uploads/2014/07/dscn3449-edit.jpgDSCN3449-EditThe Church of San Quirico above Bellinzona, looking north towards the St Gotthard Pass Photograph by David Hill, 2 November 2012, 15.36 When I took this photograph the effect was almost identical to that recorded by Ruskin, even including similar clouds on the distant hills. I was most surprised to see that the Curia’s garden had survived much as Ruskin had drawn it. It looked, I have to say, rather forgotten. It would perhaps be good for it to be maintained as Ruskin would have liked. https://sublimesites.co/wp-content/uploads/2014/07/rdb0494.jpgrdb0494John Ruskin Bellinzona: The Castel Grande from Daro, 1858 Watercolour 5¾ x 8¼ ins , 146 x 210 mm Present collection unknown. Image scanned from the Library Edition of The Works of John Ruskin (1903-12) Vol.7, pl.C. Please contact me if you know the current whereabouts https://sublimesites.co/wp-content/uploads/2014/07/bellinzona-from-san-quirico-panorama.jpgBellinzona from San Quirico panoramaBellinzona from the Church of San Quirico at Daro Photograph by David Hill, 1 November 2012, 14.21 Ruskin appears to have been working on the complete panorama of Bellinzona, as seen from the terrace of San Quirico. https://sublimesites.co/wp-content/uploads/2014/07/bellinzona-from-daro.jpgBellinzona from DaroAt San Quirico, I November 2012 Photograph by David Hill2018-03-17T22:48:46+00:00monthlyhttps://sublimesites.co/2014/03/02/ruskin-drawings-at-kings-college-cambridge-1-isolino-di-san-giovanni-from-lago-maggiore-evening-2/https://sublimesites.co/wp-content/uploads/2014/03/1996p1675-david-hill.jpg1996P1675 DAVID HILLJohn Ruskin Visp in the Valais, Switzerland, 1844 Pencil and watercolour, 327 x 465 mm Recording the view from the bridge over the river Visp with the Town Hall and St Martin’s convent to the left, and the valley towards Zermatt to the right. Ruskin Library, University of Lancaster RF870 (verso) Hitherto known as ‘Mountains and Lake, Baveno’ this can here be more specifically identified as the view over Isola Madre from above Baveno near the Parrocchia di Campino, and more-or-less continuing the drawing on the recto (above) to the right. Courtesy of the Ruskin Library, University of Lancaster. https://sublimesites.co/wp-content/uploads/2014/03/1996p0870-baveno-david-hill.jpg1996P0870 Baveno DAVID HILLJohn Ruskin From above Baveno, looking north west to Monte Orfano, and the entrance to the Domodossola valley leading to the Simplon Pass, 1845 Pencil, ink and watercolour on grey paper, 162 x 215 mm Ruskin Library, University of Lancaster RF870 (recto) Previously called ‘Mountains and Lake, Baveno’ this drawing may here be more specifically identified as being taken from a viewpoint above Baveno near the Parrocchia di Campino, more-or-less continuing the drawing on the verso (below) to the left. Courtesy of the Ruskin Library, University of Lancaster. https://sublimesites.co/wp-content/uploads/2014/03/1996p0870-baveno-verso-david-hill.jpg1996P0870 Baveno - verso david hillJohn Ruskin Isola Madre and the Mountains above Laveno, from above Baveno on Lago Maggiore, 1845 Pencil, ink and watercolour on grey paper, 162 x 215 mm Ruskin Library, University of Lancaster RF870 (verso) Hitherto known as ‘Mountains and Lake, Baveno’ this can here be more specifically identified as the view over Isola Madre from above Baveno near the Parrocchia di Campino, and more-or-less continuing the drawing on the recto (above) to the right. Courtesy of the Ruskin Library, University of Lancaster. https://sublimesites.co/wp-content/uploads/2014/03/kings-settee-2012-600.jpgKing's settee 2012 #600Ruskin treasure trove at King's College, Cambridge Phot: David Hill, by courtesy of the Master of King's College, Cambridge.https://sublimesites.co/wp-content/uploads/2014/03/rdb0172-600-lles-houches.jpgrdb0172 #600 Lles HouchesJohn Ruskin, The Aiguilles of Mont Blanc from below Les Houches, 1842 Untraced watercolour, reproduced from Cook and Wedderburn (eds) The Works of John Ruskin, 1903-12, volume 35, pl.20https://sublimesites.co/wp-content/uploads/2014/03/rdb0173-les-tines-600.jpgrdb0173 Les Tines #600John Ruskin Mont Blanc and the Glacier des Bossons from above Les Tines, 1842 Untraced watercolour, reproduced from Cook and Wedderburn (eds), The Works of John Ruskin, 1903-12, Volume 4, as frontispiece2018-03-17T22:44:12+00:00monthlyhttps://sublimesites.co/2014/04/04/ruskin-drawings-at-kings-college-cambridge-3-the-dent-doche-range-on-the-south-side-of-lac-leman-from-vevey-switzerland/https://sublimesites.co/wp-content/uploads/2014/04/ruskin-library-vevey-1996p1081-100dpi.jpgRuskin Library Vevey 1996P1081 100dpiJohn Ruskin The Dent d'Oche range on the south side of Lac Leman from Les Pleiades above Vevey, 15 August 1846 Pencil and watercolour, 3 1/4 x 9 1/2 ins, 82 x 241 mm Ruskin Library, University of Lancaster (RF1081) Photo courtesy of the