Lights will guide you home: Turner at Calais #5

This article continues the consideration of Turner’s watercolour and 1836 engraving of the harbour at Calais. In the last we encountered numerous issues with Turner's rendition of the key landmarks. Here we begin to wonder what might be made of his waywardness. Calais, an illustration to Walter Scott's 'Tales of a Grandfather', i.e. Calais Harbour, … Continue reading Lights will guide you home: Turner at Calais #5

Lights will guide you home: Turner at Calais #4

This article continues the consideration of Turner’s watercolour of the harbour at Calais and its 1836 engraving. In the previous instalments we took a tour round the principal landmarks, and gathered together Turner’s sketches. We can now review the watercolour and engraving in the light of Turner’s observations and interests. Calais, an illustration to Walter … Continue reading Lights will guide you home: Turner at Calais #4

Lights will guide you home: Turner at Calais #3

This article continues the consideration of Turner’s watercolour and 1836 engraving of the harbour at Calais. In part 2 we took a tour round the principal landmarks, and gathered a few photographic references. Here, we complete our survey of other sketches by Turner that might have proved useful references in the development of the watercolour. … Continue reading Lights will guide you home: Turner at Calais #3

Lights will guide you home: Turner at Calais #2

This article continues the consideration of Turner’s watercolour of the harbour at Calais and its 1836 engraving. In this part we take a tour round the principal landmarks, and gather a few photographic and historical references. Calais, an illustration to Walter Scott's 'Tales of a Grandfather', i.e. Calais Harbour, with the church of Notre Dame, … Continue reading Lights will guide you home: Turner at Calais #2

Lights will guide you home: Turner at Calais #1

Calais, an illustration to Walter Scott's 'Tales of a Grandfather', i.e. Calais Harbour, with the church of Notre Dame, Tour du Guet, Hotel de Ville and Porte de Mer, c.1834Watercolour vignette, image approx 152 x 102 mm, on sheet, 444 x 345 mmFrance, Calais, Musee du CalaisImage Sotheby’s 8 June 1999, lot 25 This article … Continue reading Lights will guide you home: Turner at Calais #1

Plate 5, South Burlingham Church, Norfolk

This is the eighth article in a series cataloguing John Sell Cotman’s first series of etchings, published in 1811. Here we turn to plate 5 and retreat into a backwater of deepest Norfolk. John Sell CotmanSouth Burlingham Church, Norfolk, 1810Private collectionPhotograph: Professor David Hill This is an impression of a copper-plate etching of an upright … Continue reading Plate 5, South Burlingham Church, Norfolk

Plate 10: Rievaulx Abbey, the Refectory Doorway, Yorkshire

This is the thirteenth article in a series cataloguing John Sell Cotman’s first series of etchings published in 1811. Here in plate 10 Cotman offers us a second subject at Rievaulx Abbey, though no less retiring than the first. John Sell CotmanRievaulx Abbey, the Refectory Doorway, Yorkshire 1810Private collectionPhotograph: Professor David Hill This is an … Continue reading Plate 10: Rievaulx Abbey, the Refectory Doorway, Yorkshire

Plate 9: Kirkham Priory, Yorkshire (1)

This is the twelfth article in a series cataloguing John Sell Cotman’s first series of etchings published in 1811. Here, plate 9 takes in another Yorkshire abbey, and Cotman continues his quest to find a quiet corner in which to immure himself. John Sell CotmanKirkham Priory, Yorkshire 1811Private collectionPhotograph: Professor David Hill This is an … Continue reading Plate 9: Kirkham Priory, Yorkshire (1)

Plate 8: Rievaulx Abbey, Yorkshire

This is the eleventh article in a series cataloguing John Sell Cotman’s first series of etchings, published in 1811. Here, plate 8 offers another Yorkshire subject, and the first location of genuine renown. Typically, however, Cotman finds an obscure corner to depict, so much so that it has resisted proper identification until now. John Sell … Continue reading Plate 8: Rievaulx Abbey, Yorkshire

Plate 7: North Creake Abbey, Norfolk

This is the tenth article in a series cataloguing John Sell Cotman’s first series of etchings, published in 1811. Here, plate 7 takes us to another obscure corner of Norfolk. John Sell CotmanNorth Creake Abbey, Norfolk, 1810Private collectionPhotograph: Professor David Hill This is an impression of a copper-plate etching of an upright architectural subject featuring … Continue reading Plate 7: North Creake Abbey, Norfolk