Turner at Sallanches, 1836

This article is prompted by a watercolour that Turner made on his tour to the Alps in 1836. That tour was the subject of the exhibition Turner, Mont Blanc and the Val d’Aosta held at the Archaeological Museum in Aosta in 2000. At that time I identified its subject as the French town of Sallanches, … Continue reading Turner at Sallanches, 1836

Turner at Sisteron: The Pont du Buech, looking west

This article is the third to explore Turner’s Sisteron subjects in the light of my recent visit to the site. Here I focus on a watercolour in the collection of the Museum of Rhode Island School of Design that records the view of the Pont du Buech from the west. The bridge spans the river … Continue reading Turner at Sisteron: The Pont du Buech, looking west

Turner at Sisteron: Continued Observations

This article extends the exploration of Turner’s Sisteron subjects in the light of a recent visit 12-14 April. In particular I focus on a watercolour of Sisteron from the North-West that was sold at Christie’s, New York, on 5 November 2013. This was the occasion of my earlier article ‘Moonlight and its implications: Turner at … Continue reading Turner at Sisteron: Continued Observations

Turner at Sisteron: Further Observations

This article furthers the discussion begun in the article ‘Moonlight and its Implications: Turner at Sisteron’, posted on 8 November 2013. This follows a visit to the site on 12-14 April to verify the phenomenon depicted in a Turner watercolour of 'Sisteron from the North-West'. The effect in this watercolour is that of the setting … Continue reading Turner at Sisteron: Further Observations

Moonlight and its implications: Turner at Sisteron

On 5 November 2013 a Turner watercolour of Sisteron sold for $149,000 at Christie’s in New York. It was catalogued as Sisteron from the North-West, with a Low Sun. The viewpoint is perfectly identified and the low sun seems self-evident (follow the link below to Christie’s website for a fully zoomable image), but I want … Continue reading Moonlight and its implications: Turner at Sisteron