Ruskin Library, University of Lancaster https://sublimesites.co/wp-content/uploads/2014/04/vevey-panorama-complete-2500.jpgVevey panorama complete #2500The Dent d’Oche Range from Vevey, Switzerland Photograph: David Hill, April 2011 (Double-click to enlarge; use back button to return to this page)https://sublimesites.co/wp-content/uploads/2014/04/rdb0149-2000.jpgrdb0149 #2000John Ruskin The Dent d'Oche range on the south side of Lac Leman from Vevey, Switzerland, 1846? Pencil and watercolour, 9 3/4 x 21 ins, 252 x 530 mm (sight) King’s College, Cambridge Photograph: David Hill, by courtesy of the master of King’s College Cambridge (Double-click to enlarge; use back button to return to this page)https://sublimesites.co/wp-content/uploads/2014/04/ruskin-vevey-detail-250.jpgRuskin Vevey detail #250https://sublimesites.co/wp-content/uploads/2014/04/vevey-trois-couronnes-panorama-edited.jpgVevey Trois Couronnes panorama editedThe Promenade at Vevey, with the Trois Couronnes Hotel Photograph: David Hill, April 2011 The Trois Couronnes was Ruskin’s regular resort at Vevey. The King’s watercolour was probably made from one of its lakefront rooms. https://sublimesites.co/wp-content/uploads/2014/04/vevey-panorama-detail-600.jpgVevey panorama detail #600Peaks from Le Grammont to the Cornets des Bises. Photograph: David Hill, April 2011 https://sublimesites.co/wp-content/uploads/2014/04/vevey-panorama-complete-edit-and-cropped-700.jpgVevey panorama complete-Edit and cropped #700The Dent d’Oche Range from Vevey, Switzerland Photograph: David Hill, April 2011 https://sublimesites.co/wp-content/uploads/2014/04/vevey-head-of-lake-panorama-edited.jpgVevey head of lake panorama editedThe head of Lac Leman from Vevey. Photograph: David Hill, April 2011. Showing how prominent are the Dents du Midi from the promenade at Vevey. https://sublimesites.co/wp-content/uploads/2014/04/vevey-cunliffe-label-600.jpgVevey Cunliffe label #600Backboard with label of William Mason, Carver and Gilder of Ambleside, and Robert Cunliffe’s inscription Photograph: David Hill, courtesy of the Master of King’s College, Cambridge. https://sublimesites.co/wp-content/uploads/2014/04/ruskin-vevey-detail-600.jpgRuskin Vevey detail #600John Ruskin The Dent d'Oche range on the south side of Lac Leman from Vevey, Switzerland (detail) Detail of peaks from Le Grammont to the Cornets des Bises. 2018-08-09T13:11:02+00:00monthlyhttps://sublimesites.co/2014/07/03/in-ruskins-footsteps-three-newly-identified-architectural-subjects-at-lucerne/https://sublimesites.co/wp-content/uploads/2014/07/golden-eagle.jpgGolden Eaglehttps://sublimesites.co/wp-content/uploads/2014/07/lucerne-1790-goldener-adler1.jpgLucerne 1790 Goldener AdlerFranz Xaver Schumacher Pictorial Map of Lucerne, 1792 Detail of engraving showing the Rossligasse and part of the Hirschenplatz. This edition of the map was published in 1792, but it appears to show the Goldener Adler building before its remodelling in 1786. It looks very much as if the ‘Diving Dolphins’ carving originally formed part of the doorway. A fully-zoomable version of the map can be viewed on the website of the Staatsarchiv of Lucerne. Click on the following link and use your browser’s ‘back’ button to return to this page: http://www.staatsarchiv.lu.ch/stadtansicht_schumacher.htm https://sublimesites.co/wp-content/uploads/2014/07/lucerne-1597-goldener-adler1.jpgLucerne 1597 Goldener AdlerMartin Martini Pictorial Map of Lucerne, 1597 Detail of engraving showing the Rossligasse and part of the Hirschenplatz. The original doorway of the Goldener Adler building is partly obscured in this detail, but we can see that none of the buildings hereabouts had ornamental ground floor windows. A fully-zoomable version of the map can be viewed on the website of the Staatsarchiv of Lucerne. Click on the following link and use your browser’s ‘back’ button to return to this page: http://www.staatsarchiv.lu.ch/index/schaufenster/karten_stadtansichten/stadtansicht_martini.htm https://sublimesites.co/wp-content/uploads/2014/07/milanese-armour-1536.jpgMilanese armour 1536‘Diving Dolphins’ motif on suit of armour made by Milanese metalworkers, 1536 Image sourced from http://www.cyclopaedia.org/revelation-7/dolphins-7.html No collection given. The ‘diving dolphins are a common motif from the Renaissance to the Baroque, standing for luck and good health, fulfilment in life and its promise of eternal regeneration. https://sublimesites.co/wp-content/uploads/2014/07/lucerne-manhattan.jpgLucerne ManhattanLucerne, the doorway to the Manhattan Club Photograph by David Hill, 27 May 2014, 15.38 In Ruskin’s day the building was the Hotel Goldener Adler (Golden Eagle). https://sublimesites.co/wp-content/uploads/2014/07/lucerne-manhattan-window.jpgLucerne Manhattan windowLucerne: Ruskin’s window at the Hotel Goldener Adler Photograph by David Hill, 27 May 2014, 15.38 Of