In Turner’s Footsteps at Heidelberg: Part 2

This post continues the essay begun on 19 October 2015. There, I followed in the footsteps of Turner’s comprehensive and systematic exploration of Heidelberg in 1833. Here, I look at a major finished watercolour that he developed in the early 1840s, and a return visit to Heidelberg at the same time. After the visit of … Continue reading In Turner’s Footsteps at Heidelberg: Part 2

In Ruskin’s Footsteps at Bellinzona: The Salita della Nocca

This article returns the attention of Sublimesites.co to the southern Swiss city of Bellinzona to investigate another site drawn by John Ruskin. Bellinzona has been the subject of two previous articles published on 29 September 2014. The new site is the Salita della Nocca, a narrow, cobbled path that climbs outside the walls to Montebello … Continue reading In Ruskin’s Footsteps at Bellinzona: The Salita della Nocca

Turner at Sallanches, 1836

This article is prompted by a watercolour that Turner made on his tour to the Alps in 1836. That tour was the subject of the exhibition Turner, Mont Blanc and the Val d’Aosta held at the Archaeological Museum in Aosta in 2000. At that time I identified its subject as the French town of Sallanches, … Continue reading Turner at Sallanches, 1836

Turner in Italy: Rome from Mount Aventine, 1836

This article gives some thought to a major painting by J.M.W.Turner, Rome from Mount Aventine, sold at Sotheby’s, London, on 3 December 2014 for £30.3m. Most previous accounts have accepted its topography more-or-less at face value: It turns out to be intriguingly deviant. I spent most of my teaching career extolling the imperative of drawing. … Continue reading Turner in Italy: Rome from Mount Aventine, 1836