The Lake of Lucerne and Mont Rigi from the Swan Hotel., Lucerne; Called ‘The Rigi at Sunset’, c.1842

Lucerne Kunstmuseum, Switzerland Watercolour and gouache, 9 ¾ × 14 ¼ inches · 247 × 362 mm Turner catalogues: Wilton1472; tdb1577 This is a medium-sized watercolour sketch of broad lake scene, suffused with light and colour, with quays in the foreground, full of suggestions of activity. In the left distance is a rosy-coloured mountain with … Continue reading The Lake of Lucerne and Mont Rigi from the Swan Hotel., Lucerne; Called ‘The Rigi at Sunset’, c.1842 →

Dunstanburgh Castle, Northumberland, c.1828

Manchester City Art Gallery (1917-110) Watercolour, 291 x 419 (sight), 11 x 16 1/2 ins Turner catalogues: Wilton0814; tdb0941 This is a medium-sized, finished studio watercolour of a coastal scene with waves breaking onshore from the sea to the right. In the middle distance is a sunlit castle on a low headland. A large round-towered … Continue reading Dunstanburgh Castle, Northumberland, c.1828 →

Turner at Brunnen, Lake Lucerne

2018 brings an especially Sublime sighting. On 30 January, Christie's, New York offers a superb late Turner watercolour of ‘The Lake of Lucerne from Brunnen, with a Steamer’. This is being sold by a private American collector, and was last seen in Britain when it was sold by Christie’s in London in 1976. The sale … Continue reading Turner at Brunnen, Lake Lucerne →

Update: Turner and Sisteron

One of the Turner highlights of 2016 was Ian Warrell’s splendid exhibition of ‘Turner et la Couleur’ which showed at the Hotel de Caumont, Centre d’Art at Aix en Provence 4 May to 18 September, and then as J M W Turner: Adventures in Colour’ [and STILL, FOR ONE MORE WEEK ONLY] at Turner Contemporary, … Continue reading Update: Turner and Sisteron →

Update: Turner and Heidelberg – a newly identified source for the Tate painting

Since completing part #6 of the SublimeSites.co series on Turner and Heidelberg, I have discovered a potential literary source for the subject of the Tate oil painting. In part #6, I suggested that the composition of the painting was based on a sketch in the 'Mountain Fortress' sketchbook in the Turner Bequest at the Tate … Continue reading Update: Turner and Heidelberg – a newly identified source for the Tate painting →

Cotman and Turner’s ‘Van Tromp’: A newly identified study of 1832

On 10 May 2015, I posted a short article identifying one of the Cotman sketches at Leeds Art Gallery as a memorandum of a painting by Turner, ‘Helvoetsluis’, exhibited at the Royal Academy in 1832. It was touching to discover some new documentation of Cotman’s admiration for Turner. Then, just recently, a group of seven … Continue reading Cotman and Turner’s ‘Van Tromp’: A newly identified study of 1832 →

In Turner’s Footsteps at Heidelberg: Part 5

This post continues the series begun on 19 October 2015 and continued on 18, 20 and 23 November 2015. In part #1, I followed in the footsteps of Turner’s comprehensive exploration of Heidelberg in 1833. In part #2, I looked at a major finished watercolour that he developed in the early 1840s, and a return … Continue reading In Turner’s Footsteps at Heidelberg: Part 5 →

The Leeds Cotman Project: #1: A Study of Turner’s ‘Helvoetsluis’ at the R.A., 1832

I am fortunate to have been appointed to work through the whole collection of over eight hundred drawings by Cotman at Leeds Art Gallery. This will be a three-year project funded by the Esmée Fairbairn Foundation culminating in 2017-18 in an online catalogue and an exhibition. The Leeds Collection of Cotman comprises principally of a … Continue reading The Leeds Cotman Project: #1: A Study of Turner’s ‘Helvoetsluis’ at the R.A., 1832 →

Turner on the Rhine: Binger Loch and Mausethurm

On 10 July 2014 Christie’s in London will sell a Turner watercolour of Binger Loch and Mausethurm (lot 214, estimate £200,000 – 300,000). This is one of a series of fifty-one* watercolours that Turner made in 1817 when he made a tour of the river Rhine between Cologne and Mainz. On Turner’s return the whole … Continue reading Turner on the Rhine: Binger Loch and Mausethurm →

Turner at Sisteron: The Pont du Buech, looking west

This article is the third to explore Turner’s Sisteron subjects in the light of my recent visit to the site. Here I focus on a watercolour in the collection of the Museum of Rhode Island School of Design that records the view of the Pont du Buech from the west. The bridge spans the river … Continue reading Turner at Sisteron: The Pont du Buech, looking west →