the two windows flanking the entrance only this one is original. It may have formed the original doorway to the C16 building, and was cut down to make a window when the building was remodelled as the Hotel Goldener Adler in 1786. https://sublimesites.co/wp-content/uploads/2014/07/lucerne-hotel-goldenauer-adler.jpgLucerne Hotel Goldenauer AdlerLucerne: The Hotel Goldener Adler from the Hirschenplatz Photograph by David Hill, 27 May 2014, 15.46 The building proudly proclaims its association with Goethe who stayed there in 1779. Some Commemoration of its association with Ruskin seems called for now that can be shown to have had a role in him formulating one of the most influential aesthetic theories of the modern era. https://sublimesites.co/wp-content/uploads/2014/07/lucerne-goldener-adler-2.jpgLucerne Goldener Adler #2Lucerne: The Hotel Goldener Adler from the Rossligasse Photograph by David Hill, 27 May 2014, 15.46 https://sublimesites.co/wp-content/uploads/2014/07/lucerne-1790-goldener-adler.jpgLucerne 1790 Goldener Adlerhttps://sublimesites.co/wp-content/uploads/2014/07/lucerne-1597-goldener-adler.jpgLucerne 1597 Goldener Adler2018-03-17T22:39:06+00:00monthlyhttps://sublimesites.co/2014/09/29/in-ruskins-footsteps-the-balconies-of-bellinzona/https://sublimesites.co/wp-content/uploads/2014/07/the-collegiata-bellinzona-with-ruskins-balcony-2.jpgThe Collegiata, Bellinzona, with Ruskin's balcony #2The Collegiata, Bellinzona, looking north. Photograph by David Hill taken 1 November 2012 approx 2.00 pm Ruskin’s Balcony can be seen on the house to the right of the Collegiata. https://sublimesites.co/wp-content/uploads/2014/07/ruskins-balcony-at-bellinzona-1-side-view.jpgRuskin's balcony at Bellinzona #1 - side viewBalcony in the Piazza Collegiata Photograph by David Hill taken 1 November 2012, approx 2.00 pm. https://sublimesites.co/wp-content/uploads/2014/07/ruskins-balcony-2-at-bellinzona.jpgRuskin's balcony #2 at BellinzonaBalcony on a house in the Piazza Collegiata, Bellinzona This house is just to the right of the church Photograph by David Hill taken 1 November 2012, about 2.00 pm. https://sublimesites.co/wp-content/uploads/2014/07/ruskins-balcony-1-at-bellinzona.jpgRuskin's balcony #1 at BellinzonaBalcony on a house in the Piazza Collegiata, Bellinzona This house is at the north end of the west side of the Piazza. Photograph by David Hill taken 1 November 2012, about 2.00 pm. https://sublimesites.co/wp-content/uploads/2014/07/ruskins-balcony-1-at-bellinzona-sketch-of-side-view.jpgRuskin's balcony #1 at Bellinzona - sketch of side viewJohn Ruskin, Balcony in the Piazza Collegiata, 1859. An engraving published to illustrate Ruskin's lecture 'The Two Paths', published in 1859. Image from the Library Edition of The Works of John Ruskin 1903-1912 https://sublimesites.co/wp-content/uploads/2014/07/ruskins-balconies-at-bellinzona.jpgRuskin's Balconies at BellinzonaJohn Ruskin Balconies in the Piazza Collegiata, Bellinzona, 1858: Two daguerreotypes taken for Ruskin by Frederick Crawley, reproduced as the frontispiece to his lecture 'The Two Paths', published 1859. Image from the Library Edition of The Works of John Ruskin 1903-1912. https://sublimesites.co/wp-content/uploads/2014/07/ruskin-balcony-detail-350.jpgRuskin balcony detail #350https://sublimesites.co/wp-content/uploads/2014/07/piazza-collegiate-bellinzona.jpgPiazza Collegiate, BellinzonaPiazza Collegiata, Bellinzona, from the steps of the Collegiata, with the Castel Grande in the background Photograph by David Hill taken 1 November 2012, about 2.00 pm. Ruskin's balcony can be seen (left) on the house just left of centre. The square was quiet being All Saints Day, but the following day was thronged with people. https://sublimesites.co/wp-content/uploads/2014/07/bellinzona-balcony-2-e1405540309423.jpgBellinzona balcony #2Frederick Crawley, for John Ruskin Balcony in the Piazza Collegiata, 1858 Taken from hard under the balcony to the left. The image is shown here reversed, to give its true aspect. Ruskin Library, University of Lancaster, RF Dag 111 Photograph courtesy of the Ruskin Library, University of Lancaster https://sublimesites.co/wp-content/uploads/2014/07/bellinzona-balcony-1.jpgBellinzona Balcony #12018-03-17T22:38:40+00:00monthlyhttps://sublimesites.co/2015/03/30/in-ruskins-footsteps-at-bellinzona-the-salita-della-nocca/https://sublimesites.co/wp-content/uploads/2015/03/bowdoin-drawing.jpgBowdoin drawingJohn Ruskin Bellinzona: The Salita della Nocca going up to Montebello Castle, 1858 Pencil on brown wove paper, 8 15/16 in. x 10 7/8 in, 227 x 276 mm Bowdoin College Museum of Art, Brunswick, Maine, USA, Gift of Miss Susan Dwight Bliss 1956.24.264d as ‘Landscape Study (Bellinzona)’ This drawing has long been identified as Bellinzona, but the viewpoint is here precisely identified for the first time. Photograph courtesy of Bowdoin College Museum of