John Sell Cotman: A Harbour for the Soul #3

This is the third instalment of an article presenting a recently rediscovered watercolour of ‘The Student’ by John Sell Cotman. Part 1 described the discovery and identification of the subject. Part 2 explored some of the related works discovered during my research into the Leeds Art Gallery collection of Cotman drawings. Here I examine some … Continue reading John Sell Cotman: A Harbour for the Soul #3

John Sell Cotman: A Harbour for the Soul #2

This is the second instalment of an article presenting a recently rediscovered watercolour of ‘The Student’ by John Sell Cotman. Part 1 described the discovery and identification of the subject, and here I explore some of the related works identified during my research into the Leeds Art Gallery collection of Cotman drawings. The watercolour is related … Continue reading John Sell Cotman: A Harbour for the Soul #2

Cotman’ and St Benet’s Abbey: Part 2

This is the second part of an article exploring Cotman's association with St Benet's Abbey, Norfolk. In 1811 Cotman committed himself to a major series of etchings of Norfolk antiquarian subjects. The work was to become his primary preoccupation for the next five or six years, and he threw himself into it with several excursions … Continue reading Cotman’ and St Benet’s Abbey: Part 2

Cotman and St Benet’s Abbey, Norfolk: Part 1

This is a further instalment in a series that retraces Cotman’s footsteps through his native county of Norfolk. Here we visit the isolated site of St Benet’s Abbey. This stands in a marshy plain near the junction of the rivers Ant and Bure about ten miles directly ENE of Norwich, but much further by road, … Continue reading Cotman and St Benet’s Abbey, Norfolk: Part 1

In Cotman’s Footsteps through Normandy: #3 Arques la Bataille, near Dieppe

This is the third article in an occasional series exploring Normandy subjects in the Cotman collection at Leeds Art Gallery. In September 2016 I spent the month travelling through Normandy and visited all the sites represented at Leeds. Cotman’s port of landing on his first visit to Normandy in 1817 was Dieppe. In the first … Continue reading In Cotman’s Footsteps through Normandy: #3 Arques la Bataille, near Dieppe

In Cotman’s Footsteps through Normandy: #2 Dieppe Castle and Harbour

This is the second of an occasional series of articles that I will post as I work through Cotman’s Normandy subjects at Leeds Art Gallery. In September 2016 I had the opportunity to spend the month travelling through Normandy and visited the sites of all of the subjects represented at Leeds. Dieppe was his port … Continue reading In Cotman’s Footsteps through Normandy: #2 Dieppe Castle and Harbour

In Cotman’s Footsteps through Normandy: #1 Dieppe, East End of the Church of St Jacques

This is the first of an occasional series of articles that I will post as I work through Cotman’s Normandy subjects at Leeds Art Gallery. I am now in the latter stages of cataloguing all of the eight hundred (or more) works in the collection. In September 2016 I had the opportunity to spend the … Continue reading In Cotman’s Footsteps through Normandy: #1 Dieppe, East End of the Church of St Jacques

Update: Cotman and Point Lorenzo, Madeira

On 22 February 2015 I posted a SublimeSites.co article on ‘John Sell Cotman: Point Lorenzo, Madeira, 1828’. This followed a trip, earlier that month to see the site of a Cotman watercolour at the Victoria and Albert Museum. Cotman never went to Madeira, but based his composition on a drawing by a friend and Patron, … Continue reading Update: Cotman and Point Lorenzo, Madeira

Cotman and Turner’s ‘Van Tromp’: A newly identified study of 1832

On 10 May 2015, I posted a short article identifying one of the Cotman sketches at Leeds Art Gallery as a memorandum of a painting by Turner, ‘Helvoetsluis’, exhibited at the Royal Academy in 1832. It was touching to discover some new documentation of Cotman’s admiration for Turner. Then, just recently, a group of seven … Continue reading Cotman and Turner’s ‘Van Tromp’: A newly identified study of 1832