Art To view this image in Bowdoin’s own online catalogue, please click on the following link and use your browser’s ‘back’ button to return to this page: http://artmuseum.bowdoin.edu/Obj4228?sid=27317&x=16558 https://sublimesites.co/wp-content/uploads/2015/03/ge-ruskin-bellinzona-salita1.jpgGE Ruskin Bellinzona SalitaGoogle Earth aerial view of Bellinzona Marking the viewpoint of the Salita dell Nocca in yellow, and Ruskin viewpoints discussed in previous articles in magenta. Other landmarks have white placemarks. Click on image to open full size https://sublimesites.co/wp-content/uploads/2015/03/salita-3.jpgSalita #3Rock study on the Salita della Nocca, Bellinzona Photograph by David Hill taken 1 November 2012, 15.27 GMT This photograph is cropped to exactly the same field of view as the daguerreotype taken for Ruskin by Frederick Crawley. The daguerreotype is currently exclusively available in the new publication, ‘Bringing Home the Palaces: The Lost Daguerreotypes of John Ruskin’ by Ken and Jenny Jacobson (Quaritch, 2015). I did not know of the daguerreotype when I visited Bellinzona in 2012, but give that Ruskin was taking advantage of a natural rock seat as his vantage point it is not coincidental that I Photographed the same view. Even so it was exciting to see just how well preserved are the details today. Ruskin might not have been so enamoured of the drain pipe now fixed to the rock. Click on image to enlarge https://sublimesites.co/wp-content/uploads/2015/03/d33592_10.jpgBellinzona: Looking South-West from Castello Montebello ?1843 by Joseph Mallord William Turner 1775-1851J M W Tuner Bellinzona: Looking South-West from Castello Montebello, 1843? Pencil, pen, and watercolour on paper, 227 x 327 mm Tate Britain, Turner Bequest TB CCCXXXVI 14 (D33592) Shortly before his visit to Bellinzona in 1858, Ruskin spent some considerable time sorting through the tens of thousands of Turner sketches and drawings that were given to the National Gallery. He knew the late Swiss subjects such as this especially well, and in making his way up the Salita della Nocca to Montebello Castle might well have been searching out the exact viewpoint of this sketch. Turner’s viewpoint is near the top of the Salita, some distance higher than Ruskin’s. Photograph courtesy Tate To see this image in the Tate’s own online catalogue click on the following link and use your browser’s ‘back’ button to return to this page: http://www.tate.org.uk/art/artworks/turner-bellinzona-looking-south-west-from-castello-montebello-d33592 https://sublimesites.co/wp-content/uploads/2015/03/turner-montebello-view-14-ss.jpgTurner Montebello view 14 SSGoing up to Montebello Castle, Bellinzona Photograph by David Hill taken 1 November 2012, 15.32 GMT Taken from further up the Salita della Nocca, above Ruskin’s viewpoint, close to that of Turner’s sketch TB CCCXXXVI 14. Were Ruskin to visit today he would no doubt have something to say about the overhead power cables and the near redundancy of the chapel to the left. Click on image to enlarge https://sublimesites.co/wp-content/uploads/2015/03/bellinzona-salita-small-image.jpgBellinzona Salita small imagehttps://sublimesites.co/wp-content/uploads/2015/03/bellinzona-salita-2b.jpgBellinzona Salita #2bBellinzona: View down the Salita della Nocca Photograph by David Hill taken 1 November 2012, 15.24 GMT Ruskin developed a fascination with the rock exposure to the left of the Salita. He said that it reminded him of the Gneiss rocks of Glenfinlas and Glen Garry in his native Scotland. It is a little suprising to discover that the rock outcrop appears to have hardly weathered at all since 1858, although the whole site is damper due to the growth of trees overhead. Perhaps I should have cleaned off the autumnal leaves, in order to better see the rock, but the colour effect was altogether too Ruskinian. https://sublimesites.co/wp-content/uploads/2015/03/salita-1.jpgSalita #1Bellinzona: View from the Salita della Nocca Photograph by David Hill taken 1 November 2012, 15.24 GMT Ruskin seems to have taken advantage of the natural rock seat at the bottom left corner of this image. The building behind the trees in the centre is the present-day youth hostel. To the right are the walls and vineyard terraces of Montebello Castle. The site would have provided Ruskin with a shaded place to work in the heat of his visit in June-July 1858. Click on image to enlarge https://sublimesites.co/wp-content/uploads/2015/03/rdb0503-ss.jpgrdb0503 SSJohn Ruskin Bellinzona: The Salita della Nocca going up to Montebello Castle, 1858 Pencil on brown wove paper, 8 15/16 in. x 10 7/8 in, 227 x 276 mm Bowdoin College Museum of Art, Maine, USA, Gift of Miss Susan Dwight Bliss 1956.24.257 This drawing has long been identified as Bellinzona, but the viewpoint is here precisely identified for the first time. Photograph courtesy of Bowdoin College Museum of Art To view this image in Bowdoin’s own online catalogue, please click on the following link and use your browser’s ‘back’ button to return to this page: http://artmuseum.bowdoin.edu/Obj4228?sid=27317&x=16558 https://sublimesites.co/wp-content/uploads/2015/03/rdb0499-ss.jpgrdb0499 SSJohn Ruskin Bellinzona: The Salita della Nocca going up to Montebello Castle, 1858 Pencil and watercolour on off-white wove paper, 8 1/2 in. x 6 1/16 in, 216 x 154 mm Bowdoin College Museum of Art, Brunswick, Maine, USA, Gift of Miss Susan Dwight Bliss 1956.24.257 as ‘Bellinzona’ This drawing has long been identified as Bellinzona, but the viewpoint is here precisely identified for the first time. This study is a concentrated study of the rock face to the left. Ruskin also had his assistant Frederick Crawley take a daguerreotype photograph of an even smaller area of the rock face. Photograph courtesy of Bowdoin College Museum of Art To view this image in Bowdoin’s own online catalogue, please click on the following link and use your browser’s ‘back’ button to return to this page: http://artmuseum.bowdoin.edu/Obj4217?sid=27317&x=16552 2018-03-17T22:36:46+00:00monthlyhttps://sublimesites.co/2016/03/03/news-ruskins-watercolour-of-bellinzona/https://sublimesites.co/wp-content/uploads/2016/03/bellinzon-key-image.jpgBellinzon key imagehttps://sublimesites.co/wp-content/uploads/2016/03/ruskin_-_venice_-_e0940.jpgE0940John Ruskin The Fondamenta Nuove, Venice, 1877 Pencil and watercolour 90 x 265 mm Exhibited by Lowell Libson at TEFAF, Maastrich, 11-20 March 2016 Image courtesy of Lowell Libson. To see the full catalogue entry on Lowell Libson’s website click on the following link, and use you browser’s ‘back’ button to return to this page: http://www.lowell-libson.com/pictures/john-ruskinhttps://sublimesites.co/wp-content/uploads/2016/03/ruskin_-_view_of_thun_-_e0937_800_575_70_faf9f5_s.jpgRuskin_-_View_of_Thun_-_E0937_800_575_70_faf9f5_sJohn Ruskin View of Thun, 1854 Pencil and watercolour 336 x 470 mm Exhibited by Lowell Libson at TEFAF, Maastrich, 11-20 March 2016 Image courtesy of Lowell Libson. To see the full catalogue entry on Lowell Libson’s website click on the following link, and use you browser’s ‘back’ button to return to this page: http://www.lowell-libson.com/pictures/view-of-thunhttps://sublimesites.co/wp-content/uploads/2016/03/ruskin_-_baden_-_e0931.jpgRoyal CollectionJohn Ruskin Baden, Switzerland, 1863 Pencil and watercolour on five sheets of paper, 517 x 380 mm Exhibited by Lowell Libson at TEFAF, Maastrich, 11-20 March 2016 Image courtesy of Lowell Libson. To see the full catalogue entry on Lowell Libson’s website click on the following link, and use you browser’s ‘back’ button to return to this page: http://www.lowell-libson.com/pictures/baden-switzerlandhttps://sublimesites.co/wp-content/uploads/2016/03/ruskin-bellinzona-e0933_547_800_70_faf9f5_s.jpgRuskin---Bellinzona---E0933_547_800_70_faf9f5_sJohn Ruskin The Church of San Quirico at Daro above Bellinzona, Switzerland, looking north towards the St Gotthard Pass. Called Cure's Garden at Bellinzona, 1858 Pencil, watercolour and bodycolour on light blue tinted paper, 20 1/2 x 14 ins, 520 x 355 mm See SublimeSites.co, 29 September 2014, for discussion of the exact viewpoint. Image courtesy of Lowell Libson. To see the full catalogue entry on Lowell Libson’s website click on the following link, and use you browser’s ‘back’ button to return to this page: http://www.lowell-libson.com/pictures/bellinzona-switzerland-looking-towards-the-st-gotthard-pass https://sublimesites.co/wp-content/uploads/2016/03/dscn3449-edit.jpgDSCN3449-EditThe Church of San Quirico above Bellinzona, looking north towards the St Gotthard Pass Photograph by David Hill, 2 November 2012, 15.36 2018-03-17T22:33:21+00:00monthlyhttps://sublimesites.co/2016/03/30/kirkby-lonsdale-what-ruskin-really-said/https://sublimesites.co/wp-content/uploads/2016/03/ruskins-benches-6-roadside.jpgRuskin's benches #6 roadsideRuskin’s Benches: Kirkby Lonsdale Photograph by David Hill, 25 March 2016, 10.51 GMT They stand today by the side of the A65 near its junction with Main Street. It’s not quite the view to which they had grown accustomed. https://sublimesites.co/wp-content/uploads/2016/03/ge-kirkby-lonsdale.jpgGE Kirkby LonsdaleGoogle Earth Aerial view of Kirkby Lonsdale Placemarks indicate the principal sites discussed in the article. https://sublimesites.co/wp-content/uploads/2016/03/churchyard-panorama.jpgChurchyard panoramaTurner’s View, Kirkby Lonsdale Photograph by David Hill taken 12 May 2009, 12.25 GMT https://sublimesites.co/wp-content/uploads/2016/03/ruskins-railings-reclaimed.jpgRuskins railings reclaimedRuskin’s railings. Photograph by David Hill, taken 25 March 2016, 11.30 GMT https://sublimesites.co/wp-content/uploads/2016/03/paddling-on-the-shingle.jpgPaddling on the shingleOn the shingle at Kirkby Lonsdale Photograph by David Hill, taken 12 May 2009, 14.40 GMT https://sublimesites.co/wp-content/uploads/2016/03/ruskins-view-crisp-packets.jpgRuskin's view crisp packetsChurch Brow, Kirkby Lonsdale Photograph by David Hill taken 25 March, 11.36 GMT Not quite so much rubbish as in Ruskin’s day (!) https://sublimesites.co/wp-content/uploads/2016/03/primmed-up-church-2.jpgPrimmed up church #2Kirkby Lonsdale: Entrance to the churchyard Photograph by David Hill taken 25 March 2016, 11.01 GMT https://sublimesites.co/wp-content/uploads/2016/03/primmed-up-church-1.jpgPrimmed up church #1St Mary’s Church, Kirkby Lonsdale Photograph by David Hill, taken 25 March 2016, 11.42 GMT The ‘primmed-up’ church. Ruskin preferred preservation to restoration. The Victorian restoration work on St Mary’s has mellowed in the interval. https://sublimesites.co/wp-content/uploads/2016/03/litter-bin.jpgLitter binChurch Brow, Kirkby Lonsdale Photograph by David Hill, taken 25 March 2016, 11.08 GMT Necessary and useful, but it’s hard to imagine that Ruskin would have been impressed by the design. https://sublimesites.co/wp-content/uploads/2016/03/site-of-benches.jpgSite of BenchesChurch Brow, Kirkby Lonsdale: Site of Benches Photograph by David Hill, taken 25 March 2016, 11.09 GMT “..Just at the dividing of the two paths, the improving mob of Kirkby had got two seats put for themselves—to admire the prospect from, forsooth....” Ruskin’s original benches have been removed and replaced. 2018-06-04T12:24:53+00:00monthlyhttps://sublimesites.co/2015/02/22/john-sell-cotman-point-lorenzo-madeira-1828/https://sublimesites.co/wp-content/uploads/2015/02/cotmans-house-norwich1.jpgCotman's House, NorwichCotman’s House, Palace Plain, Norwich Photograph by Professor David Hill, taken 17 April 2005, 14.54 Cotman was living in this house in 1828 when he painted the watercolour of Point Lorenzo. https://sublimesites.co/wp-content/uploads/2015/02/bulwer-engraving-2.jpgBulwer engraving #2Rev J Bulwer (after) Point Lorenzo, Madeira, 1827 The engraving published in Bulwer’s ‘Views in the Madeiras’, London 1827. https://sublimesites.co/wp-content/uploads/2015/02/point-lorenzo-dh1.jpgPoint Lorenzo DHPoint Lorenzo, Madeira Photograph by Professor David Hill, taken 18 February 2015, at 12.32 pm. From the Miradouro da Pedra Furada on the Ponta da Rosta, looking east over the north-facing cliffs of the Ponta de Sao Lourenco https://sublimesites.co/wp-content/uploads/2015/02/views_in_the_madeiras_1927.jpgViews_in_the_Madeiras,_1927Title Page of Revd James Bulwer: Views in the Madeiras, 1827 This book deserves a high-quality internet edition, but there is none. This image was taken from Wikimedia from the last copy to have appeared on the market, in the 28 May 2013 sale at Cabral Moncada Leilões (Lisboa), lot no. 328, where it fetched E3200. To visit the auctioneer’s webpage click on the following link, and use your browser’s ‘back’ button to return to this page: http://www.cml.pt/cml.nsf/artigos/225A18A5CF4BCA8980257B73005BBC45 https://sublimesites.co/wp-content/uploads/2015/02/va-lorenzo.jpgv&a lorenzoJohn Sell Cotman Cliffs on the North-East side of Point Lorenzo, Madeira, 1828 Watercolour, 10 1/4 x 15 3/4 in, 260 x 398 mm London, Victoria and Albert Museum (P31-1949) Photo courtesy of the Victoria and Albert Museum To view this watercolour in the V&A’s own website click on the following link, then use your browser’s ‘back’ button to return to this page: http://collections.vam.ac.uk/item/O1070708/cliffs-on-the-north-east-watercolour-john-sell-cotman/ https://sublimesites.co/wp-content/uploads/2015/02/supermarket-point-lorenzo.jpgSupermarket Point LorenzoIn the supermarket at Machico, Madeira. Photograph by David Hill, 14 February 2015, 21.01https://sublimesites.co/wp-content/uploads/2015/02/supermarket-dh.jpgSupermarket DHIn the supermarket, Machico, Madeira Photograph taken by Mrs Olivia Hill, 14 February 2015, 21.01. https://sublimesites.co/wp-content/uploads/2015/02/lyall-rambles-1827.jpgLyall Rambles 1827Title page of Alfred Lyall: Rambles in Madeira and in Portugal in the Early Part of MDCCCXXVI, 1827 Image taken from the online edition courtesy of the National Library of Portugal. To view the National Library edition on their home site, click on the following link, and use your browser’s ‘back’ button to return to this page: http://purl.pt/17078/3/ https://sublimesites.co/wp-content/uploads/2015/02/ge-point-lorenzo.jpgGE Point LorenzoGoogle Earth Satellite image of Point Lorenzo, Madeirahttps://sublimesites.co/wp-content/uploads/2015/02/ge-madeira.jpgGE MadeiraGoogle Earth Satellite image of Madeira2018-03-17T18:35:43+00:00monthlyhttps://sublimesites.co/2016/04/12/update-cotman-and-point-lorenzo-madeira/https://sublimesites.co/wp-content/uploads/2016/04/key-image-update.jpgKey image update2018-03-17T18:33:09+00:00monthlyhttps://sublimesites.co/2016/10/16/in-cotmans-footsteps-through-normandy-1-dieppe-east-end-of-the-church-of-st-jacques/https://sublimesites.co/wp-content/uploads/2016/10/dieppe-donkey-key-image.jpgdieppe-donkey-key-imagehttps://sublimesites.co/wp-content/uploads/2016/10/cdb02875_0002.jpgcdb02875_0002John Sell Cotman (1782-1842) West Front of the Church of St Jacques, Dieppe, 1818 Graphite and brown wash on white wove paper, 292 x 232 mm Inscribed lower left 'Sketchd June 22/17' and lower right 'St Jacques, Dieppe, 1818' Birmingham Museums and Art Gallery Cotman sketched this subject on 23 June 1817. It is a rather more recognisable treatment of the church than the Leeds impression. When this drawing was exhibited at in the Cotman and Normandy exhibition at Dulwich in 2012, Tim Wilcox pointed out that Cotman has mistaken the side doors for windows. Image courtesy of Birmingham Museums and Art Gallery; scanned from Dulwich 2012 https://sublimesites.co/wp-content/uploads/2016/10/cdb02873.jpgcdb02873John Sell Cotman (1782-1842) West Front of the Church of St Jacques, Dieppe, 1822 Etching on thick wove paper, image 292 x 237 mm, on plate 342 x 268 mm Drawn, etched and editioned 29 May 1820 by John Sell Cotman as plate 35 of his Architectural Antiquities of Normandy, published 1822; Image courtesy of https://art.famsf.org/john-sell-cotman/church-st-jacques-dieppe-series-architectural-antiquities-normandy https://sublimesites.co/wp-content/uploads/2016/10/st-jacques-west-front.jpgst-jacques-west-frontWest Front of the Church of St Jacques, Dieppe Photograph by David Hill, 5 September 2016, 15.14, GMT Looking at the clock, Cotman and I were there at similar times of day. I suspect his light was rather better than mine. From the report of his letters, he was fending off the heat. The weather was not so good here. On the other hand his deteriorated afterwards, and ours improved. https://sublimesites.co/wp-content/uploads/2016/10/st-jacques-east-end-dh-ss.jpgst-jacques-east-end-dh-ssEast End of the Church of St Jacques, Dieppe Photograph by David Hill, 5 September 2016, 15.04, GMT Nothing I could do about the little Renault, but it counterpoints Cotman’s donkey! https://sublimesites.co/wp-content/uploads/2016/10/hotel-londres-ge.jpghotel-londres-geThe Hotel de Londres, Dieppe Cotman’s letters record that he stayed here (sadly no longer a hotel) on his first visit to Dieppe 20-25 June 1817. It overlooks the harbour from the Quai Henri IV, not far from the Church of St Jacques. Image courtesy of Google Earth Streetview. https://sublimesites.co/wp-content/uploads/2016/10/harbour-and-st-jacques-ss.jpgharbour-and-st-jacques-ssThe Harbour and Town of Dieppe Photograph by David Hill, 31 August 2012, 15.20 GMT Cotman’s hotel – the Hotel de Londres - is at the far end of the quay to the right and the Church of St Jacques can be seen over the houses to the left. https://sublimesites.co/wp-content/uploads/2016/10/st-jacques-east-end-yale.jpgst-jacques-east-end-yaleJohn Sell Cotman (1782-1842) East End of the Church of St Jacques at Dieppe, 1819 Graphite and brown wash on moderately thick, slightly textured, cream wove paper, 11 5/8 × 8 7/8 ins, 295 × 225 mm Inscribed in graphite, lower right: "East End of St. Jacques at Dieppe.", Collector's mark: RIBA blind embossed stamp, Signed and dated in graphite, lower left: "J. S. Cotman 1819." USA, New Haven, Yale Center for British Art, Paul Mellon Collection, B1975.2.563 Cotman sketched this subject on 23 June 1817. His original sketch is lost, and this is a studio work typical of the monochrome drawings that he made as the basis of his etchings for the ‘Architectural Antiquities of Normandy’, published in 1822. Photo courtesy of Yale Center for British Art https://sublimesites.co/wp-content/uploads/2016/10/st-jacques-east-end-etching-ss.jpgst-jacques-east-end-etching-ssJohn Sell Cotman (1782-1842) East End of the Church of St Jacques at Dieppe, 1822 Etching on thick wove paper, image 290 x 227 mm, on plate 332 x 242 mm Drawn, etched and editioned 1 April 1820 by John Sell Cotman as plate 36 of his Architectural Antiquities of Normandy, published 1822; Leeds Art Gallery, LEEAG.1949.0009.0748 Cotman sketched this subject on 23 June 1817. It is a rather obtuse representation of the church, but such approaches were typical of him. He did, however, also draw it from a more familiar angle (see below). Photo courtesy of Leeds Art Gallery 2018-03-17T18:32:15+00:00monthlyhttps://sublimesites.co/2016/10/26/in-cotmans-footsteps-through-normandy-2-dieppe-castle-and-harbour/https://sublimesites.co/wp-content/uploads/2016/10/va-dieppe-smith-figures.jpgva-dieppe-smith-figuresJohn Sell Cotman Dieppe, from the Heights Detail of figures: Smith version https://sublimesites.co/wp-content/uploads/2016/10/va-dieppe-smith-detail-sentry-box.jpgva-dieppe-smith-detail-sentry-boxJohn Sell Cotman Dieppe, from the Heights Detail of sentry box: Smith version https://sublimesites.co/wp-content/uploads/2016/10/va-dieppe-smith-detail-quay.jpgva-dieppe-smith-detail-quayJohn Sell Cotman Dieppe, from the Heights Detail of buildings on the far quay: Smith version https://sublimesites.co/wp-content/uploads/2016/10/va-dieppe-smith-detail-dog.jpgva-dieppe-smith-detail-dogJohn Sell Cotman Dieppe, from the Heights Detail of dog: Smith version https://sublimesites.co/wp-content/uploads/2016/10/va-dieppe-figures.jpgva-dieppe-figuresJohn Sell Cotman Dieppe, from the Heights Detail of figures: Lady Powell version https://sublimesites.co/wp-content/uploads/2016/10/tate-denham-deieppe1.jpgDieppe Castle, after Cotman null by John Charles Denham exhibited 1796-1858Dieppe Castle, after Cotman null John Charles Denham exhibited 1796-1858 Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996 http://www.tate.org.uk/art/work/T10449https://sublimesites.co/wp-content/uploads/2016/10/st-remy-tower-ge1.jpgst-remy-tower-gehttps://sublimesites.co/wp-content/uploads/2016/10/st-jacques-west-front1.jpgst-jacques-west-fronthttps://sublimesites.co/wp-content/uploads/2016/10/st-jacques-east-end-yale1.jpgst-jacques-east-end-yalehttps://sublimesites.co/wp-content/uploads/2016/10/st-jacques-east-end-etching-ss1.jpgst-jacques-east-end-etching-ss2018-03-17T18:31:41+00:00monthlyhttps://sublimesites.co/2016/12/29/in-cotmans-footsteps-through-normandy-3-arques-la-bataille-near-dieppe/https://sublimesites.co/wp-content/uploads/2016/12/gateway-snails.jpggateway-snailsGateway to the Castle of Arques la Bataille, near Dieppe Photograph by David Hill, taken 5 September 2016, 12.35 GMT https://sublimesites.co/wp-content/uploads/2016/12/gateway-snails-detail.jpggateway-snails-detailGateway to the Castle of Arques la Bataille, near Dieppe Detail: collecting snails Photograph by David Hill, taken 5 September 2016, 12.35 GMT https://sublimesites.co/wp-content/uploads/2016/12/ge-dieppe-and-arques.jpgge-dieppe-and-arquesGoogle Earth map of Dieppe and Arques la Bataille area.https://sublimesites.co/wp-content/uploads/2016/12/ge-arques-la-bataille.jpgge-arques-la-batailleGoogle Earth map of Arques la Bataille areahttps://sublimesites.co/wp-content/uploads/2016/12/photo-1-edit.jpgphoto-1-editAt Arques la Bataille. Photography by Olivia Hill, taken 5 September 2016, 12.49 GMT https://sublimesites.co/wp-content/uploads/2016/12/arques-tour-of-normandy-1820_0003.jpgarques-tour-of-normandy-1820_0003Mary Ann Turner after John Sell Cotman Church of Arques la Bataille, near Dieppe, West Front, 1820 Etching, printed in brown/black ink on india paper bonded to thick, off-white, wove paper, image 146 x 121 mm, on plate 183 x 138 mm. on sheet as published octavo, 242 x 150 mm Etched by Mary Ann Turner after the drawing by John Sell Cotman and published in Dawson Turner’s ‘A Tour in Normandy’, 1820, Volume 1, opposite p.40. Collection: The Author Photograph by David Hill https://sublimesites.co/wp-content/uploads/2016/12/arques-tour-of-normandy-1820_0002.jpgarques-tour-of-normandy-1820_0002Mary Ann Turner after John Sell Cotman Tower on the East side of the Castle of Arques la Bataille, near Dieppe, 1820 Etching, printed in brown/black ink on india paper bonded to thick, off-white, wove paper, image 131 x 100 mm, on plate 170 x 142 mm. on sheet as published octavo, 242 x 150 mm Etched by Mary Ann Turner after the drawing at Bedford by John Sell Cotman and published in Dawson Turner’s ‘A Tour in Normandy’, 1820, Volume 1, opposite p.37. Collection: The Author Photograph by David Hill https://sublimesites.co/wp-content/uploads/2016/12/arques-tour-of-normandy-1820_0001.jpgarques-tour-of-normandy-1820_0001Mary Ann Turner after John Sell Cotman Castle of Arques la Bataille, near Dieppe, from the East, 1820 Etching, printed in brown/black ink on india paper bonded to thick, off-white, wove paper, image 99 x 200 mm, on plate 136 x 226 mm. on sheet as published octavo, 150 x 242 mm Etched by Mary Ann Turner after the drawing by John Sell Cotman and published in Dawson Turner’s ‘A Tour in Normandy’, 1820, Volume 1, opposite p.33. Collection: The Author Photograph by David Hill https://sublimesites.co/wp-content/uploads/2016/12/arques-church-from-castle.jpgarques-church-from-castleChurch of Arques la Bataille from near the Castle Photograph by David Hill, taken 5 September 2016, 12.27 GMT https://sublimesites.co/wp-content/uploads/2016/12/etching-detail-of-figure.jpgetching-detail-of-figure2018-03-17T18:31:22+00:00monthlyhttps://sublimesites.co/2016/10/15/sublime-slumbers/https://sublimesites.co/wp-content/uploads/2016/10/photo-2.jpgphoto-2At the Castle of Arques la Bataille, near Dieppe Photograph by Olivia Hill, 5 September 2016, 12.48 GMT (Rain)https://sublimesites.co/wp-content/uploads/2016/10/vatierville-window.jpgvatierville-windowChurch of St Pierre, Vatierville. 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